Jablonski, Marek (Michael)


I. Adler: ‘Creation and Tradition in the Chant of the Portuguese Synagogue of Amsterdam’, Pe‘amim, xix (1984), 14–28 [in Heb.] G. Ganvert



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I. Adler: ‘Creation and Tradition in the Chant of the Portuguese Synagogue of Amsterdam’, Pe‘amim, xix (1984), 14–28 [in Heb.]

G. Ganvert: La musique synagogale à Paris à l’époque du premier temple consistorial (1822–1874) (diss., U. of Paris, 1984)

M. Nulman: ‘The Shirah Melody in the Ashkenazic and Sephardic Traditions’, Journal of Jewish Music and Liturgy, vii (1985), 12–21

A. Shiloah: ‘The Music of the Jewish Communities in Greece and Turkey and its Relation to Byzantine Music’, Musica antiqua VII: Bydgoszcz 1985, 247–56

A. Amzallag: Modal Aspects in the Singing of Bakashot by Moroccan Jews (diss., Hebrew U., Jerusalem, 1986) [in Heb.]

H. Avenary: ‘Persistence and Transformation of a Sephardi Penitential Hymn’, Yuval, no.5 (Jerusalem, 1986), 181–232

A. Shiloah: ‘The Influence of Kabbala in the Development of Hebrew Liturgical Hymns in Muslim Countries’, Mi-qedem umi-yam, ii (1986), 209–15 [in Heb.]

A. Shiloah: Hemshekhiyut u-temurah ba-masoret ha-musiqalit shel yehudei sepharad [Continuity and change in the Sephardi Jewish musical heritage] (Jerusalem, 1986) [Eng. summary]

I. Adler: ‘La pénétration de la musique savante dans les synagogues italiennes au XVIIe siècle: le cas particulier de Venise’, Gli ebrei a Venezia, secoli XIV–XVIII: Venice 1983, ed. G. Cozzi (Milan, 1987), 527–35

M.D. Angel: ‘The American Experience of a Sephardi Synagogue’, The American Synagogue: a Sanctuary Transformed, ed. J. Wertheimer (Cambridge, 1987), 153–69

M. Benayahu: ‘Da‘at hakhmei italiya ‘al ha-neginah be-‘ugav ba-tefillah’ [Opinions of Italian rabbis on playing the organ in the service], Asufot, i (1987), 265–318



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