Jablonski, Marek (Michael)



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BIBLIOGRAPHY


HawkinsH

J.C. Bridge: ‘The Organists of Chester Cathedral’, Journal of the Architectural, Archaeological and Historic Society for the County and City of Chester and North Wales, new ser., xix/2 (1913), 63–124

R.T. Daniel and P. le Huray: The Sources of English Church Music, 1549–1660, EECM, suppl.i (1972)

B. Matthews: ‘Winchester Cathedral and its Music: the first 900 years’, MT, cxx (1979), 333–4

PETER LE HURAY


Jewish music.


This article concerns the traditional liturgical and non-liturgical music of the various Jewish communities worldwide, the contribution of Jewish performers and composers within their surrounding non-Jewish societies, and the musical culture of ancient Israel/Palestine. For a discussion of music in the modern state of Israel, see Israel.

Three Hebrew transliteration systems are employed throughout: one for the main body of the text and the bibliography; and two sub-systems to represent the distinctive pronunciations of the Jews of Yemen and Iraq. When musical examples have been reprinted from secondary sources the original transliteration has been preserved.



I. Introduction

II. Ancient Israel/Palestine

III. Liturgical and paraliturgical

IV. Non-liturgical music

V. Art and popular music in surrounding cultures

BIBLIOGRAPHY

EDWIN SEROUSSI (I),


JOACHIM BRAUN (II),
EDWIN SEROUSSI (III, 1, 2(iv), 4, 7, 8(i–iii, v), 11(i)), ELIYAHU SCHLEIFER (III, 2(i–iii), 3), URI SHARVIT (III, 5), SARA MANASSEH, (III, 6), THEODORE LEVIN (III, 8(iv)), TANG YATING (III, 8(vi)), KAY KAUFMAN SHELEMAY (III, 9, 11(ii)), JEHOASH HIRSHBERG (III, 10),
PHILIP V. BOHLMAN (IV, 1(i), 2(iii)(a)), EDWIN SEROUSSI (IV, 1(ii), 2(i)(c), 2(iv), 3(i)), URI SHARVIT (IV, 2(i)(a)), SARA MANASSEH (IV, 2(i)(b)), ISRAEL J. KATZ (IV, 2(ii)), BRET WERB (IV, 2(iii)(b)), WALTER ZEV FELDMAN (IV, 3(ii)),
EDWIN SEROUSSI (V, 1), JEHOASH HIRSHBERG (V, 2(i)), DON HARRÁN (V, 2(ii)), ALEXANDER KNAPP (V, 2(iii, v–vi)), DAVID BLOCH, EMILY THWAITE, BRET WERB (V, 2(iv))

Jewish music


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