N. Davison: ‘Absalom fili mi Reconsidered’, TVNM, xlvi (1996), 42–56
D. Fallows: ‘Josquin and Milan’, PMM, v (1996), 69–80
L. Lockwood: ‘A View of the Early Secular Style of Josquin Desprez’, Trent'anni di ricerca musicologica: studi in onore di F. Alberto Gallo, ed. P. Dalla Vecchia and D. Restani (Rome, 1996), 161–6
P. Macey: ‘Galeazzo Maria Sforza and Musical Patronage in Milan: Compère, Weerbeke, and Josquin’, EMH, xv (1996), 147–212 [Vultum tuum]
P.A. Merkley: ‘Patronage and Clientage in Galeazzo's Court’, Musica e storia, iv (1996), 121–53
L.F. Bernstein: ‘Josquin's Chansons as Generic Paradigms’, Music in Renaissance Cities and Courts: Studies in Honor of Lewis Lockwood, ed. J.A. Owens and A.M. Cummings (Warren, MI, 1997), 35–55 [Mon mary m'a diffammée, Adieu mes amours, Entrée suis (3vv), Faulte d'argent]
A.M. Cummings: ‘Notes on a Josquin Motet and its Sources’, ibid., 113–22 [Alma redemptoris mater/Ave regina caelorum]
J.A. Owens: ‘How Josquin became Josquin: Reflections on Historiography and Reception’, ibid., 271–80
P.F. Starr: ‘Josquin, Rome, and a Case of Mistaken Identity’, JM, xv (1997), 43–65
A.-E. Ceulemans: ‘A Stylistic Investigation of Missa Une mousse de Biscaye, in the Light of its Attribution to Josquin des Prez’, TVNM, xlviii (1998), 30–50
V. Coelho: ‘Revisiting the Workshop of Howard Mayer Brown: Obsecro te Domina and the Context of Arrangement’, ‘La musique, de tous les passetemps le plus beau’: hommage à Jean-Michel Vaccaro, ed. F. Lesure and H. Vanhulst (Paris, 1998), 47–65
W. Elders: ‘New Light on the Dating of Josquin's Hercules Mass’, TVNM, xlviii (1998), 112–49
C.C. Judd: ‘Josquin's Gospel Motets and Chant-Based Tonality’, Tonal Structures in Early Music, ed. C.C. Judd (New York, 1998), 109–54
P. Macey: Bonfire Songs: Savonarola's Musical Legacy (Oxford, 1998)
L. Matthews: ‘Josquin Desprez and Ascanio Sforza: a Singer in the Cardinal's Retinue’, Chant and its Peripheries: Essays in Honour of Terence Bailey, ed. B. Gillingham and P. Merkley (Ottawa, 1998), 359–69