Jablonski, Marek (Michael)
R.F. Rose: An Analysis of Timing in Jazz Rhythm Section Performance (diss., U. of Texas, Austin, 1989) G. Schuller
Download 6.47 Mb.
|
- Navigate this page:
- D. Baker, ed.
- W. Knauer
- R.T. Dean
- P.F. Berliner
- J.A. Prögler
- T.F. Coolman
| R.F. Rose: An Analysis of Timing in Jazz Rhythm Section Performance (diss., U. of Texas, Austin, 1989)
G. Schuller: The Swing Era: the Development of Jazz, 1930–1945 (New York, 1989) E.S. Meadows: ‘Africa and the Blues Scale: a Selected Review of the Literature’, African Musicology … a Festschrift presented to J.H. Kwabena Nketia, ed. J.C. Djedje and W.G. Carter (Los Angeles, 1989–92), 263–76 D. Baker, ed.: New Perspectives on Jazz (Washington DC, 1990) A. Beeson: ‘“Quoting Tunes”: Narrative Features in Jazz’, Collectanea, i (1990), 1–15 F. Davis: Outcats: Jazz Composers, Instrumentalists, and Singers (New York, 1990) W. Friedwald: Jazz Singing: America's Great Voices from Bessie Smith to Bebop (New York, 1990) W. Knauer: Zwischen Bebop und Free Jazz: Komposition and Improvisation des Modern Jazz Quartet (Mainz, 1990) G. Potter: ‘Analyzing Improvised Jazz’, College Music Symposium, xxx/1 (1990), 64–74 S. DeVeaux: ‘Constructing the Jazz Tradition: Jazz Historiography’, Black American Literature Forum, xxv (1991), 525–60 J. Gennari: ‘Jazz Criticism: its Development and Ideologies’, Black American Literature Forum, xxv (1991), 449–523 R.T. Dean: New Structures in Jazz and Improvised Music since 1960 (Philadelphia, 1992) J. Magee: The Music of Fletcher Henderson and his Orchestra in the 1920s (diss., U. of Michigan, 1992) J. Taylor: Earl Hines and Black Jazz Piano in Chicago, 1923–1928 (diss., U. of Michigan, 1993) M. Tucker, ed.: The Duke Ellington Reader (New York, 1993) P.F. Berliner: Thinking in Jazz: the infinite Art of Improvisation (Chicago, 1994) G.P. Ramsey jr: The Art of Bebop: Earl ‘Bud’ Powell and the Emergence of Modern Jazz (diss., U. of Michigan, 1994) N. Hentoff: Listen to the Stories: Nat Hentoff on Jazz and Country (New York, 1995) B. Kernfeld: What to Listen for in Jazz (New Haven, CT, 1995) J.A. Prögler: ‘Searching for Swing: Participatory Discrepancies in the Jazz Rhythm Section’, EthM, xxxix (1995), 21–54 G. Carner: The Miles Davis Companion (New York, 1996) H. Martin: Charlie Parker and Thematic Improvisation (Newark, NJ, 1996) I. Monson: Saying Something: Jazz Improvisation and Interaction (Chicago, 1996) T.F. Coolman: The Miles Davies Quintet of the Mid-1960s: Synthesis of Improvisational and Compositional Elements (diss., New York U., 1997) M.C. Gridley: Jazz Styles (Englewood Cliffs, NJ, 1978, 7/1997) J. King: What Jazz Is: an Insider's Guide to Understanding and Listening to Jazz (New York, 1997) T.A. Jackson: Performance and Musical Meaning: Analyzing ‘Jazz’ on the New York Scene (diss., Columbia U., 1998) Jazz: Bibliography Directory: New%20Grove%20Dictionnary%20Of%20Music New%20Grove%20Dictionnary%20Of%20Music -> Uccelli [née Pazzini], Carolina Uccellini, Marco New%20Grove%20Dictionnary%20Of%20Music -> Kaa, Franz Ignaz Kàan, Jindřich z Albestů New%20Grove%20Dictionnary%20Of%20Music -> Aagesen, Truid [Sistinus, Theodoricus; Malmogiensis, Trudo Haggaei] New%20Grove%20Dictionnary%20Of%20Music -> Faà di Bruno, Giovanni Matteo [Horatio, Orazio] Fabbri, Anna Maria New%20Grove%20Dictionnary%20Of%20Music -> Oakeley, Sir Herbert (Stanley) Download 6.47 Mb. Share with your friends:
|