The Pelican Brief



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Voyles relented and managed a tiny smile. "I'll make you a deal. Your hatchet man Coal has done a number on me with the press. They've eaten my lunch over the security we provided to Rosenberg and Jensen."
The President nodded solemnly.
"You get that pit bull off my ass, keep him away from me, and I'll forget the pelican theory."
"I don't make deals."
Voyles sneered but kept his cool. "Good. I'll send fifty agents to New Orleans tomorrow. And fifty the next day. We'll be flashing badges all over town and doing our damnedest to attract attention."
The President jumped to his feet and walked to the windows overlooking the Rose Garden. Voyles sat motionless and waited.
"All right, all right. It's a deal. I can control Fletcher Coal."
Voyles stood and walked slowly to the desk. "I don't trust him, and if I smell him one more time during this investigation, the deal's off and we investigate the pelican brief with all the weight I can muster."
The President held up his hands and smiled warmly. "It's a deal."
Voyles was smiling and the President was smiling, and in the closet near the Cabinet Room Fletcher Coal was smiling at a screen. Hatchet man, pit bull. He loved it. Those were the words that created legends.
He turned off the screens and locked the door behind him. They would talk another ten minutes about the background checks on the short list, and he would listen in his office where he had audio but no video. He had a staff meeting at nine. A firing at ten. And he had some typing to do. With most memos, he simply dictated into the machine and handed the tape to a secretary. But occasionally, Coal found it necessary to resort to the phantom memo. These were always widely circulated in the West Wing, and always controversial as hell, and usually dripped to the press. Because they came from no one, they could be found lying on almost every desk. Coal would scream and accuse. He had fired people for phantom memos, all of which came from his typewriter.
It was four single-spaced paragraphs on one page, and it summarized what he knew about Khamel and his recent flight out of Washington. And there were vague links to the Libyans and Palestinians. Coal admired it. How long before it would be in the Post or the Times? He made little bets with himself about which paper would get it first.
THE DIRECTOR was at the White House, and from there would fly to New York and return tomorrow. Gavin camped outside the office of K. O. Lewis until there was a small opening. He was in.
Lewis was irritated, but always the gentleman. "You look scared."
"I've just lost my best friend."
Lewis waited for more.
"His name was Thomas Callahan. He's the guy from Tulane who brought me the pelican brief, and it got passed around, then sent to the White House and who knows where else, and now he's dead. Blown to bits by a car bomb last night in New Orleans. Murdered, K.O."
"I'm sorry."
"It's not a matter of being sorry. Evidently the bomb was intended for Callahan and the student who wrote it, a girl by the name of Darby Shaw."
"I saw her name on the brief."
"That's right. They've been dating, and were supposed to be in the car together when it exploded. But she survived, and I get this call this morning at five, and it's her. Scared to death."
Lewis listened, but was already dismissing it. "You're not certain it was a bomb."
"She said it was a bomb, okay. It went BOOM! and blew the hell out of everything, okay. I'm certain he's dead."
"And you think there's a connection between his death and the brief?"
Gavin was a lawyer, untrained in the art of investigation, and he did not wish to appear gullible. "There could be. I think so, yes. Don't you?"
"Doesn't matter, Gavin. I just got off the phone with the Director. Pelican's off our list. I'm not sure it was ever on, but we're spending no more time on it."
"But my friend's been killed with a car bomb."
"I'm sorry. I'm sure the authorities down there are investigating."
"Listen to me, K.O. I'm asking for a favor."
"Listen to me, Gavin. I don't have any favors. We're chasing enough rabbits right now, and if the Director says stop, then we stop. You're free to talk to him. I wouldn't advise it."
"Maybe I'm not handling this right. I thought you would listen to me, and at least act interested."
Lewis was walking around the desk. "Gavin, you look bad. Take the day off."
"No. I'll go to my office, wait an hour, and come back in here and do this again. Can we try it again in an hour?"
"No. Voyles was explicit."
"So was the girl, K.O. He was murdered, and now she's hiding somewhere in New Orleans afraid of her shadow, calling us for help, and we're too busy."
"I'm sorry."
"No, you're not. It's my fault. I should've thrown the damned thing in the garbage."
"It served a valuable purpose, Gavin." Lewis placed his hand on his shoulder as if his time was up and he was tired of this drivel. Gavin jerked away and headed for the door.
"Yeah, it gave you guys something to play with. I should've burned it."
"It's too good to burn, Gavin."
"I'm not giving up. I'll be back in an hour, and we'll do this again. This didn't go right." Verheek slammed the door behind him.

SHE ENTERED Rubinstein Brothers from Canal Street, and got lost between the racks of men's shirts. No one followed her in. She quickly picked out a navy parka, men's small, a genderless pair of aviator sunglasses, and a British driving cap that was also a men's small but fit. She paid for it with plastic. As the clerk ran the card through, she picked the tags off, and put the parka on. It was baggy, like something she would wear to class. She stuffed her hair under the hooded collar. The clerk watched discreetly. She exited on Magazine Street, and got lost in the crowd.


Back on Canal. A busload of tourists swarmed into the Sheraton, and she joined them. She went to the wall of phones, found the number, and called Mrs. Chen, her neighbor in the duplex next door. Had she seen or heard anyone? Very early, there was a knock on the door. It was still dark, and woke them. She didn't see anyone, just heard the knock. Her car was still on the street. Everything okay? Yes, all's fine. Thanks.
She watched the tourists and punched the inside number for Gavin Verheek. Inside meant a minor hassle only, and after three minutes of refusing to give her name and repeating his, she had him.
"Where are you?" he asked.
"Let me explain something. For the moment, I will not tell you or anyone else where I am. So don't ask."
"All right. I guess you're making the rules."
"Thank you. What did Mr. Voyles say?"
"Mr. Voyles was at the White House and unavailable. I'll try to talk to him later today."
"That's pretty weak, Gavin. You've been at the office for almost four hours, and you have nothing. I expected more."
"Be patient, Darby."
"Patience will get me killed. They're after me, aren't they, Gavin?"
"I don't know."
"What would you do if you knew you were supposed to be dead, and the people trying to kill you have had assassinated two Supreme Court Justices, and knocked off a simple law pro fessor, and they have billions of dollars which they obviously don't mind using to kill with? What would you do, Gavin?"
"Go to the FBI."
"Thomas went to the FBI, and he's dead."
"Thanks, Darby. That's not fair."
"I'm not worried about fairness or feelings. I'm more concerned with staying alive until noon."
"Don't go to your apartment."
"I'm not stupid. They've already been there. And I'm sure they're watching his apartment."
"Where's his family?"
"His parents live in Naples, Florida. I guess the university will contact them. I don't know. He has a brother in Mobile, and I thought of calling him and trying to explain all this."
She saw a face. He walked among the tourists at the registration desk. He held a folded newspaper and tried to appear at home, just another guest, but his walk was a bit hesitant and his eyes were searching. The face was long and thin with round glasses and a shiny forehead.
"Gavin, listen to me. Write this down. I see a man I've seen before, not long ago. An hour maybe. Six feet two or three, thin, thirty years old, glasses, receding hair, dark in color. He's gone. He's gone."
"Who the hell is it?"
"We haven't met, dammit!"
"Did he see you? Where the hell are you?"
"In a hotel lobby. I don't know if he saw me. I'm gone."
"Darby! Listen to me. Whatever you do, keep in touch with me, okay?"
"I'll try."
The rest room was around the corner. She went to the last stall, locked the door behind her, and stayed there for an hour.

THE PHOTOGRAPHER'S NAME was Croft, and he'd worked for the Post for seven years until his third drug conviction sent him away for nine months. Upon parole, he declared himself to be a free-lance artist, and advertised as such in the yellow pages. The phone seldom rang. He did a little of this work; this slithering around shooting people who did not know they were targets. Many of his clients were divorce lawyers who needed dirt for trial. After two years of free-lancing, he had picked up a few tricks and now considered himself a halfass private investigator. He charged forty bucks an hour when he could get it.


Another client was Gray Grantham, an old friend from his newspaper days who called when he needed dirt. Grantham was a serious, ethical reporter with just a touch of sleaze, and when he needed a dirty trick, he called. He liked Grantham because he was honest about his sleaziness. The rest were so pious.
He was in Grantham's Volvo because it had a phone. It was noon, and he was smoking his lunch, wondering if the smell would linger with all the windows down. He did his best work half-stoned. When you stare at motels for a living, you need to be stoned.
There was a nice breeze coming in from the passenger's side, blowing the smell onto Pennsylvania. He was parked illegally, smoking dope, and not really concerned. He had less than an ounce on him, and his probation officer smoked it too, so what the hell.
The phone booth was a block and a half ahead, on the sidewalk but away from the street. With his telephoto lens, he could almost read the phone book hanging from the rack. Piece of cake. A large woman was inside, filling the booth and talking with her hands. Croft took a drag and watched the mirror for cops. This was a tow-away zone. Traffic was heavy on Pennsylvania.
At twenty after twelve, the woman fought her way out of the booth, and from nowhere a young man with a nice suit appeared and closed the door. Croft got his Nikon and rested the lens on the steering wheel. It was cool and sunny, and the sidewalk bustled with lunch traffic. The shoulders and heads moved quickly by. A gap. Click. A gap. Click. The subject was punching numbers and glancing around. This was their man.
He talked for thirty seconds, and the car phone rang three times and stopped. It was the signal from Grantham at the Post. This was their man, and he was talking. Croft fired away. Get all you can get, Grantham had said. A gap. Click. Click. Heads and shoulders. A gap. Click. Click. His eyes darted around as he talked, but he kept his back to the street. Full face. Click. Croft burned a roll of thirty-six in two minutes, then grabbed another Nikon. He screwed on the lens, and waited for a mob to pass.
He took the last drag and thumped it into the street. This was so easy. Oh sure, it took talent to capture the image in a studio, but this street work was much more fun. There was something felonious about stealing a face with a hidden camera.
The subject was a man of few words. He hung up, looked around, opened the door, looked around, and started toward Croft. Click, click, click. Full face, full figure, walking faster, getting closer, beautiful, beautiful. Croft worked feverishly, then at the last moment laid the Nikon in the seat and looked at Pennsylvania as their man walked by and disappeared in a group of secretaries.
What a fool. When you're on the run, never use the same pay phone twice.

GARCIA WAS SHADOW BOXING. He had a wife and child, he said, and he was scared. There was a career ahead with plenty of money, and if he paid his dues and kept his mouth shut he would be a wealthy man. But he wanted to talk. He rambled on about how he wanted to talk, had something to say and all, but just couldn't make the decision. He didn't trust anyone.


Grantham didn't push. He let him ramble long enough for Croft to do his number. Garcia would eventually spill his guts. He wanted to so badly. He had called three times now, and was growing comfortable with his new friend Grantham, who'd played this game many times and knew how it worked. The first step was to relax and build trust, to treat them with warmth and respect, to talk about right and wrong and moralities. Then they would talk.
The pictures were beautiful. Croft was not his first choice. He was usually so bombed you could tell it in the photography. But Croft was sleazy and discreet, with a working knowledge of journalism, and he happened to be available on short notice. He had picked twelve and blown them to five by seven, and they were outstanding. Right profile. Left profile. Full face into the phone. Full face looking at the camera. Full figure less than twenty feet away. Piece of cake, Croft said.
Garcia was under thirty, a very nice-looking, clean-cut lawyer. Dark, short hair. Dark eyes. Maybe Hispanic, but the skin was not dark. The clothes were expensive. Navy suit, probably wool. No stripes or patterns. Basic white spread collar with a silk tie. Basic black or burgundy wing tips with a sparkling shine. The absence of a briefcase was puzzling. But then, it was lunch, and he probably ran from the office to make the call, then back to the office. The Justice Department was a block away.
Grantham studied the pictures and kept an eye on the door. Sarge was never late. It was dark and the club was filling up. Grantham's was the only white face within three blocks.
Of the tens of thousands of government lawyers in D.C., he had seen a few who knew how to dress, but not many. Especially the younger ones. They started at forty a year and clothes were not important. Clothes were important to Garcia, and he was too young and well dressed to be a government lawyer.
So he was a private one, in a firm for about three or four years now and hitting somewhere around eighty grand. Great. That narrowed it down to fifty thousand lawyers and no doubt expanding by the moment.
The door opened and a cop walked in. Through the smoke and haze, he could tell it was Cleve. This was a respectable joint with no dice or whores, so the presence of a cop was not alarming. He sat in the booth across from Grantham.
"Did you pick this place?" Grantham asked.
"Yeah. You like it?"
"Let's put it like this. We're trying to be inconspicuous, right? I'm here picking up secrets from a White House employee. Pretty heavy stuff. Now tell me, Cleve, do I look inconspicuous sitting here in all my whiteness?"
"I hate to tell you this, Grantham, but you're not nearly as famous as you think. You see those dudes at the bar." They looked at the bar lined with construction workers. "I'd give you my paycheck if any dude there has ever read the Washington Post, heard of Gray Grantham, or gives a damn what happens at the White House."
"Okay, okay. Where's Sarge?"
"Sarge is not feeling well. He gave me a message for you."
"Wouldn't work. He could use Sarge as an unnamed source, but not Sarge's son or anyone else Sarge talked to.What's wrong with him?"
"Old age. He didn't want to talk tonight, but it's urgent, he says."
Grantham listened and waited.
"I've got an envelope in my car, all licked and sealed real tight. Sarge got real blunt when he gave it to me, and told me not to open it. Just take it to Mr. Grantham. I think it's important."
"Let's go."
They made their way through the crowd to the door. The patrol car was parked illegally at the curb. Cleve opened the passenger door, and pulled the envelope from the glove box. "He got this in the West Wing."
Grantham stuffed it in his pocket. Sarge was not one to lift things, and in the course of their relationship he had never produced a document.
"Thanks, Cleve."
"He wouldn't tell me what it is, told me I'll just have to wait and read it in the paper."
"Tell Sarge I love him."
"I'm sure that'll give him a thrill."
The patrol car drove away, and Grantham hurried to his Volvo, now filled with the stench of burnt grass. He locked the door, turned on the dome light, and ripped open the envelope. It was clearly an internal White House memo, and it was about an assassin named Khamel.

HE WAS FLYING across town. Out of Brightwood, onto Sixteenth and south toward central Washington. It was almost seven-thirty, and if he could put it together in an hour, it would make the Late City edition, the largest of half a dozen editions that began rolling off the presses at ten-thirty. Thank god for the little yuppie car phone he had been embarrassed to buy. He called Smith Keen, the assistant managing editor/investigations, who was still in the newsroom on the fifth floor. He called a friend at the foreign desk, and asked him to pull everything on Khamel.


He was suspicious of the memo. The words were too sensitive to put on paper, then sling around the office like the latest policy on coffee or bottled water or vacations. Someone, probably Fletcher Coal, wanted the world to know that Khamel had emerged as a suspect, and that he was an Arab of all things, and had close ties to Libya and Iran and Iraq, countries led by fiery idiots who hated America. Someone in the White House of Fools wanted the story on the front page.
But it was a helluva story and it was front-page news. He and Smith Keen had it finished by nine. They found two old pictures of a man widely believed to be Khamel, but so dissimilar they appeared to be of different people. Keen said run both of them. The file on Khamel was thin. Much rumor and legend, but little meat. Grantham mentioned the Pope, the British diplomat, the German banker, and the ambush of the Israeli soldiers. And now, according to a confidential source at the White House, a most reliable and trusted source, Khamel was a suspect in the killings of Justices Rosenberg and Jensen.

TWENTY-FOUR HOURS after hitting the street, she was still alive. If she could make it to morning, she could start another day with new ideas about what to do and where to go. For now, she was tired. She was in a room on the fifteenth floor of the Marriott, with the door bolted, lights on, and the mighty can of Mace lying on the bedspread. Her thick, dark red hair was now in a paper sack in the closet. The last time she cut her hair she was three years old, and her mother whipped her tail.


It took two painful hours with dull scissors to cut it off yet leave some semblance of style. She would keep it under a cap or hat until who knows when. It took another two hours to color it black. She could've bleached it and gone blonde, but that would be obvious. She assumed she was dealing with professionals, and for some unfathomable reason she determined at the drugstore that they might expect her to do this and become a blonde. And what the hell. The stuff came in a bottle, and if she woke up tomorrow with a wild hair she could go blonde. The chameleon strategy. Change colors every day and drive 'em crazy. Clairol had at least eighty-five shades.
She was dead tired but afraid of sleep. She had not seen her friend from the Sheraton during the day, but the more she moved around the more the faces looked the same. He was out there, she knew. And he had friends. If they could assassinate Rosenberg and Jensen, and knock off Thomas Callahan, she would be easy.
She couldn't go near her car, and she didn't want to rent one. Rentals leave records. And they were probably watching. She could fly, but they were stalking the airports. Take a bus, but she'd never bought a ticket or seen the inside of a Greyhound.
And after they realized she had disappeared, they would expect her to run. She was just an amateur, a little college girl brokenhearted after watching her man blown to bits and fried. She would make a mad dash somewhere, get out of the city, and they would pick her off.
She rather liked the city at this moment. It had a million hotel rooms, almost as many alleys and dives and bars, and it always had crowds of people strolling along Bourbon, Chartres, Dauphine, and Royal. She knew it well, especially the Quarter, where life was within walking distance. She would move from hotel to hotel for a few days, until when? She didn't know when. She didn't know why. Moving just seemed intelligent under the circumstances. She would stay off the streets in the mornings, and try to sleep then. She would change clothes and hats and sunglasses. She would start smoking, and keep one in her face. She would move until she got tired of moving, then she might leave. It was okay to be scared. She had to keep thinking. She would survive.
She thought of calling the cops, but not now. They took names and kept records, and they could be dangerous. She thought of calling Thomas' brother in Mobile, but there wasn't a single thing the poor man could do to help her at this moment. She thought of calling the dean, but how could she explain the brief, Gavin Verheek, the FBI, the car bomb, Rosenberg and Jensen, and her on the run and make it sound believable. Forget the dean. She didn't like him anyway. She thought of calling a couple of friends from law school, but people talk, and people listen, and they could be out there listening to the people talking about poor Callahan. She wanted to talk to Alice Stark, her best friend. Alice was worried, and Alice would go to the cops and tell them her friend Darby Shaw was missing. She would call Alice tomorrow.
She dialed room service, and ordered a Mexican salad and a bottle of red wine. She would drink all of it, then sit in a chair with the Mace and watch the door until she fell asleep.

GMINSKI'S LIMO made a wild U-turn on Canal as if it owned the street, and came to a sudden stop in front of the Sheraton. Both rear doors flew open. Gminski was out first, followed quickly by three aides who scurried after him with bags and briefcases.


It was almost 2 A.M., and the Director was obviously in a hurry. He did not stop at the front desk, but went straight for the elevators. The aides ran behind him and held the elevator door for him, and no one spoke as they rode up six floors.
Three of his agents were waiting in a corner room. One of them opened the door, and Gminski barged through it without any sort of greeting. The aides threw the bags on one bed. The Director yanked off his jacket and threw it in a chair.
"Where is she?" he snapped at an agent by the name of Hooten. The one named Swank opened the curtains, and Gminski walked to the window.
Swank was pointing to the Marriott, across the street and down a block. "She's on the fifteenth floor, third room from the street, lights are still on."
Gminski stared at the Marriott. "You're certain?"
"Yes. We saw her go in, and she paid with a credit card."
"Poor kid," Gminski said as he walked away from the window. "Where was she last night?"
"Holiday Inn on Royal. Paid with a credit card."
"Have you seen anyone following her?" the Director asked.
"No."
"I need some water," he said to an aide, who jumped toward the ice bucket and rattled cubes.
Gminski sat on the edge of the bed, laced his fingers together, and cracked every possible knuckle. "What do you think?" he asked Hooten, the oldest of the three agents.
"They're chasing her. They're looking under rocks. She's using credit cards. She'll be dead in forty-eight hours."



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