Jablonski, Marek (Michael)



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N.S. Josephson: ‘Formal Symmetry in the High Renaissance’, TVNM, xli (1991), 105–33

W. Kirsch: ‘Zur Rezeption der Motetten Josquin Desprez’ im 19. Jahrhundert’, Die Motette: Beiträge zu ihrer Gattungsgeschichte, ed. H. Schneider (Mainz, 1991), 283–97

P. Macey: ‘Josquin's Misericordias Domini and Louis XI’, EMc, xix (1991), 163–77

J. Rifkin: ‘Motivik – Konstruktion – Humanismus: zu Josquins Motette Huc me sydereo’, Die Motette: Beiträge zu ihrer Gattungsgeschichte, ed. H. Schneider (Mainz, 1991), 105–34

R. Sherr: ‘The Performance of Josquin's L'homme armé Masses’, EMc, xix (1991), 261–8

G. Allaire: ‘Some Overlooked Modulations in the Works of Josquin des Pres?’, RBM, xlvi (1992), 33–51

T.W. Bridges: ‘Louis XII and Guillaume: One Note, One More Time’, The Creative Process, Studies in the History of Music, iii (New York, 1992), 3–16



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