Northwestern University School of Professional Studies
Spring Semester
2015
Monday, March 2 – Friday, June 5
Evanston and Chicago
Study Groups
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Group #
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Chicago Study Groups At-A-Glance
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Start Time
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MONDAY
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#4311
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Great Short Stories
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10 a.m.
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#4312
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Literary Masters
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10 a.m.
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#4313
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Photographing Chicago (Intermediate Level) (3HRS)
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9 a.m.
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#4314
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Monday at the Movies: 1939—Hollywood’s Greatest Year (3HRS)
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1 p.m.
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#4315
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The New Yorker (Monday)
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1:30 p.m.
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NEW
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#4316
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Russia, The Wild East
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1:30 p.m.
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#4317
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Women in Literature
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1:30 p.m.
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#4318
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Writing Life Stories
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1:30 p.m.
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TUESDAY
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NEW
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#4319
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The Remarkable Year — 1968
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10 a.m.
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#4320
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The American Essay: Food for Thought
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10 a.m.
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#4321
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American Road Trip: Art, Literature and Music Coast to Coast
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10 a.m.
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NEW
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#4322
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Being Mortal
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10 a.m.
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NEW
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#4323
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Faiths of Our Founding Fathers and Post War Presidents
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10 a.m.
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#4324
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Christianity — The First Three Thousand Years
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1:30 p.m.
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#4325
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Curtain Up! Tuesday
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1:30 p.m.
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NEW
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#4326
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Independent Filmmakers: The Coen Brothers and John Sayles (3HRS)
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1:15 p.m.
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#4327
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Let’s Talk About the Movies — Bonus Group (7 SESSIONS)
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12.15 p.m.
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#4328
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Postwar: A History of Europe Since 1945
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1:30 p.m.
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#4329
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Previews and Reviews — Bonus Group (3 SESSIONS)
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12:15 p.m.
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NEW
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#4330
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The Queen, The Lawyer, The Screw
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1:30 p.m.
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NEW
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#4331
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Science for Everyone
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1:30 p.m.
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#4332
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The Writing Group
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1:30 p.m.
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WEDNESDAY
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#4333
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Contemporary Art in a Globalized World
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10 a.m.
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#4334
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Foreign Affairs
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10 a.m.
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#4335
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The New Yorker (Wednesday)
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10 a.m.
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NEW
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#4336
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People and Events that Shaped Our World
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10 a.m.
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NEW
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#4337
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Political Order and Political Decay
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10 a.m.
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#4338
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Understanding Subatomic Theories of the Universe
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10 a.m.
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#4339
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Curtain Up! Wednesday
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1:30 p.m.
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#4340
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Documentary Films (2.75 HRS)
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1:15 p.m.
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#4341
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The Economist Magazine
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1:30 p.m.
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#4342
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Explorations of Brain & Mind
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1:30 p.m.
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#4343
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George Washington, the Indispensable Founder? Part II
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1:30 p.m.
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NEW
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#4344
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The Revenge of Geography
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1:30 p.m.
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THURSDAY
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NEW
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#4345
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After the Civil War — Views of Reconstruction
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10 a.m.
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#4346
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British Mystery Writers
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10 a.m.
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NEW
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#4347
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Current Economic Issues, Data and Solutions
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10 a.m.
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#4348
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Famous Trials
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10 a.m.
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#4349
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Readings in Western Culture
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10 a.m.
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#4350
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The World of Poetry
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10 a.m.
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NEW
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#4351
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Fractured Nations
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1:30 p.m.
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#4352
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Movies and Politics (3HRS)
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1 p.m.
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#4353
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Washington Week
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1:30 p.m.
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Osher Lifelong Learning Institute
Northwestern University School of Professional Studies
Spring Semester
March 2 – June 5, 2015
Study Group Descriptions
Chicago Campus
MONDAY
#4311 Great Short Stories
Monday, 10 a.m.-noon
Coordinators: Vicki DuFour Lynn Sieben
As Stacy Schiff wrote in The New York Times, “A short story is by definition an odder, more eccentric creature than a novel; a trailer, a fling, a warm-up act, a bouillon cube, a championship game in one inning. Irresolution and ambiguity become it; it’s a first date rather than a marriage. When is it mightier than the novel? When its elisions speak as loudly as its lines.” If you enjoy reading fiction and want to explore the succinctness of the short story, join our study group. The very brevity of the form invites lively discussion and differing interpretations of the material. Each week we will read two stories (usually a total of about 30 pages) chosen by the discussion leader, who also prepares brief biographies of the authors. As texts we will continue to use The O. Henry Prize Stories 2014 (Anchor Books paperback, September 9, 2014) edited by Laura Furman and The Oxford Book of American Short Stories 2nd edition (Oxford University Press paperback 2013) edited by Joyce Carol Oates. Same books as the fall!
#4312 Literary Masters
Monday, 10 a.m.-noon
Coordinators: Ira Weinberg, Sue Berger, Eric Cooper
This study group targets readers who enjoy exploring literature if many cultures and styles —classic to modern, from Aeschylus to Atwood, Roth to Rushdie, Shakespeare to Shaw — and combines the joy of reading with the pleasure of discussion. We usually devote at least two weeks to each book to assure a comprehensive and meaningful dialogue.
We will begins with a three-week discussion of Thomas Mann’s masterpiece Buddenbrooks and continue with Michael Cunningham, The Hours, Eugene O’Neill’s Long Day’s Journey into Night, Bernard Malamud’s The Assistant, followed by Ian McEwan’s Atonement. The semester will conclude with Muriel Spark’s The Prime of Miss Jean Brodie. Any edition of these books is acceptable.
#4313 Photographing Chicago (Intermediate Level)
Monday, 9 a.m.-noon
Coordinators: Bob Moss, Eric Cooper, Ted Davis
This study group is an intermediate level class for photography enthusiasts. This study group offers participants the opportunity to practice the art of photography while learning about Chicago. Every other week, members of the study group receive a brief history of a neighborhood or notable location. Meeting at the chosen location, we will break up into small groups to shoot photos that reflect the location. Frequently, we will specify a photographic method or constraint to 'exercise' particular skills. We will reassemble after the shoot for lunch at a neighborhood restaurant, leaving time to return for afternoon classes.
On alternate weeks the study group will meet at Wieboldt Hall to analyze our photos, comparing composition techniques and the application of in-camera technical features. We will emphasize the photo-taking process, envisioning the shoot beforehand and getting the most out of camera and lenses through composition, depth of field and exposure. This semester we will discuss how some post-processing features might enhance the photo, but no post processing will be required for the class.
This intermediate level class will continue using Digital Photography Masterclass by Tom Ang (DK Publishing hardback, 2013). You must have an interchangeable lens manual control camera. Point-and-shoot and phone cameras are not permitted. Internet and email access is required. Class material will be posted on NU’s classroom management system which requires an active Net-ID and password.
#4314 Monday at the Movies: 1939 — Hollywood's Greatest Year
Monday, 1-4 p.m.
Coordinators: Ray Rusnak, Peggy DeLay
In 1940, Hollywood celebrated its 12th Academy Awards show, hosted for the first time by Bob Hope. The array of nominees was stunning.
Gone With The Wind topped the list but there were several other amazingly outstanding films made in 1939: Frank Capra’s Mr. Smith Goes to Washington; William Wyler’s Wuthering Heights; Ernst Lubitsch’s Ninotchka in which Garbo laughed; plus Goodbye, Mr. Chips; Love Affair (the prequel to An Affair to Remember and Restless in Seattle); The Wizard of Oz; The Private Lives of Elizabeth and Essex, Of Mice and Men, Dark Victory, and Beau Geste. These are some of the nominees we will watch.
Each week a class member will present one of these films giving us a brief background of the director, the stars and significant details of the film. After our screening, we’ll have a lively discussion and learn just why they qualified for so many Academy Award nominations and what the times were like in 1939 to produce so many masterpieces.
#4315 The New Yorker (Monday)
Monday, 1:30–3:30 p.m.
Coordinators: Sandy Edidin, Marylyn Miller
Inside its famous covers and beyond the cartoons, The New Yorker magazine is dedicated to high-quality, topical writings and ideas. Our peer-led group discussions will be as varied as the contents of this distinguished magazine. Join us as we explore art, technology, politics, personalities, medicine, movies, fiction, fashion, culture and commentary. You will find your view of our current world expanded. You must have a current subscription to The New Yorker magazine.
#4316 Russia, The Wild East NEW
Monday, 1:30-3:30 p.m.
Coordinators: Katharine Nair, Richard Krantz
“Russia is a riddle wrapped in a mystery inside an enigma,” so said Winston Churchill. If this quote resonates with you consider joining us in our study group. The foundation for our study group is the book Russia: A One Thousand Year Chronicle of the Wild East by Martin Sixsmith (Overlook Press paperback, 2013). Sixsmith shows how Russia’s complex identity has been formed over a thousand years and goes a long way towards explaining its often baffling behavior. With liberal references to Russia’s unique cultural history in music and literature as well as the historical narrative, Sixsmith’s work serves as a most entertaining and informative guide in solving the riddle. We will be reading approximately forty pages per week and participants will be encouraged to facilitate the classes. Our discussion topics will be disseminated via email.
#4317 Women in Literature
Monday, 1:30-3:30 p.m.
Coordinator: Paulette Whitt
If you like literature and lively discussion, welcome to our group! Our objective is to gain insight into literature of women’s lives from time to time and place to place. We focus on fiction about women, written by both contemporary and classic male and female authors from a variety of cultures. We plan to read novels (we devote one week for shorter books and occasionally two weeks for longer books) interspersed with short stories and perhaps a movie. A broader understanding and appreciation of books read individually, plus exposure to others not previously read or even known about, are especially valued by our group members. All group members are urged to take a turn as discussion leader, preparing a short biography of the author and developing questions that provide a springboard for discussion and enhanced understanding of the week’s reading assignment. Spring semester books will include Nora Webster: A Novel by Colm Toibin (Scribner hardcover, 2014), Floating in My Mother’s Palm by Ursula Heigl (Scribner paperback, 1990), and The End of the Affair by Graham Greene (Penguin Classic paperback, 1999). We will begin the spring semester reading Nora Webster: A Novel.
#4318 Writing Life Stories
Monday, 1:30-3:30 p.m.
Coordinators: Marta Killner, Sandra Cowen, Janet Piper Voss
Why write our own stories? Memoir writing may help us capture on the page enduring portraits of the people in our lives, recreate with words the landscapes we once walked and take the time to reflect on our ever-changing personal, familial or social circumstances. Yet writing about one’s own life can be a daunting task. Where does one start? What should be included and what left out? As memoir writers, how should we organize our thoughts? Chronologically? By themes? What about style? Poems or prose? Brief anecdotes or chapter-long memoirs?
Whether experienced writers or beginners, we can help each other tackle some of these questions in our memoir writing group. Every week we will have an opportunity to present our work to a sounding board of like-minded “memoirists” and to give and receive helpful feedback. We will also hone our skills by drawing from a wide variety of resources dealing with the genre. If you ever wished to try your hand at writing compelling, real-life stories, this is your chance.
TUESDAY
#4319 The Remarkable Year —1968 NEW
Coordinators: Hank Trenkle and Martha Bills
Tuesday, 10 a.m.-noon
1968. Just the mention of a single word or phrase is enough to cause people of a certain age to remember this unforgettable year. Those of us who were there are able to vividly recall certain events, movements, "happenings" as they were called back then: Vietnam and the Tet Offensive; Martin Luther King, Jr., Johnson Drops Out; Presidential Primaries; Prague Spring; Robert F. Kennedy; the Chicago Convention; the Black Power Movement; The Graduate, Hair and LSD; the election of 1968; Flight to the Moon; Anti-War Movement. Join us as we go back to 1968 and explore what made each month of this remarkable year such a watershed in American and world history. We will use Mark Kurlansky's 1968: The Year That Rocked the World (Random House Trade Paperbacks, 2005) as a starting point for our discussions. We will also delve into magazines from the period, such as Time, Life and Newsweek as well as other relevant materials that help explain what made this particular year so memorable. Videos, films and YouTube will also be used to capture the essence of 1968.
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