Jablonski, Marek (Michael)

WRITINGS

‘The Computer as a “Student” of Harmony’, IMSCR X: Ljubljana 1967, 435–40

‘The Inganni and the Keyboard Music of Trabaci’, JAMS, xxi (1968), 204–8

‘The “Neapolitan Progression” in the Nineteenth Century’, MR, xxx (1969), 35–46

‘Harmony Before and After 1910: a Computer Comparison’, The Computer and Music, ed. H.B. Lincoln (Ithaca, NY, 1970), 132–46

‘On Frescobaldi’s Chromaticism and its Background’, MQ, lvii (1971), 255–69

‘Two Newly-Found Motets by Marenzio (?)’, JAMS, xxiv (1971), 103–12

‘Leitmotif and Form in the Tristan Prelude’, MR, xxxvi (1975), 42–53

‘I primi mottetti di Marenzio’, Luca Marenzio: Gorizia 1979, 23–49

‘Mercadante's Résumé of Operatic Reform’, Ars musica, musica scientia: Festschrift Heinrich Hüschen, ed. D. Altenburg (Cologne, 1980), 271–6

‘Polarities, Sound Masses, and Intermodulations: a View of the Recent Music’, MR, xli (1980), 127–41

‘Aesthetic Considerations in Regard to Handel's Borrowings’, Alte Musik als ästhetische Gegenwart: Bach, Händel, Schütz: Stuttgart 1985, ii, 1–11

‘Marenzio's Polish Sojourn and his Polychoral Motets’, Musica antiqua VII: Bydgoszcz 1985, 503–26

‘Concerning Earlier and Later Gregorian Chant’, Musica antiqua VIII: Bydgoszcz 1988, 457–66

Performance Practice, Medieval to Contemporary: a Bibliographic Guide (New York, 1988)

‘Gesualdo's Cadences: Innovation set against Convention’, Musicologia humana: Studies in Honor of Warren and Ursula Kirkendale, ed. S. Gmeinweiser, D. Hiley and J. Riedlbauer (Florence, 1994), 275–89

‘Schoenberg as Performer of his own Work’ (forthcoming)