There is no question that pride, in the context of Antigone (and most of Sophocles' works), is a trait despised by the gods and punished without mercy. In Antigone, Sophocles describes the type of pride that allows men to create laws that substitute for divine principles. In other words, when Creon creates a law because he believes it is divine will, that is the ultimate display of punishable pride, for no man can ever create a law that is equal to or above divine right. As a result, when Tiresias comes with the news that Creon will suffer, Creon realizes that he has made a terrible mistake, and yet still refuses to admit it, bending to the prophet's message only because he wants to preserve his life, not because he knows he's gone too far. As a result, he must suffer the loss of his family.
(human law over divine law, personal poor judgment)
morality, doing what’s right, damn the consequences
These three conflicts are very closely related, but this crude set of pairings helps to untangle some of the central issues of the play. Antigone and her values line up with the first entity in each pair, while Creon and his values line up with the second. Antigone continues to be a subversive and powerful play, and the inspiration for generations of rebels and dissidents. In the 20th century, a version of Antigone rewritten during the Second World War became one of the most powerful texts of resistance against the Nazis. The conflict between the individual and the power of the state was as pressing for Greek audiences as it is to modern ones. Antigone is a threat to the status quo; she invokes divine law as defense of her actions, but implicit in her position is faith in the discerning power of her individual conscience. She sacrifices her life out of devotion to principles higher than human law. Creon makes a mistake in sentencing her-and his mistake is condemned, in turn, by the gods-but his position is an understandable one. In the wake of war, and with his reign so new, Creon has to establish his authority as supreme. On the other hand, Creon's need to defeat Antigone seems at times to be extremely personal. At stake is not only the order of the state, but his pride and sense of himself as a king and, more fundamentally, a man.