Jablonski, Marek (Michael)


g. theory, analysis and criticism



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g. theory, analysis and criticism


SchullerEJ

C. Engel: ‘Jazz: a Musical Discussion’, Atlantic Monthly, cxxx (1922), 182–9

H.O. Osgood: So this is Jazz (Boston, 1926/R)

H. Panassié: The Real Jazz (New York, 1942/R)

R. de Toledano, ed.: Frontiers of Jazz (New York, 1947, 3/1994)

A. Hodeir: Hommes et problèmes du jazz (Paris, 1954; Eng. trans., enlarged, 1956/R, 2/1979 as Jazz: its Evolution and Essence)

J.F. Mehegan: Jazz Improvisation (New York, 1958–65)

E.J. Hobsbawn: The Jazz Scene (London, 1959, 2/1993)

L. Ostransky: The Anatomy of Jazz (Seattle, 1960)

B. Green: The Reluctant Art (London, 1962, enlarged 1991)

A. Hodeir: Toward Jazz (New York, 1962/R; Fr. orig., Roquevaire, 1984, as Jazzistiques)

M. Williams, ed.: Jazz Panorama: from the Pages of the Jazz Review (New York, 1962/R)

F. Tirro: ‘The Silent Theme Tradition in Jazz’, MQ, liii (1967), 313–34

W. Russo: Jazz Composition and Orchestration (Chicago, 1968)

M. Williams: The Jazz Tradition (New York, 1970, 3/1993)

M.L. Stewart: Structural Development in the Jazz Improvisational Technique of Clifford Brown (diss., U. of Michigan, 1973)

R. Wang: ‘Jazz circa 1945: a Confluence of Styles’, MQ, lix (1973), 531–46

N.T. Davis: The Early Life and Music of Charlie Parker (diss., Wesleyan U., 1974)



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