Jablonski, Marek (Michael)



Download 6.47 Mb.
Page144/1182
Date29.06.2021
Size6.47 Mb.
#147305
1   ...   140   141   142   143   144   145   146   147   ...   1182

BIBLIOGRAPHY


M. Schneider: ‘Henry James et Benjamin Britten’, Nouvelle revue française, xiii (1965), 713–16

R.E. Long: ‘Adaptations of Henry James's Fiction for Drama, Opera, and Films: with a Checklist of New York Theatre Critics' Reviews’, American Literary Realism, iv (1971), 268–78

G. Lemco: ‘Henry James and Richard Wagner: The American’, Hartford Studies in Literature, vi (1974), 147–58

K. Vanderbilt: ‘“Complicated Music at Short Order” in “Fordham Castle”’, Henry James Review, ii (1980), 61–6

M.H. Marsh: The Turn of the Screw: Britten's and Piper's Operatic Fulfilment of Henry James's Novella (diss., U. of London, 1983)

B. Ivry: ‘Portrait of an Author’, ON, liii/5 (1988–9), 20–22

R. Jordan and E. Kafalenos: ‘The Double Trajectory: Ambiguity in Brahms and Henry James’, 19CM, xiii (1989–90), 129–44

H. Blumenfeld: ‘The Henry James-Dominick Argento “Aspern Papers”’, Opera Journal, xxii/1 (1989), 34–7

C. Hindley: ‘Why Does Miles Die? a Study of Britten's “The Turn of the Screw”’, MQ, lxxiv (1990), 1–17

S. McClatchie: ‘Benjamin Britten, “Owen Wingrave”, and the Politics of the Closet; or, “He Shall Be Straightened out at Paramore”’, COJ, viii (1996), 59–75

MICHAEL HOVLAND




Download 6.47 Mb.

Share with your friends:
1   ...   140   141   142   143   144   145   146   147   ...   1182




The database is protected by copyright ©essaydocs.org 2022
send message

    Main page