Hôtel des invalides (G. Franju), 1952; Le théâtre national populaire (Franju), 1956; Les yeux sans visage (Franju), 1960; Cybèle, ou Les dimanches de Ville d'Avray (S. Bourguignon), 1961; Lawrence of Arabia (D. Lean), 1962; The Longest Day (K. Annakin, A. Marton and B. Wicki), 1962; Behold a Pale Horse (F. Zinnemann), 1964; The Train (J. Frankenheimer), 1964; Doctor Zhivago (Lean), 1965; Grand Prix (Frankenheimer), 1966; Paris brûle-t-il? (R. Clément), 1966; The Professionals (R. Brooks), 1966; Barbarella (R. Vadim), 1967
La caduta degli dei (L. Visconti), 1969; Topaz (A. Hitchcock), 1969; Ryan's Daughter (Lean), 1970; The Life and Times of Judge Roy Bean (J. Huston), 1972; Great Expectations (J. Hardy), 1975; The Man who would be King (Huston), 1975; Mohammad, Messenger of God (M. Akkad), 1976; The Last Tycoon (E. Kazan), 1976; Jesus of Nazareth (F. Zeffirelli), 1977; Die Blechtrommel (V. Schlöndorff), 1979; Lion of the Desert (Akkad), 1980; Taps (H. Becker), 1981; The Year of Living Dangerously (P. Weir), 1982; A Passage to India (Lean), 1984
Enemy Mine (W. Peterson), 1985; Mad Max: Beyond Thunderdome (G. Miller), 1985; The Mosquito Coast (Weir), 1985; Witness (Weir), 1985; Fatal Attraction (A. Lyne), 1987; No Way Out (R. Donaldson), 1987; Gorillas in the Mist (M. Apted), 1988; Enemies, A Love Story (P. Mazursky), 1989; Dead Poets Society (Weir), 1989; After Dark, my Sweet (J. Foley), 1990; Ghost (J. Zucker), 1990; Jacob's Ladder (Lyne), 1990; Fearless (Weir), 1994; Mr Jones (M. Figgis), 1994; A Walk in the Clouds (A. Arau), 1996; The Mirror Has Two Faces (B. Streisand), 1996
