Sample a major Figure: Virginia Woolf



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Sample A

Major Figure: Virginia Woolf                                                            

  • The Voyage Out (1915)

  • Night and Day (1919)

  • Jacob's Room (1922)

  • Mrs Dalloway (1925)

  • To the Lighthouse (1927)

  • Orlando: A Biography (1928)

  • The Waves (1931)

  • The Years (1937)

  • Between the Acts (1941)

  •  The Complete Shorter Fiction

  • A Room of One's Own (1929)

  • Collected Essays Ed. Nigel Nicolson, Letters of Virginia Woolf (1975)

  • Christine Froula, Virginia Woolf and the Bloomsbury Avant-Garde: War Civilization, Modernity (2005)

  • Maggie Humm, Snapshots of Bloomsbury: The Private Lives of Virginia Woolf and Vanessa Bell (2006)

Time Period: British Novel 1880-1930

  • Henry James, The Portrait of a Lady (1881)

  • Thomas Hardy, Tess of the d'Urbervilles (1891)

  • H.G. Wells, The Time Machine (1895)

  • Joseph Conrad, Heart of Darkness (1902)

  • Henry James, The Ambassadors (1903)

  • Samuel Butler, The Way of All Flesh (1903)

  • Joseph Conrad, The Secret Agent (1907)

  • Arnold Bennett, Clayhanger (1910)

  • H.G. Wells, The History of Mr Polly (1910)

  • D.H. Lawrence, Sons and Lovers (1913)

  • James Joyce, Portrait of the Artist as a Young Man (1916)

  • James Joyce, Ulysses (1922)

  • E.M. Forster, A Passage to India (1924)

  • Aldous Huxley, Point Counter Point (1928)

  • D.H. Lawrence, Lady Chatterley's Lover (1928)

  • Evelyn Waugh, Decline and Fall (1928)

  • Robert Graves, Good-bye to All That (1929)

  • Evelyn Waugh, Vile Bodies (1930

  • Wayne Booth, The Rhetoric of Fiction (2006) 

  • Paul Fussell, The Great War and Modern Memory (1975)

Theoretical Approach: Gender Theory

  • Simone de Beauvoir, Second Sex

  • Judith Butler, Gender Trouble (1999)

  • Judith Butler, Undoing Gender (2004)

  • Michele Foucault, The History of Sexuality

  • Jacquelyn N. Zita, Body Talk: Philosophical Reflections on Sex and Gender (1998)

  • Carol Gould, Gender: Key Concepts in Critical Theory

  • Larry May, Robert Strikwerda, Patrick Hopkins, Rethinking Masculinity

  • Marjorie Garber, Vested Interests (1992)

Sample B

Time Period: Medieval French Literature

  • Les Lais, Marie de France (1160-1215)

  • Chanson de Roland (1098)

  • Arthurian Romances, Chretien de Troyes(1162-85)

  • Bestiaire, Phillippe de Thaon (c. 1121)

  • Christine de Pisan(1364-1430)

    • Le Livre de la cit des dames

    • Le Livre des trois vertus

  • Roman de la Rose, Guillaume de Lorris(1225-1237)

  • Chronicles, Jean Froissart (1337-1405)

  • Lady as Saint, Ed. Brigitte Cazelles 

Genre: Fantasy (pre-Tolkien)

  •  Ann Radcliffe

  • George MacDonald

    • Phantastes

    • Lilith

  • Lord Dunsany

    • The King of Elfland's Daughter

    • The Charwoman's Shadow

  • Andrew Lang

    •  The Blue and Red Fairy Books

  • John Keats, selected poetry

  • Alfred, Lord Tennyson

    • Idylls of the King;

  • William Morris

    •  Defense of Guinevere and Other Poems,

  • Christina Rossetti

    • Goblin Market

 

Approach: Medieval to Medievalism

  • Alice Chandler, A Dream of Order

  • T. Jackson Lear, No Place of Grace

  • John Simmons, ed., From Medieval to Medievalism

  • R. Howard Bloch, Medieval French Literature and Law

  • Benedict Anderson, Imagined Communities,

  • R. Howard Bloch, Etymologies and Geneologies: A Literary Anthropology of the French Middle Ages

  • Jeffrey Jerome Cohen The postcolonial middle ages

  • Laurie Finke & Martin Shichtman, King Arthur and the Myth of History

  • Patricia Ingham, Sovereign Fantasies: Arthurian Romance and the Making of Britain

  • Michelle Warren, History on the Edge

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