Jablonski, Marek (Michael)



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traditional music


W.P. Malm: Japanese Music and Musical Instruments (Tokyo, 1959)

E. Kikkawa: Nihon ongaku no rekishi [A history of Japanese music] (Tokyo, 1965, 9/1974)

S. Kishibe: The Traditional Music of Japan (Tokyo, 1966/R)



E. Harich-Schneider: A History of Japanese Music (London, 1973), 533–665

F. Koizumi, Y. Tokumaru and O. Yamaguti, eds.: Asian Musics in an Asian Perspective (Tokyo, 1977)



L. Dalby: Geisha (Tokyo, 1983)

W.P. Malm: Six Hidden Views of Japanese Music (Berkeley, 1986)

C. Blasdel and Y. Kamisangō: The Shakuhachi: a Manual for Learning (Tokyo, 1988)

K. Hirano and others, eds.: Nihon ongaku daijiten [Comprehensive dictionary of Japanese music] (Tokyo, 1989)

M. Miki : ‘The Role of Traditional Japanese Instruments in Three Recent Operas’, PNM, xxvii/2 (1989), 164–75

T. Takemitsu: ‘Contemporary Music in Japan’, ibid., 198–205

J. Yuasa: ‘Music as a Reflection of a Composer's Cosmology’, ibid., 176–98

E. Falconer: ‘A New Decade for Hōgaku’, Japan Quarterly, xxxvii/4 (1990), 468–78

S. Sawai: Ten to shan [Koto sounds] (Tokyo, 1991)

Wind in the Bamboo: Aspects of Japanese Music, ed. College Women's Association of Japan (Tokyo, 1992)

‘A Jostled Silence: Contemporary Japanese Musical Thought I–III’, PNM, xxx/1 (1992); xxx/2 (1992); xxxi/2 (1993)



E. Falconer: ‘Sawai Kazue, Avant-Garde Kotoist’, Japan Quarterly, xl/1 (1993), 86–91

Miyagi Michio no sekai [The world of Miyagi Michio] (Tokyo, 1993)

N. Ohtake: Creative Sources for the Music of Toru Takemitsu (Brookland, VT, 1993)

J. Wilson: ‘Enka: the Music People Love or Hate’, Japan Quarterly, xl/3 (1993), 283–92

M. Miki: The Works of Minoru Miki (Tokyo, 1994)

T. Tanaka, ed.: Hōgaku Journal (1996), no.7, pp. 2–5


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