Jablonski, Marek (Michael)



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BIBLIOGRAPHY

to 1800


MersenneHU

B. Ramis de Pareia: Musica practica (Bologna, 1482, 2/1482/R; Eng. trans., 1993)

G. Spataro: Errori de Franchino Gafurio da Lodi (Bologna, 1521)

G. Zarlino: Le istitutioni harmoniche (Venice, 1558/R, 3/1573/R; Eng. trans. of pt iii, 1968/R, as The Art of Counterpoint; Eng. trans. of pt iv, 1983, as On the Modes)

G. Zarlino: Dimostrationi harmoniche (Venice, 1571/R)

F. de Salinas: De musica libri septem (Salamanca, 1577, 2/1592; Sp. trans., 1983)

V. Galilei: Dialogo della musica antica et della moderna (Florence, 1581/R; partial Eng. trans. in StrunkSR1)

G.B. Benedetti: Diversarum speculationum mathematicarum & physicarum liber (Turin, 1585), 282

G. Zarlino: Sopplimenti musicali (Venice, 1588/R)

V. Galilei: Discorso intorno all'opere di Messer Gioseffo Zarlino da Chioggia (Florence, 1589/R)

S. Stevin: Vande spiegheling der singconst, c1600, ed. D. Bierens de Haan (Amsterdam, 1884); ed. A. Fokker in The Principal Works of Simon Stevin, v (Amsterdam, 1966), 413–64 [incl. Eng. trans.]

G.M. Artusi: ‘Considerationi musicali’, appx to Seconda parte dell'Artusi (Venice, 1603/R)

G.B. Doni: Compendio del trattato de' generi e de' modi della musica (Rome, 1635)

M. Mersenne: Harmonicorum libri, in quibus agitur de sonorum natura (Paris, 1635–6)

G.B. Doni: Annotazioni sopra il Compendio de' generi e de' modi della musica (Rome, 1640)

D.R. van Nierop: Wis-konstige musyka (Amsterdam, 1659)

I. Newton: unpubd MSS on music, 1665 (GB-Cu Add.4000)

C. Huygens: writings on music, ed. in Oeuvres complètes, xx (The Hague, 1940)

W.C. Printz: Exercitationes musicae theoretico-practicae curiosae, iii–v (Dresden, 1687–8)

T. Salmon: A Proposal to Perform Musick in Perfect and Mathematical Proportions (London, 1688)

T. Salmon: ‘The Theory of Musick Reduced to Arithmetical and Geometrical Proportion’, Philosophical Transactions of the Royal Society, xxiv (1705), 2072–77

J. Mattheson: Grosse General-Bass-Schule, oder, Der exemplarischen Organisten-Probe zweite, verbesserte und vermehrte Auflage (Hamburg, 1731/R)

P. Prelleur: The Modern Musick-Master, or The Universal Musician, v: The Art of Playing on the Violin (London, 1731/R)

L. Euler: Tentamen novae theoriae musicae (St Petersburg, 1739) repr. in Opera omnia, III/i (Leipzig, 1926), 197–427; Eng. trans. in C.S. Smith: Leonhard Euler's ‘Tentamen novae theoriae musicae’ (diss. Indiana U., 1960)

F. Geminiani: The Art of Playing the Violin (London, 1751/R1952 with introduction by D.D. Boyden

G. Tartini: Trattato di musica secondo la vera scienza dell'armonia (Padua, 1754/R; Eng. trans. in F.B. Johnson: Tartini's ‘Trattato di musica secondo la vera scienza dell'armonia’ (diss., Indiana U., 1985)

G.B. Doni: Lyra Barberina amphicordos, ed A.F. Gori and G.B. Passeri (Florence, 1763/R)

L. Euler: ‘Conjecture sur la raison de quelques dissonances généralement reçues dans la musique’; ‘Du véritable caractère de la musique moderne’, Mémoires de l'Academie royale des sciences et des belles lettres de Berlin, xx (1764), 165, 174–99; repr. in Opera omnia, iii/1, 508–15, 516–39

L. Euler: Lettres à une princesse d'Allemagne (Berne, 1775, many later edns; Eng. trans., 1975)

M. Stratico: MS treatises on music (I–Vsm it. iv 341–3)


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