Jablonski, Marek (Michael)



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D. Beaumont (née Veyre): La structure musicale du heikyoku (diss., U. of Paris, Sorbonne, 1988)

H. de Ferranti: Seiha satsuma-biwa no kifuhō to sono kinō [On the nature and functions of notation in the seiha satsuma-biwa tradition] (diss., Tokyo National U. of Fine Arts and Music, 1989)

H. de Ferranti: ‘Composition and Improvisation in Satsuma biwa’, Musica asiatica, v, ed. A. Marett (1991), 102–27

Higo-biwa, ed. Higo-Biwa Hozon Kai (Kumamoto, 1991)

H. Hyōdō: ‘Zatō-biwa no katarimono denshō ni tsuite no kenkyū, 1’ [Research on the zatō (mōsō) oral narrative tradition, 1], Saitama Daigaku kiyō, xxvi (1991), 13–60

M. Yasuda: ‘Higo-biwa no denshō’ [The higo-biwa tradition], Minzoku geinō kenkyū, xiv (1991), 1–14

H. Hyōdō: ‘Zatō (mōsō) biwa no katarimono denshō ni tsuite no kenkyū, 2’ [Research on the zatō (mōsō) oral narrative tradition, 2], Saitama Daigaku kiyō, xxviii (1993), 35–78



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