Jablonski, Marek (Michael)
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electro-acoustic
WRITINGS‘Letter from Urbana’, PNM, ii/1 (1963–4), 137–41 ‘Scalar Order as a Compositional Resource’, PNM, ii/2 (1963–4), 56–76 ‘Proportionality and Expanded Music Pitch Relations’, PNM, v/1 (1966–7), 112–20 ‘Three Attacks on a Problem’, Proceedings of the American Society of University Composers, ii (1967), 89–98 ‘On Context’, Proceedings of the American Society of University Composers, iii (1968), 32–6; repr. in Source, ii/2 (1968), 44–5 ‘How to Cook an Albatross’, Arts in Society, vii/1 (1970), 33–8; repr. in Source, iv/1 (1970), 63–5 with E. Kobrin: ‘Phase la’, Source, iv/1 (1970), 27–45 ‘Art and Survival’, Composer [Hamilton, OH], iii (1971–2), 9–16 ‘Tonality Regained’, Proceedings of the American Society of University Composers, vi (1971), 113–19 ‘Microtonality’, ‘Partch, Harry’: VintonD ‘The Corporealism of Harry Partch’, PNM, xiii/2 (1974–5), 85–97 ‘Rational Structure in Music’, Proceedings of the American Society of University Composers, xi–xii (1976–77), 102–18 ‘Harry Partch – John Cage’, New World Records 214 (1978) [disc notes] ‘The Genesis of Knocking Piece’, Percussive Notes, xxii/3 (1983), 25–31 ‘Extended Just Intonation: a Position Paper’, PNM, xxv (1987), 517–19 ‘A.S.U.C. Keynote Address’, PNM, xxvi (1968), 236–42 Recorded interviews in US-NHoh
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