Jablonski, Marek (Michael)



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E. Harich-Schneider: ‘Le shōmyō bouddhique, exercise de méditation’, Oriens Extremus, ix (1962), 220–31

A. Takeishi, ed.: Bukkyō kayō no kenkyū [Studies of Buddhist song] (Tokyo, 1969)

Bukkyō Ongaku Kenkyūjo, ed.: Jōdo-shū ongaku hōyō [The musical liturgy of the Pure Land school], i (Kyoto, 1970)

Tōyō Ongaku Gakkai, ed.: Bukkyō ongaku [Buddhist music] (Tokyo, 1972)

A. Takeishi, ed.: Bukkyō kayō shūsei [Collection of Buddhist songs] (Tokyo, 1975)

W. Giesen: Zur Geschichte das buddhistischen Ritualgesangs in Japan: Traktate des 9. bis 14. Jahrhunderts zum shōmyō der Tendai-Sekte (Kassel, 1977)

C. Matsushita: Honganji-ha shōmyō kō [Investigation of shōmyō in the Honganji sub-school] (Kyoto, 1977)

K. Fukushima, ed.: (Ueno Gakuen Nihon Ongaku Shiryōshitsu dai yonkai tokubetsu tenkan) Shōmyō shiryō ten shutchin mokuroku [Research Archives for Japanese Music, Ueno Gakuen College, descriptive catalogue of the fourth exhibition ‘Materials on Buddhist chant’] (Tokyo, 1978)

T. Harima: Jōdo shinshū Honganji-ha, Shōmyō-fu narabi ni kaisetsu [New Pure Land school, Honganji sub-school, shōmyō scores and explanation] (Kyoto, 1979)

L. Berthier: Syncrétisme au Japon, Omizutori: le rituel de l'eau de Jouvence (Paris, 1981)

K. Fukushima, ed.: (Ueno Gakuen Nihon Ongaku Shiryōshitsu dai shichikai tokubetsu tenkan) Shōmyō shiryō ten: (shōmyō-shū tokushū) shutchin mokuroku [Research Archives for Japanese Music, Ueno Gakuen College, descriptive catalogue of the seventh exhibition ‘Materials on Buddhist chant’] (Tokyo, 1982)

J. Hill: ‘Ritual Music in Japanese Esoteric Buddhism: Shingon Shōmyō’, EthM, xxvi (1982), 27–39

K. Fukushima, ed.: (Ueno Gakuen Nihon Ongaku Shiryōshitsu dai kyūkai tokubetsu tenkan) Shōmyō shiryō ten: kōshiki [Research Archives for Japanese Music, Ueno Gakuen College, descriptive catalogue of the Ninth Exhibition ‘Materials on Buddhist chant: kōshiki’] (Tokyo, 1984)

M. Yokomichi and G. Kataoka, eds.: Shōmyō jiten [Dictionary of shōmyō] (Kyoto, 1984) [companion to Shōmyō taikei recordings, 1983–4]

E. Makino: (Tōdaiji shuni-e) shōmyō no senritsu ni kansuru kenkyū [Studies concerning the melody of shōmyō: the shuni-e ceremony of Tōdaiji] (Kyoto, 1986)

T. Kido, ed.: Shōmyō (Tokyo, 1991)

K. Ōmori: Nenbutsu geinō to goryō shinkō [Performing arts of nembutsu and the goryō spirit faith] (Tokyo, 1992)

D. Amano and others, eds.: Bukkyō ongaku jiten [Dictionary of Buddhist music] (Kyoto, 1994)

M. Satō, ed.: Chūsei jiin to hōe [Medieval monasteries and Buddhist liturgy] (Kyoto, 1994)

K. Arai: ‘The Historical Development of Music Notation for Shōmyō (Japanese Buddhist Chant): Centering on Hakase Graphs’, Nihon ongakushi kenkyū, i (1995), vii–xxxix [in Jap. and Eng.]


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