Jablonski, Marek (Michael)


P. Kiràly: ‘Un séjour de Josquin des Prés a la cour de Hongrie?’, RdM, lxxviii (1992), 145–50 R. Sherr



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P. Kiràly: ‘Un séjour de Josquin des Prés a la cour de Hongrie?’, RdM, lxxviii (1992), 145–50

R. Sherr: ‘The Performance of Chant in the Renaissance and its Interactions with Polyphony’, Plainsong in the Age of Polyphony, ed. T.F. Kelly (Cambridge, 1992), 178–208

J. Dean: ‘The Evolution of a Canon at the Papal Chapel: the Importance of Old Music in the Fifteenth and Sixteenth Centuries’, Papal Music and Musicians in Late Medieval and Renaissance Rome: Washington DC 1993, 138–66, esp. 152–3

J. Haar: ‘Josquin as Interpreted by a Mid-Sixteenth-Century German Musician’, Festschrift für Horst Leuchtmann, ed. S. Hörner and B. Schmid (Tutzing, 1993), 179–205

J. Haar: ‘Josquin in Rome: Some Evidence from the Masses’, Papal Music and Musicians in Late Medieval and Renaissance Rome: Washington DC 1993, 213–23

P. Macey: ‘Josquin as Classic: Qui habitat, Memor esto, and Two Imitations Unmasked’, JRMA, cxviii (1993), 1–43 [Levavi oculos meos, Nunc dimittis]



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