Jablonski, Marek (Michael)
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| A. Hajdu and Y. Mazor: ‘The Musical Heritage of Hasidism’, Encyclopaedia judaica, ed. C. Roth (Jerusalem, 1971–2/R, 2/1982), vi, 1421–32
M. Wohlberg: ‘The History of the Musical Modes of the Ashkenazic Synagogue, and their Usage’, Journal of Synagogue Music, iv/1–2 (1972), 46–61 E. Werner: A Voice Still Heard: the Sacred Song of the Ashkenazic Jews (London, 1976) H. Avenary: The Ashkenazi Tradition of Biblical Chant Between 1500 and 1900: Documentation and Musical Analysis (Tel-Aviv, 1978) J. Frigyesi and P. Laki: ‘Free-Form Recitative and Strophic Structure in the Hallel Psalms’, Orbis musicae, vii (1979–80), 43–80 J.A. Levine: ‘Toward Defining the Jewish Prayer Modes’, Musica judaica, iii (1980–81), 13–41 S. Vigoda: Legendary Voices: the Fascinating Lives of the Great Cantors (New York, 1981) M. Wohlberg: ‘Significant Aspects of the Ashkenazi Hazzanic Recitative’, Proceedings of the World Congress on Jewish Music: Jerusalem 1978, ed. J. Cohen (Tel–Aviv, 1982) J. Laki-Frigyesi: ‘Modulation as an Integral Part of the Modal System in Jewish Music’, Musica judaica, v (1982–3), 53–71 H. Avenary: Kantor Salomon Sulzer und seine Zeit: eine Dokumentation (Sigmaringen, 1985) A. Zimmermann: B’ron Yahad: Essays, Research and Notes in Hazzanut and Jewish Music (Tel-Aviv, 1988) [in Heb.] I. Adler, ed.: Hebrew Notated Manuscript Sources up to circa 1840: a Descriptive Catalogue with a Checklist of Printed Sources, RISM, B/IX/1 (1989) J.A. Levine: Synagogue Song in America (Crown Point, IN, 1989) M. Slobin: Chosen Voices: the Story of the American Cantorate (Urbana, IL, 1989) B. Tarsi: ‘Tonality and Motivic Interrelationships in the Performance Practice of Nusach’, Journal of Synagogue Music, xxi/1 (July 1991), 5–27 G. Goldberg: ‘Jewish Liturgical Music in the Wake of Nineteenth-Century Reform’, Sacred Sound and Social Change: Liturgical Music in Jewish and Christian Experience, ed. L.A. Hoffman and J. Walton (Notre Dame, IN, 1992), 59–83 A. Zimmermann: Sha‘arei Ron: the Cantorate in [Rabbinic] Responsa (Tel-Aviv, 1992) [in Heb.] D. Ellenson: ‘A Disputed Precedent: the Prague Organ in Nineteenth-Century Central European Legal Literature and Polemics’, Yearbook of the Leo Baeck Institute, xl (1995), 251–64 D.J. Katz: ‘A Prolegomenon to the Study of the Performance Practice of Synagogue Music Involving M’shor’rim’, Journal of Synagogue Music, xxiv/2 (1995), 35–79 E. Schleifer: ‘Current Trends of Liturgical Music in the Ashkenazi Synagogue’, World of Music, xxxvii/1(1995), 59–72 D. Polnauer: ‘Beitrag zur Legende der Mi-Sinai Melodien’, Udim, xviii (1997) G. Goldberg: Maier Levi of Esslingen: a Small-Town hazzan in the Time of the Emancipation and his Cantorial Compendium, (diss., Hebrew U. of Jerusalem, in preparation) S. Kalib: The Musical Tradition of the Eastern European Synagogue (forthcoming) Jewish music: Bibliography Directory: New%20Grove%20Dictionnary%20Of%20Music New%20Grove%20Dictionnary%20Of%20Music -> Uccelli [née Pazzini], Carolina Uccellini, Marco New%20Grove%20Dictionnary%20Of%20Music -> Kaa, Franz Ignaz Kàan, Jindřich z Albestů New%20Grove%20Dictionnary%20Of%20Music -> Aagesen, Truid [Sistinus, Theodoricus; Malmogiensis, Trudo Haggaei] New%20Grove%20Dictionnary%20Of%20Music -> Faà di Bruno, Giovanni Matteo [Horatio, Orazio] Fabbri, Anna Maria New%20Grove%20Dictionnary%20Of%20Music -> Oakeley, Sir Herbert (Stanley) Download 6.47 Mb. Share with your friends:
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