A.B. Skei: ‘Dulces exuviae: Renaissance Settings of Dido's Last Words’, MR, xxxvii (1976), 77–91
E. Stam: ‘Josquins Proportionskanon Agnus Dei und dessen Piacentiner Überlieferung', TVNM, xxvi (1976), 1–8
I. Godt: ‘Motivic Integration in Josquin's Motets’, JMT, xxi (1977), 264–92
R. Sherr: ‘Notes on Two Roman Manuscripts of the Early Sixteenth Century’, MQ, lxiii (1977), 48–73
M. Antonowycz: ‘Criteria for the Determination of Authenticity: a Contribution to the Study of Melodic Style in the Works of Josquin’, TVNM, xxviii (1978), 51–60
C.M. Joseph: ‘Architectural Control in Josquin's Tu pauperum refugium’, College Music Symposium, xviii/2 (1978), 189–95
J. Noble: ‘Ottaviano Petrucci: his Josquin Editions and some Others’, Essays Presented to Myron P. Gilmore, ed. S. Bertelli and G. Ramakus (Florence, 1978), ii, 433–45
M. Picker: ‘Josquin and Jean Lemaire: Four Chansons Re-Examined’, ibid., 447–56 [Plus nulz regretz, Cueurs desolez, Soubz ce tumbel, Mille regretz]
L. Finscher: ‘Zum Verhältnis von Imitationstechnik und Textbehandlung im Zeitalter Josquins’, Renaissance-Studien: Helmuth Osthoff zum 80. Geburtstag (Tutzing, 1979), 57–72
