Jablonski, Marek (Michael)

R.F. Rose: An Analysis of Timing in Jazz Rhythm Section Performance (diss., U. of Texas, Austin, 1989) G. Schuller

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R.F. Rose: An Analysis of Timing in Jazz Rhythm Section Performance (diss., U. of Texas, Austin, 1989)

G. Schuller: The Swing Era: the Development of Jazz, 1930–1945 (New York, 1989)

E.S. Meadows: ‘Africa and the Blues Scale: a Selected Review of the Literature’, African Musicology … a Festschrift presented to J.H. Kwabena Nketia, ed. J.C. Djedje and W.G. Carter (Los Angeles, 1989–92), 263–76

D. Baker, ed.: New Perspectives on Jazz (Washington DC, 1990)

A. Beeson: ‘“Quoting Tunes”: Narrative Features in Jazz’, Collectanea, i (1990), 1–15

F. Davis: Outcats: Jazz Composers, Instrumentalists, and Singers (New York, 1990)

W. Friedwald: Jazz Singing: America's Great Voices from Bessie Smith to Bebop (New York, 1990)

W. Knauer: Zwischen Bebop und Free Jazz: Komposition and Improvisation des Modern Jazz Quartet (Mainz, 1990)

G. Potter: ‘Analyzing Improvised Jazz’, College Music Symposium, xxx/1 (1990), 64–74

S. DeVeaux: ‘Constructing the Jazz Tradition: Jazz Historiography’, Black American Literature Forum, xxv (1991), 525–60

J. Gennari: ‘Jazz Criticism: its Development and Ideologies’, Black American Literature Forum, xxv (1991), 449–523

R.T. Dean: New Structures in Jazz and Improvised Music since 1960 (Philadelphia, 1992)

J. Magee: The Music of Fletcher Henderson and his Orchestra in the 1920s (diss., U. of Michigan, 1992)

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M. Tucker, ed.: The Duke Ellington Reader (New York, 1993)

P.F. Berliner: Thinking in Jazz: the infinite Art of Improvisation (Chicago, 1994)

G.P. Ramsey jr: The Art of Bebop: Earl ‘Bud’ Powell and the Emergence of Modern Jazz (diss., U. of Michigan, 1994)

N. Hentoff: Listen to the Stories: Nat Hentoff on Jazz and Country (New York, 1995)

B. Kernfeld: What to Listen for in Jazz (New Haven, CT, 1995)

J.A. Prögler: ‘Searching for Swing: Participatory Discrepancies in the Jazz Rhythm Section’, EthM, xxxix (1995), 21–54

G. Carner: The Miles Davis Companion (New York, 1996)

H. Martin: Charlie Parker and Thematic Improvisation (Newark, NJ, 1996)

I. Monson: Saying Something: Jazz Improvisation and Interaction (Chicago, 1996)

T.F. Coolman: The Miles Davies Quintet of the Mid-1960s: Synthesis of Improvisational and Compositional Elements (diss., New York U., 1997)

M.C. Gridley: Jazz Styles (Englewood Cliffs, NJ, 1978, 7/1997)

J. King: What Jazz Is: an Insider's Guide to Understanding and Listening to Jazz (New York, 1997)

T.A. Jackson: Performance and Musical Meaning: Analyzing ‘Jazz’ on the New York Scene (diss., Columbia U., 1998)

Jazz: Bibliography

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