Scope Filmography: f compiled by Gary Palmer Key



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Scope Filmography: F
Compiled by Gary Palmer


Key:
* = Indicates that the photographic process has not been identified.

** = Indicates that the photographic process has been identified, but the entry itself is otherwise incomplete (director hasn't been verified, original title missing, etc.).

bw = Black and white.

CGI = Animated films which employ computer graphics rather than 'traditional' hand-drawn animation.

col = Colour.

D: = Director.

DV = Indicates a film shot on standard-definition Digital Video cameras.

HD = Indicates a film shot with HD cameras at a native 1.78:1 ratio, subsequently cropped to produce a 2.39:1 release print (35mm and/or D-Cinema).

HD Widescreen = Indicates a film shot with HD cameras that employ a mechanism to alter the shape of the pixels that make up the HD image, thereby 'squeezing' a 2.33:1 or 2.37:1 image into the native 1.78:1 frame. This is subsequently 'unsqueezed' and rendered as a 2.39:1 release print (35mm and/or D-Cinema).

(I) = Indicates a film produced for Internet distribution rather than cinema or home video, though such films may also be distributed across other platforms after their initial 'Net-only' premiere.

(LF) = Large Format: This refers to any gauge larger than 5-perf 70mm, though not including VistaVision, Technirama or the various widescreen formats employed on certain movies throughout the 1920's and early 30's.

seq(s) = Sequence(s).

S16 = Indicates a film shot in Super 16.

(TV) = TV movie: Sometimes a film is produced specifically for television with a view to condensing the material for theatrical exhibition in non-domestic markets. With the dominance of 16:9 TV's and HD sets, allowing for easy letterboxing of 2.35:1 and 2.39:1 movies on wider TV screens, this has prompted some directors to use the scope frame for their TV productions. This is duly noted in the relevant entries.

(V) = This designates a movie produced for - and released directly to - home video.
Entries which do not list a photographic format were shot 'open frame' (usually 1.37:1 for 35mm and/or 1.78:1 for HD) and framed within that open space for a 2.39:1 release print. This is the same principle as 'flat' films which are framed and cropped for a 1.66:1 or 1.85:1 theatrical print, and has more in common with 'cropscreen' than widescreen, though the results are often indistinguishable from the real thing. Some filmmakers use this format to impose a rigorous scope frame, but most of them use it to shoot for a variety of ratios, thereby compromising all of them, especially the intended theatrical ratio. These films are 'widescreen' only in the sense that 2.39:1 is the primary ratio, but they are simply cropped from one frame shape to another and do not employ any special photographic process.

FABLE OF THE FISH

(see: Isda)
FABLES FROM HANS CHRISTIAN ANDERSEN

アンデルセン物語

Japan - 1968 - col

D: Kimio Yabuki

Toeiscope (cel animation)
FABRIK DER OFFIZIERE

W.Germany - 1960 - bw

D: Frank Wisbar

CinemaScope
LE FABULEUX DESTIN D’AMÉLIE POULAIN

(aka: Amelie from Montmartre)

France/Germany - 2001 - col

D: Jean-Pierre Jeunet
THE FABULOUS ADVENTURES OF MARCO POLO

(see: Miravigliose Avventure di Marco Polo, Le)
LE FABULEUX DESTIN DE MADAME PETLET*

(aka: Madame Petlet’s True Story)

France - 1995 - col

D: Camille de Casabianca
THE FABULOUS PROTECTRESS

神龍奇俠

Hong Kong - 1970 - col

D: Leung Yui

Cathay Scope
FACCIA A FACCIA

(aka: Face to Face)

Italy/Spain - 1966 - col

D: Sergio Sollima

Techniscope
THE FACE BEHIND MASK

龍蛇俠影

Taiwan - 1977 - col

D: Chen Chi-hwa

Anamorphic
FACELESS BEAUTY

(see: Hypnotized)
FACE/OFF

USA - 1997 - col

D: John Woo

Panavision
THE FACE OF FU MANCHU

UK - 1965 - col

D: Don Sharp

Techniscope
FACES IN THE CROWD

USA/France/Canada - 2011 - col

D: Julien Magnat
FACE TO FACE

(see: Faccia a Faccia)
FACETS OF LOVE

北地胭脂

Hong Kong - 1973 - col

D: Li Han-hsiang

Shawscope
FACING THE TRUTH

(see: At Kende Sandheden)
FACING WINDOWS

(see: Finestra di Fronte, La)
LE FACTEUR S’EN VA-T-EN GUERRE

(aka: The Postman Goes to War)

France - 1965 - col

D: Claude Bernard-Aubert

Techniscope
FACTS OF THE PAST DAY

Факты минувшего дня

USSR - 1981 - col

D: Vladimir Basov

Sovscope
FADE TO BLACK

UK/Italy/Serbia - 2006 - col

D: Oliver Parker
FADING OF THE CRIES

USA - 2011 - col

D: Brian A. Metcalf
DIE FAHNE VON KRIWOJ ROG

(aka: The Flag of Krivoy Rog)

E.Germany - 1967 - bw

D: Kurt Maetzig

Totalvision
DAS FÄHNLEIN DER SIEBEN AUFRECHTEN*

(aka: The Rebel)

Switzerland - 2001 - col

D: Simon Aeby
LA FAILLE

(aka: The Quarry)

France/Belgium/Netherlands/Spain - 1998 - col

D: Marion Hänsel

Panavision
FAILURE TO LAUNCH

USA - 2005 - col

D: Tom Dey
FAINTHEART

UK - 2008 - col

D: Vito Rocco
FAIR GAME

USA - 2010 - col

D: Doug Liman
FAIR LADY OF TAPGOL

탑골아씨

S.Korea - 1970 - col

D: Lee Kyu-wung

Anamorphic
FAIR OF THE DOVE

(see: Verbena de la Paloma, La)
THE FAIRY AND THE DEVIL**

觀世音與海龍王

Taiwan - 1982 - col

Anamorphic
THE FAIRY FOX AND GHOST

神狐鬼俠

Taiwan - 1970 - col

D: Gam Sing-yan

Anamorphic
FAIRY, GHOST, VIXEN

聊齋誌異

Hong Kong - 1965 - col

D: Tong Wong

Cathay Scope
THE FAIRY LOVE

雲翠仙

Taiwan - 1970 - col

D: Cheung Fong-ha

Anamorphic
FAIRY OF KING FA

(see: King Fah Fairy, The)
THE FAIRY’S BRIDE

仙妻

(aka: Fairy Wife)

Taiwan - 1971 - col

D: Tyrone Hsu Tien-yung

Anamorphic
FAIRY TALES

(aka: Adult Fairy Tales)
USA - 1978 - col


D: Harry Tampa

Anamorphic
THE FAIRY, THE GHOST AND AH CHUNG

鬼影神功

Hong Kong - 1979 - col

D: Patrick Lung Kong

Anamorphic
FAIRY WIFE

(see: Fairy’s Bride, The)
THE FAKE GAME

いかさま博奕

Japan - 1968 - col

D: Shigehiro Ozawa

Toeiscope
THE FAKE GHOST CATCHERS

鬼畫符

Hong Kong - 1981 - col

D: Lau Kar-wing

Shawscope
FAKERS

UK/Spain - 2004 - col

D: Richard Janes

Technovision (Super 16)
THE FAKIR

(see: Fakiren fra Bilbao)
FAKIREN FRA BILBAO

(aka: The Fakir)

Denmark - 2004 - col

D: Peter Flinth
FALAK

(aka: The Lost Generation)

(aka: Walls)

Hungary - 1967 - bw

D: András Kovács

Agascope
IL FALCO D’ORO

(aka: The Golden Falcon)

Italy - 1955 - col

D: Carlo Ludovico Bragaglia

Cinepanoramic
THE FALCONER

(see: Lit de la Vierge, Le)
THE FALCON FIGHTERS

あゝ陸軍隼戦闘隊

Japan - 1969 - col

D: Mitsuo Murayama

Daieiscope
FALCON OF THE DESERT

(see: Halcón del Desierto, El)
FALCONS

(see: Fálkar)
FÁLKAR

(aka: Falcons)

Iceland/UK/France/Germany/Norway - 2002 - col

D: Friðrik þor Friðriksson
FALLEN

USA - 1997 - col

D: Gregory Hoblit

Panavision
FALLEN ANGELS

(see: Varg Veum: Falne Engler)
FALLEN LEAVES

낙엽

S.Korea - 1968 - bw

D: Kang Dae-jin

Anamorphic
FALLEN PETALS

落花時節

Hong Kong - 1967 - col

D: Poon Lui

Shawscope
FALLING AWAKE

USA - 2009 - col

D: Agustin
FALLING DOWN

USA - 1992 - col

D: Joel Schumacher

Panavision
THE FALLING MAN

(see: Quella Carogna dell’Ispettore Sterling)
FALLING ROCKS

Germany - 2000 - col

D: Peter Keglevic
THE FALL OF AKO CASTLE

(see: Last of the Ako Clan)
THE FALL OF ROME

(see: Crollo di Roma, Il)
THE FALL OF THE GIANTS

(see: Urlo dei Giganti, L’)
THE FALL OF THE HOUSE OF USHER

(see: House of Usher)
FALL OF THE MOHICANS

(see: Uncas: El Fin de una Raza)
THE FALL OF THE ROMAN EMPIRE

USA - 1964 - col - 65mm

D: Anthony Mann

Ultra Panavision 70

70mm release prints

6-channel stereo

2.76:1

[Though shot in anamorphic 65mm, the film was released theatrically in spherical 70mm only, with a 2.21:1 aspect ratio]
DER FALSCHE MANN

Germany - 2011 - col

D: Markus Hafner
FALSCHER BEKENNER

(aka: I am Guilty)
(aka:
Low Profile)

Germany/Denmark - 2005 - col

D: Christoph Hochhäusler
FALSE POLICEMAN

(see: Bogus Policeman)
THE FALSE STUDENT

偽大学生

Japan - 1960 - bw

D: Yasuzo Masumura

Daieiscope
FALSE TRAIL

(see: Jägarna 2)
FAME

USA - 2009 - col

D: Kevin Tancharoen
FAMILIA

Canada - 2005 - col

D: Louise Archambault
EN FAMILIE

(aka: A Family)

Denmark - 2010 - col

D: Pernille Fischer Christensen
FAMILIEN GREGERSEN*

(aka: The Lost Generation)

Denmark - 2004 - col

D: Charlotte Sachs Bostrup



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