M. Schneider: ‘Henry James et Benjamin Britten’, Nouvelle revue française, xiii (1965), 713–16
R.E. Long: ‘Adaptations of Henry James's Fiction for Drama, Opera, and Films: with a Checklist of New York Theatre Critics' Reviews’, American Literary Realism, iv (1971), 268–78
G. Lemco: ‘Henry James and Richard Wagner: The American’, Hartford Studies in Literature, vi (1974), 147–58
K. Vanderbilt: ‘“Complicated Music at Short Order” in “Fordham Castle”’, Henry James Review, ii (1980), 61–6
M.H. Marsh: The Turn of the Screw: Britten's and Piper's Operatic Fulfilment of Henry James's Novella (diss., U. of London, 1983)
B. Ivry: ‘Portrait of an Author’, ON, liii/5 (1988–9), 20–22
R. Jordan and E. Kafalenos: ‘The Double Trajectory: Ambiguity in Brahms and Henry James’, 19CM, xiii (1989–90), 129–44
H. Blumenfeld: ‘The Henry James-Dominick Argento “Aspern Papers”’, Opera Journal, xxii/1 (1989), 34–7
C. Hindley: ‘Why Does Miles Die? a Study of Britten's “The Turn of the Screw”’, MQ, lxxiv (1990), 1–17
S. McClatchie: ‘Benjamin Britten, “Owen Wingrave”, and the Politics of the Closet; or, “He Shall Be Straightened out at Paramore”’, COJ, viii (1996), 59–75