Jablonski, Marek (Michael)



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P. Macey: ‘Josquin's “Little” Ave Maria: a Misplaced Motet from the Vultum tuum Cycle?’, TVNM, xxxix (1989), 38–53

D. Preciado: ‘Francisco de Peñalosa versus Josquin Despres’, RdMc, xii (1989), 423–30

W.F. Prizer: ‘Music at the Court of the Sforza: the Birth and Death of a Musical Center’, MD, xliii (1989), 141–93

H.M. Brown: ‘The Mirror of Man's Salvation: Music in Devotional Life about 1500’, Renaissance Quarterly, xliii (1990), 744–73

A.M. Cummings: ‘The Transmission of Some Josquin Motets’, JRMA, cxv (1990), 1–32 [esp. O admirabile commercium]

J. Haar: ‘Lessons in Theory from a Sixteenth-Century Composer’, Essays on Italian Music in the Cinquecento, ed. R. Charteris (Sydney, 1990), 51–81

M. Just: ‘Josquins Chanson Nymphes, Nappés als Bearbeitung des Invitatoriums Circumdederunt me und als Grundlage für Kontrafaktur, Zitat und Nachahmung’, Mf, xliii (1990), 305–35

D.M. Randel: ‘Music and Poetry, History and Criticism: Reading the Fifteenth-Century Chanson’, Essays in Musicology: a Tribute to Alvin Johnson, ed. L. Lockwood and E.H. Roesner (Philadelphia, 1990), 52–74



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