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Save me, O Lord, 5vv, 16147, GB-Lbl (arr. 1v, lute/tr viol); ed. in EECM, xi (1970)
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Yield unto God, 4vv, viols, 16147, Lbl (arr. 1v, lute/tr viol); ed. in EECM, xi (1970)
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Ave rosa sine spinis, 2vv; S
| secular vocal
dramatic works in parentheses; for 1 voice unless otherwise stated
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Adieu, fond love (F. Beaumont and J. Fletcher: The Lover’s Progress, 1623); S
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Arm, arm! (Beaumont and Fletcher: The Mad Lover, c1616); S
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As I walked forth, 16528; S
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Away delights (Beaumont and Fletcher: The Captain, c1612); S
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Care-charming sleep (Beaumont and Fletcher: Valentinian, c1614); S
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Charon, oh Charon, 2vv; S
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Come away, Hecate (T. Middleton: The Witch, c1616); S
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Come away, thou lady gay (Beaumont and Fletcher: The Chances, c1617); S
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Come, heavy sleep; S
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Come hither you that love (The Captain), 16604; S
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Dear, do not your fair beauty wrong; S
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For ever let thy heavenly tapers, 16604; S
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From the famous Peak of Derby (B. Jonson: The Gypsies Metamorphosed, 1621), 16725; S
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Full fathom five (W. Shakespeare: The Tempest, 1611), 16604; S
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Get you hence, for I must go (Shakespeare: A Winter’s Tale, c1611); S
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Hark, hark! the lark (Shakespeare: Cymbeline, c1609); S
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How wretched is the state; S
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Oh, let us howl (J. Webster: The Duchess of Malfi, c1613); S
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Orpheus I am (The Mad Lover); S
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Shall I like a hermit dwell?; S
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Tell me, dearest (The Captain); S
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’Tis late and cold (The Lover’s Progress); S
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Where the bee sucks (The Tempest), GB-Ob (attrib. J. Wilson), 16604; S
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With endless tears; S
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Woods, rocks and mountains; S
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Buzz quoth the blue-fly (Jonson: Oberon, 1611), 16676 (attrib. E. Nelham, probably by Johnson)
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God Lyeus ever young, 16604 (attrib. J. Wilson, possibly by Johnson, see Cutts, 1959)
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Hark you ladies that despise (Valentinian), Lbl (anon., probably by Johnson), arr. 3vv by J. Wilson: Cheerful Ayres or Ballads (London, 1660)
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Have you seen the bright lily grow? (Jonson: The Devil is an Ass, 1616), EIRE-Dtc, GB-Lbl, Och, US-LAuc, NYp (all anon., probably by Johnson); S
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In a maiden time profest (The Witch), GB-Ob, US-NYp (attrib. J. Wilson, probably by Johnson, see Cutts, 1959)
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Kawasha comes in majesty (anon.: Masque of Flowers, c1614), 16604 (attrib. J. Wilson, possibly by Johnson)
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Now the lusty spring is seen, 16604 (attrib. J. Wilson, possibly by Johnson, see Cutts, 1959)
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You heralds of my mistress’ heart, GB-Eu, Ob, US-NYp (attrib. ‘R.J.’), 16604 (attrib. J. Wilson)
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