Jablonski, Marek (Michael)



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popular music


W.P. Malm: ‘The Modern Music of Meiji Japan’, Tradition and Modernization in Japanese Culture, ed. D.H. Shively (Princeton, NJ, 1971), 257–300

S. Kawabata: Rekōdo sangyōkai (Tokyo, 1977)

S. Sonobe and others: Nihon no ryūkōka (Tokyo, 1980)

A. Tanabe: Nihon no kayōkyoku (Tokyo, 1981)

R. Kojima: ‘Nakayama Shinpei’, Heibonsha ongaku daijiten, ed. S. Kishibe and others (Tokyo, 1982), 1690ff

M. Okada: ‘Kayōkyoku’, Heibonsha ongaku daijiten, ed. S. Kishibe and others (Tokyo, 1982), 621–4

I. Takahashi: Koga Masao (Tokyo, 1984)

F. Koizumi: Kayōkyoku no kōzō (Tokyo, 1984)

S. Gamō: ‘Several Aspects of Enka Singing Style: Comparison Using Melograph’, Shominzoku no oto [The sounds of various peoples] (Tokyo, 1986), 385–409 [Jap. with Eng. summary]

S. Tsurumi: ‘Trends in Popular Songs since the 1960s’, A Cultural History of Postwar Japan 1945–1980 (London, 1987), 79–102, 150–1

Popular Music, x/3 (1991), ‘Japanese Issue’

J. Clewley: ‘Enka, Okinawa and the Masters of the Clone: the Japanese are Coming!!’, World Music: the Rough Guide, ed. S. Broughton and others (London, 1994), 459–68

S. Hosokawa: ‘Pidgin-Japanisch: zur japano-amerikanischen Sprachmischung in der Popmusik’, Musik in Japan, ed. S. Guinard (Munich, 1996), 105–23

J. Kitagawa: ‘Schlagermusik and Medien: zum japanischen Starwesen seit den 50er Jahren’, Musik in Japan, ed. S. Guinard (Munich, 1996), 125–40

H. Ogawa: ‘Karaoke oder: Wie man beim Singen der Grösste Wird’, Musik in Japan, ed. S. Guinard (Munich, 1996), 141–57

A.M. Tansman: ‘Mournful Tears and Sake: the Postwar Myth of Misora Hibari’, Contemporary Japan and Popular Culture, ed. J. Whittier Treat (Honolulu, 1996), 103–33


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