Scope Filmography: g compiled by Gary Palmer Key



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Scope Filmography: G
Compiled by Gary Palmer


Key:
* = Indicates that the photographic process has not been identified.

** = Indicates that the photographic process has been identified, but the entry itself is otherwise incomplete (director hasn't been verified, original title missing, etc.).

bw = Black and white.

CGI = Animated films which employ computer graphics rather than 'traditional' hand-drawn animation.

col = Colour.

D: = Director.

DV = Indicates a film shot on standard-definition Digital Video cameras.

HD = Indicates a film shot with HD cameras at a native 1.78:1 ratio, subsequently cropped to produce a 2.39:1 release print (35mm and/or D-Cinema).

HD Widescreen = Indicates a film shot with HD cameras that employ a mechanism to alter the shape of the pixels that make up the HD image, thereby 'squeezing' a 2.33:1 or 2.37:1 image into the native 1.78:1 frame. This is subsequently 'unsqueezed' and rendered as a 2.39:1 release print (35mm and/or D-Cinema).

(I) = Indicates a film produced for Internet distribution rather than cinema or home video, though such films may also be distributed across other platforms after their initial 'Net-only' premiere.

(LF) = Large Format: This refers to any gauge larger than 5-perf 70mm, though not including VistaVision, Technirama or the various widescreen formats employed on certain movies throughout the 1920's and early 30's.

seq(s) = Sequence(s).

S16 = Indicates a film shot in Super 16.

(TV) = TV movie: Sometimes a film is produced specifically for television with a view to condensing the material for theatrical exhibition in non-domestic markets. With the dominance of 16:9 TV's and HD sets, allowing for easy letterboxing of 2.35:1 and 2.39:1 movies on wider TV screens, this has prompted some directors to use the scope frame for their TV productions. This is duly noted in the relevant entries.

(V) = This designates a movie produced for - and released directly to - home video.
Entries which do not list a photographic format were shot 'open frame' (usually 1.37:1 for 35mm and/or 1.78:1 for HD) and framed within that open space for a 2.39:1 release print. This is the same principle as 'flat' films which are framed and cropped for a 1.66:1 or 1.85:1 theatrical print, and has more in common with 'cropscreen' than widescreen, though the results are often indistinguishable from the real thing. Some filmmakers use this format to impose a rigorous scope frame, but most of them use it to shoot for a variety of ratios, thereby compromising all of them, especially the intended theatrical ratio. These films are 'widescreen' only in the sense that 2.39:1 is the primary ratio, but they are simply cropped from one frame shape to another and do not employ any special photographic process.

G

USA - 2002 - col

D: Christopher Scott Cherot
GABRIEL

Australia - 2007 - col

D: Shane Abbess
GABRIELA

(see: Gabriela, Cravo e Canela)
GABRIEL & ME

UK - 2001 - col

D: Udayan Prasad

Panavision
GABRIELA, CRAVO E CANELA

(aka: Gabriela)

Brazil - 1983 - col

D: Bruno Barreto

Technovision
GABRIELLE

Germany/France/Italy - 2005 - col

D: Patrice Chéreau

Panavision
GAB SUN YI THE BEST DRIVER

모범운전사 갑순이

S.Korea - 1972 - col

D: Lee Hyeong-pyo

Anamorphic
GABY

USA - 1956 - col

D: Curtis Bernhardt

CinemaScope

4-channel stereo

2.55:1
GADIS BERWAJAH SERIBU

(aka: Revenge of Ninja)
Indonesia - 1984 - col


D: Ratno Timoer

Anamorphic
GAINSBOURG (VIE HÉROÏQUE)

France - 2010 - col

D: Joann Sfar
GAIRAH MALAM YANG KEDUA

Indonesia - 1995 - col

D: S.A. Karim, Steady Rimba

Anamorphic
GAIRAH YANG PANAS

Indonesia - 1996 - col

D: Kaonawan Sumirah

Anamorphic
GALANTUOMINI

Italy - 2008 - col

D: Edoardo Winspeare
GALATASARAY-DEPOR

(aka: One Day in Europe)

Germany - 2004 - col

D: Hannes Stöhr

Hawk Scope
GALAXINA

USA - 1980 - col

D: William Sachs

Panavision
GALAXY QUEST

USA - 1999 - col

D: Dean Parisot

Panavision
DEN GALE DANSKER

(aka: The Mad Dane)
Denmark - 1969 - col


D: Kirsten Stenbæk

Ultrascope
THE GALINDEZ FILE

(see: Misterio Galíndez, El)
THE GALINDEZ MYSTERY

(see: Misterio Galíndez, El)
THE GALLANT

一身是膽

(aka: Gallant Boxer)

Taiwan - 1972 - col

D: Yeung Siu

Anamorphic
GALLANT BOXER

(see: Gallant, The)
GALLANT DUO

(see: Last Duel, The [1972])
THE GALLANT KNIGHTS

丹心令

(aka: The Supreme Order)

Taiwan - 1969 - col

D: Ling Yun, Sek Chi-ban

Anamorphic
GALLANT MAN

팔도사나이

S.Korea - 1969 - col

D: Kim Hyo-cheon

Anamorphic
THE GALLANT MUSKETEER

(see: Hardi! Pardaillan)
THE GALLANTRY KING**

乾隆香妃風流帳

Hong Kong - 1977? - col

D: Si-ma Ke

Anamorphic
GALLANTS

打擂台

Hong Kong - 2010 - col

D: Derek Kwok Chi-kin, Clement Cheng Si-kit
THE GALLERY MURDERS

(see: Uccello dalle Piume di Cristallo, L’)
GALLERY OF HORROR

(see: Dr. Terror’s Gallery of Horror)
GALLIPOLI

Australia - 1981 - col

D: Peter Weir

Panavision
GALLOWWALKER

USA - 2007 - col

D: Andrew Goth

Techniscope
LE GAMBERGE

(aka: The Dance)

France - 1962 - bw

D: Norbert Carbonnaux

Dyaliscope
GAMBIT

USA - 1966 - col

D: Ronald Neame

Techniscope
GAMBLER

博徒

Japan - 1964 - col

D: Shigehiro Ozawa

Toeiscope
THE GAMBLER

関東やくざ者

Japan - 1965 - col

D: Shigehiro Ozawa

Toeiscope
GAMBLER

博奕打ち

Japan - 1967 - col

D: Shigehiro Ozawa

Toeiscope
THE GAMBLER AND HIS KUNG FU MASTER

龍虎雙刁

Hong Kong - 1981 - col

D: Shao Hao

Anamorphic
GAMBLER: FOREIGN OPPOSITION

(see: Sympathy for the Underdog)
GAMBLER’S DELIGHT

流氓千王

(aka: Anxious to Return)

Hong Kong - 1981 - col

D: Ching Gong

Shawscope
GAMBLERS IN OKINAWA

(see: Sympathy for the Underdog)
GAMBLERS: INVINCIBLE GAME

博奕打ち 不死身の勝負

Japan - 1967 - col

D: Shigehiro Ozawa

Toeiscope
A GAMBLER’S STORY*

一個爛賭的傳說

Hong Kong - 2001 - col

D: Marco Mak Chi-sin
GAMBLING CITY

(see: Città Gioca d’Azzardo, La)
GAMBLING FOR GOLD

黃金賭客

Taiwan - 1973 - col

D: Suen Sing-yuen

Anamorphic
GAMBLING FOR HEAD**

賭人頭

Hong Kong - 1975? - col

D: Jimmy Shaw Feng

Anamorphic
GAMBLING HOUSE: CERTAIN KILL

必殺博奕打

Japan - 1969 - col

D: Kiyoshi Saeki

Toeiscope
GAMBLING HOUSE: THE RAID

博奕打ち 殴り込み

Japan - 1968 - col

D: Shigehiro Ozawa

Toeiscope
GAMBLING IS MY DESTINY

さすらいは俺の運命

Japan - 1965 - col

D: Motomu Ida

Nikkatsuscope
THE GAMBLING SAMURAI

国定忠治

Japan - 1960 - col

D: Senkichi Taniguchi

Tohoscope
THE GAMBLING SYNDICATE

惡霸

Hong Kong - 1975 - col

D: Cheung Chang-chak

Shawscope
THE GAME

USA - 1997 - col

D: David Fincher
THE GAMEBAG

(see: Carniere, Il)
GÅ MED FRED JAMIL: MA SALAMA JAMIL

(aka: Go With Peace Jamil)

Denmark - 2008 - col

D: Omar Shargawi
THE GAME IS OVER

(see: Curée, La)
THE GAME: 90 GHANTA

(see: 90 Ghanta)
GAME OF DEATH

USA/Hong Kong - 1978 - col

D: Robert Clouse

Panavision
GAME OF DEATH

USA - 2010 - col

D: Giorgio Serafini
GAME OF DEATH II

(see: Tower of Death)
GAME OF KILLERS

笑面殺手傻小子

Taiwan - 1979 - col

D: Hui Sing-yue

Anamorphic
GAME OF THE DRAGON

(see: Bruce Li the Invincible)
THE GAME OF THEIR LIVES

(aka: The Miracle Match)

USA - 2005 - col

D: David Anspaugh
THE GAME OF TRUTH

(see: Jeu de la Vérité, La)
GAME OF WEREWOLVES

(see: Lobos de Arga)
GAME OVER

Finland - 2005 - col

D: Pekka Lehto
GAME OVER

Germany - 2010 - col

D: Timo Rose
THE GAME PLAN

USA - 2007 - col

D: Andy Fickman
GAMERA STRIKES AGAIN

(see: Gamera vs. Barugon)
GAMERA THE BRAVE

小さき勇者たち ガメラ

Japan - 2006 - col

D: Ryuta Tazaki
GAMERA VS. BARUGON

大怪獣決闘 ガメラ対バルゴン

(aka: Gamera Strikes Again)

(aka: The Great Monster Duel: Gamera vs. Barugon)

(aka: War of the Monsters)

Japan - 1966 - col

D: Shigeo Tanaka

Daieiscope
GAMERA VS. GAOS

大怪獣空中戦 ガメラ対ギャオス

(aka: Giant Monster Mid-Air Battle: Gamera vs. Gaos)

(aka: Return of the Giant Monsters)

Japan - 1967 - col

D: Noriaki Yuasa

Daieiscope
GAMERA VS. GUILLON

ガメラ対大悪獣ギロン

(aka: Attack of the Monsters)

Japan - 1969 - col

D: Noriaki Yuasa

Daieiscope



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