Topics in Performing Cultures: World’s Fairs Barbara Kirshenblatt-Gimblett

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Topics in Performing Cultures: World’s Fairs

Barbara Kirshenblatt-Gimblett

H42.2320.001 / Fall 2002

Department of Performance Studies

New York University
Barker, Barbara. 1994. Imre Kiralfy's patriotic spectacles. Dance Chronicle 17, no. 2: 149-78.

Bennett, Tony. 1988. The exhibitionary complex. New Formations 4, no. spring: 73-102.

Çelik, Zeynep, and Leila Kinney. 1999. Ethnography and Exhibitionism at the Expositions Universelles. Assemblages 13: 35-59.

Garelik, Rhonda K. 1995. Electric Salome: Loie Fuller at the Exposition Universelle of 1900. In Imperialism and theatre: essays on world theatre, drama, and performance. Ed. J. Ellen Gainor, 85-103. London, New York: Routledge.

Gunning, Tom. 1994. The World as Object Lesson: Cinema Audiences, Visual Culture, and the St. Louis World’s Fair, 1904. Film History 6: 422-44.

Kaufman, Edward N. 1989). The Architectural Museum from World's Fair to Restoration Village. Assemblage 9, June: 20-39.

Kihlstedt, Folke Tyko. 1986. Utopia Realized: The World's Fairs of the 1930s. Imagining tomorrow: history, technology, and the American future. Ed. Joseph J Corn, 97-118. Cambridge, Mass: MIT Press.

Kramer, Paul. 1999. Making Concessions: Race and Empire Revisited at the Philippine Exposition, St. Louis, 1901-1905. Radical History Review 73, winter: 74-119.

Kusamitsu, Toshio. 1980. Great exhibitions before 1851. History Workshop Journal 9, spring: 70-89.

Lewis, Russell. 1983. Everything Under One Roof: World's Fairs and Department Stores in Paris and Chicago. Chicago History 12, no. 3: 26-47.

Massa, Ann. 1974. Black women in the 'White City'. Journal of American Studies 8, no. 3: 319-37.

Mills, Stephen F. 1992. The Contemporary Theme Park and Its Victorian Pedigree. European Contributions to American Studies 24: 78-92.

———. 1996. The Presentation of Foreigners in the Land of Immigrants: Paradox and Stereotype at the Chicago World Exposition. European Contributions to American Studies 34: 251-65.

Mitchell, Timothy. 1992. Orientalism and the Exhibitionary Order. In Colonialism and culture. Ed. Nicholas B Dirks, 289-317. The Comparative Studies in Society and History Book Series. Ann Arbor: University of Michigan Press.

Moses, Lester George. 1991. Indians on the Midway: Wild West Shows and the Indian Bureau at World's Fairs, 1893-1904. South Dakota History 21, no. 3: 205-29.

Nye, David E. 1993. European Self-Representations at the New York World's Fair of 1939. In Cultural transmissions and receptions: American mass culture in Europe. Eds. Rob Kroes, Robert W Rydell, D. F. J Bosscher, and John F Sears, 47-64. European Contributions to American Studies, 25. Amsterdam: VU University Press.

———. 1992. Ritual Tomorrows: The New York World’s Fair of 1939. History and Anthropology 6, no. 1: 1-21.

Pred, Allan Richard. 1991. Spectacular Articulations of Modernity: The Stockholm Exhibition of 1897. Geografiska Annaler 73, B: 45-84.

Rydell, Robert W. 1989. The culture of imperial abundance: World's fairs in the making of American Culture. In Consuming visions: accumulation and display of goods in America, 1880-1920. Ed. Simon J. Bronner, 191-216. New York: Norton.

Sinclair, Bruce. 1989. Technology on Its Toes: Late Victorian Ballets, Pageants, and Industrial Exhibitions. In In context history and the history of technology : essays in honor of Melvin Kranzberg. Eds. Robert C Post, Stephen H Cutcliffe, and Melvin Kranzberg, 71-87. Research in Technology Studies, v. 1. Bethlehem, London: Lehigh University Press. Associated University Presses.

Smith, Michael L. 1993. Making time: representations of technology at the 1964 world's fair. In The Power of culture: critical essays in American history. Eds. Richard Wightman Fox, and T. J. Jackson Lears, 223-44. Chicago: University of Chicago Press.

Sorkin, Michael. 1992. See you in Disneyland. In Variations on a theme park: the new American city and the end of public space. Ed. Michael Sorkin, 205-49. New York: Hill and Wang.

Stoklund, Bjarne. 1993. International Exhibitions and the New Museum Concept in the Latter Half of the Nineteenth Century. Ethnologia Scandinavica: A Journal for Nordic Ethnology 23: 87-113.

———. 1994. The Role of the International Exhibitions in the Construction of National Cultures in the 19th Century. Ethnologia Europaea 24: 35-44.

Susman, Warren I. 1984. The People's Fair: Cultural Contradictions of a Consumer Society. Culture as history: the transformation of American society in the twentieth century. 211-29. New York: Pantheon Books.

Trachtenberg, Alan. 1982. White City. The incorporation of America: culture and society in the gilded age. 208-34, 249-50. New York: Hill and Wang.

Wilson, Alexander. 1992. Technological Utopias: World's Fairs and Theme Parks. The culture of nature: North American landscape from Disney to the Exxon Valdez. 157-90. Cambridge, Mass: Blackwell.

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