Jablonski, Marek (Michael)

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Grove5 (‘English Musicians Abroad’, R.T. Dart)

MGG1(‘Jig’, §VIII; M. Dean-Smith)

J. Tittmann: Die Schauspiele der englischen Komoedianten in Deutschland (Leipzig, 1880)

J. Bolte: Die Singspiele der englischen Komödianten und ihre Nachfolger: Deutschland, Holland und Skandinavien (Hamburg and Leipzig, 1893)

E.K. Chambers: The Elizabethan Stage, ii (Oxford, 1923), 270–92 [incl. further bibliography]

C.R. Baskervill: The Elizabethan Jig and Related Song Drama (Chicago, 1929/R)

J.J. Elson, ed.: The Wits, or Sport upon Sport, 1662 and 1672 (New York, 1932)

R.T. Dart: ‘Morley's Consort Lessons of 1599’, PRMA, lxxiv (1947–8), 1–9

J.F. and T.M. Flett: ‘Some Hebridean Folk Dances’, JEFDSS, vii (1953), 112–27

P.E. Mueller: The Influence and Activities of English Musicians on the Continent during the Late Sixteenth and Early Seventeenth Centuries (diss., Indiana U., 1954)

J.F. and T.M. Flett: ‘Dramatic Jigs in Scotland’, Folklore, lxvii (1956), 84–96

M. Dean-Smith, ed.: ‘Kemps Jegg: Round for Fix’, Playford's English Dancing Master 1651 (London, 1957), 23 only

J.M. Ward: ‘“Joan qd John” and other Fragments at Western Reserve University’, Aspects of Medieval and Renaissance Music: a Birthday Offering to Gustave Reese, ed. J. LaRue and others (New York, 1966/R), 832–55

M. Joiner: ‘British Museum Add. MS. 15117: a Commentary, Index and Bibliography’, RMARC, no.7 (1969), 51–109

T. Scerbo: ‘K istorii stsenicheeskoy zigi’, Voprosi muzïkoznaniya, ed. K. Stepancevic (Minsk, 1981)

E.W. White: A Register of First Performances of English Operas and Semi-Operas from the 16th century to 1980 (London, 1983)


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