My Name Is Margaret

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My Name Is Margaret” from I Know Why the Caged Bird AP Language and Composition


Recently a white woman from Texas, who would quickly describe herself as a liberal, asked me about my hometown. When I told her that in Stamps my grandmother had owned the only Negro general merchandise store since the turn of the century, she exclaimed, "Why, you were a debutante." Ridiculous and even ludicrous. But Negro girls in small Southern towns, whether poverty-stricken or just munching along on a few of life's necessities, were given as extensive and irrelevant preparations for adulthood as rich white girls shown in magazines.

Admittedly the training was not the same. While white girls learned to waltz and sit gracefully with a tea cup balanced on their knees, we were lagging behind, learning the mid-Victorian values with very little money to indulge them. (Come and see Edna Lomax spending the money she made picking cotton on five balls of ecru tatting thread. Her fingers are bound to snag the work and she'll have to repeat the stitches time and time again. But she knows that when she buys the thread.)

We were required to embroider and I had trunkfuls of colorful dishtowels, pillowcases, runners and handkerchiefs to my credit. I mastered the art of crocheting and tatting, and there was a lifetime's supply of dainty doilies that would never be used in sacheted dresser drawers. It went without saying that all girls could iron and wash, but the finer touches around the home, like setting a table with real silver, baking roasts and cooking vegetables without meat, had to be learned elsewhere. Usually at the source of those habits. During my tenth year, a white woman's kitchen became my finishing school.

Mrs. Viola Cullinan was a plump woman who lived in a three-bedroom house somewhere behind the post office. She was singularly unattractive until she smiled, and then the lines around her eyes and mouth which made her look perpetually dirty disappeared, and her face looked like the mask of an impish elf. She usually rested her smile until late afternoon when her women friends dropped in and Miss Glory, the cook, served them cold drinks on the closed-in porch.

The exactness of her house was inhuman. This glass went here and only here. That cup had its place and it was an act of impudent rebellion to place it anywhere else. At twelve o'clock the table was set. At 12:15 Mrs. Cullinan sat down to dinner (whether her husband had arrived or not). At 12:16 Miss Glory brought out the food.

It took me a week to learn the difference between a salad plate, a bread plate and a dessert plate.

Mrs. Cullinan kept up the tradition of her wealthy parents. She was from Virginia. Miss Glory, who was a descendant of slaves that had worked for the Cullinans, told me her history. She had married beneath her (according to Miss Glory). Her husband's family hadn't had their money very long and what they had "didn't mount to much."

As ugly as she was, I thought privately, she was lucky to get a husband above or beneath her station. But Miss Glory wouldn't let me say a thing against her mistress. She was very patient with me, however, over the housework. She explained the dishware, silverware and servants' bells. The large round bowl in which soup was served wasn't a soup bowl, it was a tureen. There were goblets, sherbet glasses, ice-cream glasses, wine glasses, green glass coffee cups with matching saucers, and water glasses. I had a glass to drink from, and it sat with Miss Glory's on a separate shelf from the others. Soup spoons, gravy boat, butter knives, salad forks and carving platter were additions to my vocabulary and in fact almost represented a new language. I was fascinated with the novelty, with the fluttering Mrs. Cullinan and her Alice-in-Wonderland house.

Her husband remains, in my memory, undefined. I lumped him with all the other white men that I had ever seen and tried not to see.

On our way home one evening, Miss Glory told me that Mrs. Cullinan couldn't have children. She said that she was too delicate-boned. It was hard to imagine bones at all under those layers of fat. Miss Glory went on to say that the doctor had taken out all her lady organs. I reasoned that a pig's organs included the lungs, heart and liver, so if Mrs. Cullinan was walking around without those essentials, it explained why she drank alcohol out of unmarked bottles. She was keeping herself embalmed.

When I spoke to Bailey about it, he agreed that I was right, but he also informed me that Mr. Cullinan had two daughters by a colored lady and that I knew them very well. He added that the girls were the spitting image of their father. I was unable to remember what he looked like, although I had just left him a few hours before, but I thought of the Coleman girls. They were very light-skinned and certainly didn't look very much like their mother (no one ever mentioned Mr. Coleman).

My pity for Mrs. Cullinan preceded me the next morning like the Cheshire cat's smile. Those girls, who could have been her daughters, were beautiful. They didn't have to straighten their hair. Even when they were caught in the rain, their braids still hung down straight like tamed snakes. Their mouths were pouty little cupid's bows. Mrs. Cullinan didn't know what she missed. Or maybe she did.

Poor Mrs. Cullinan.

For weeks after, I arrived early, left late and tried very hard to make up for her barrenness. If she had had her own children, she wouldn't have had to ask me to run a thousand errands from her back door to the back door of her friends.

Poor old Mrs. Culhinan.

Then one evening Miss Glory told me to serve the ladies on the porch. After I set the tray down and turned toward the kitchen, one of the women asked, "What's your name, girl? It was the speckled-faced one. Mrs. Cullinan said, "She doesn't talk much. Her name's Margaret."
"Is she dumb?"

"No. As I understand it, she can talk when she wants to but she's usually quiet as a little mouse. Aren't you, Margaret?"

I smiled at her. Poor thing. No organs and couldn't even pronounce my name correctly.

"She's a sweet little thing, though."

"Well, that may be, but the names too long. I'd never bother myself. I'd call her Mary if I was you."

I fumed into the kitchen. That horrible woman would never have the chance to call me Mary because if I was starving I'd never work for her. I decided I wouldn't pee on her if her heart was on fire. Giggles drifted in off the porch and into Miss Glory's pots. I wondered what they could be laughing about.

Whitefolks were so strange. Could they be talking about me? Everybody knew that they stuck together better than the Negroes did. It was possible that Mrs. Cullinan had friends in St. Louis who heard about a girl from Stamps being in court and wrote to tell her. Maybe she knew about Mr. Freeman.

My lunch was in my mouth a second time and I went outside and relieved myself on the bed of four-o'clocks. Miss Glory thought I might be coming down with something and told me to go on home, that Momma would give me sonic herb tea, and she'd explain to her mistress.

I realized how foolish I was being before I reached the pond. Of course Mrs. Cullinan didn't know. Otherwise she wouldn't have given mc two nice dresses that Momma cut down, and she certainly wouldn't have called me a "sweet little thing." My stomach felt fine, and I didn't mention anything to Momma.

That evening I decided to write a poem on being white, fat, old and without children. It was going to be a tragic ballad. I would have to watch her carefully to capture the essence of her loneliness and pain.

The very next day, she called me by the wrong name. Miss Glory and I were washing up the lunch dishes when Mrs. Cullinan came to the doorway.


Miss Glory asked, "Who?"

Mrs. Cullinan, sagging a little, knew and I knew. "I want Mary to go down to Mrs. Randall's and take her some soup. She's not been feeling well for a few days."

Miss Glory's face was a wonder to see. "You mean Margaret, ma'am. Her name's Margaret."

"That's too long. She's Mary from now on. Heat that soup from last night and put it in the china tureen and, Mary, I want you to carry it carefully."

Every person I knew had a hellish horror of being "called out of his name."

It was a dangerous practice to call a Negro anything that could be loosely construed as insulting because of the centuries of their having been called niggers, jigs, dinges, blackbirds, crows, boots and spooks.

Miss Glory had a fleeting second of feeling sorry for me. Then as she handed me the hot tureen she said, "Don't mind, don't pay that no mind. Sticks and stones may break your bones, but words ... You know, I been working for her for twenty years."

She held the back door open for me. "Twenty years. I wasn't much older than you. My name used to be Hallelujah. That's what Ma named me, but my mistress give me Glory,' and it stuck. I likes it better too."

I was in the little path that ran behind the houses when Miss Glory shouted, "It's shorter too."

For a few seconds it was a tossup over whether I would laugh (imagine being named Hallelujah) or cry (imagine letting sonic white woman rename you for her convenience). My anger saved me from either outburst. I had to quit the job, but the problem was going to be how to do it. Momma wouldn't allow me to quit for just any reason.

"She's a peach. That woman is a real peach." Mrs. RandalI's maid was talking as she took the soup from me, and I wondered what her name used to be and what she answered to now.

For a week I looked into Mrs. Cullinan's face as she called me Mary. She ignored my coming late and leaving early. Miss Glory was a little annoyed because I had begun to leave egg yolk on the dishes and wasn't putting much heart in polishing the silver. I hoped that she would complain to our boss, but she didn't.

Then Bailey solved my dilemma. He had me describe the contents of the cupboard and the particular plates she liked best. Her favorite piece was a casserole shaped like a fish and the green glass coffee cups. I kept his instructions in mind, so on the next day when Miss Glory was hanging out clothes and I had again been told to serve the old biddies on the porch, I dropped the empty serving tray. When I heard Mrs. Cullinan scream, "Mary!" I picked up the casserole and two of the green glass cups in readiness. As she rounded the, kitchen door I let them fall on the tiled floor.

I could never absolutely describe to Bailey what happened next, because each time I got to the part where she fell on the floor and screwed up her ugly face to cry, we burst out laughing. She actually wobbled around on the floor and picked up shards of the cups and cried, "Oh, Momma. Oh, dear Gawd. It's Momma's china from Virginia. Oh, Momma, I sorry."

Miss Glory came running in from the yard and the women from the porch crowded around. Miss Glory was almost as broken up as her mistress. "You mean to say she broke our Virginia dishes? What we gone do?"

Miss Cullinan cried louder, "That clumsy nigger. Clumsy little black nigger."

Old speckled-face leaned down and asked, "Who did it, Viola? Was it Mary? Who did it?"

Everything was happening so fast I can't remember whether her action preceded her words, but I know that Mrs. Cullinan said, "Her name's Margaret, goddamn it, her name's Margaret." And she threw a wedge of the broken plate at me. It could have been the hysteria which put her aim off, but the flying crockery caught Miss Glory right over the ear and she started screaming.

I left the front door wide open so all the neighbors could hear.

Mrs. Cullinan was right about one thing. My name wasn't Mary.

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