Jablonski, Marek (Michael)

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M.L. Gatti Perer: ‘Art and Architecture in Lombardy at the Time of Josquin des Prez’, Josquin des Prez: New York 1971, 138–47

D. Harrán: ‘Burney and Ambros as Editors of Josquin’s Music’, ibid., 148–77

L. Hoffmann-Erbrecht: ‘Problems in the Interdependence of Josquin Sources’, ibid., 285–93

B. Jeffery: ‘The Literary Texts of Josquin’s Chansons’, ibid., 401–20

H. Kellman: ‘Josquin and the Courts of the Netherlands and France: the Evidence of the Sources’, ibid., 181–216

W. Kirsch: ‘Josquin’s Motets in the German Tradition’, ibid., 261–78

Kwee Him Yong: ‘Sixteenth-Century Printed Instrumental Arrangements of Works by Josquin des Prez: an Inventory’, TVNM, xxii/1 (1971), 43–66

R.B. Lenaerts: ‘Musical Structure and Performance Practice in Masses and Motets of Josquin and Obrecht’, Josquin des Prez: New York 1971, 619–26

L. Lockwood: ‘Josquin at Ferrara: New Documents and Letters’, ibid., 103–37

E.E. Lowinsky: ‘Ascanio Sforza’s Life: a Key to Josquin’s Biography and an Aid to the Chronology of his Works’, ibid., 31–75

J.A. Mattfeld: ‘An Unsolved Riddle: the Apparent Absence of Ambrosian Melodies in the Works of Josquin des Prez’, ibid., 360–66

A. Mendel: ‘Towards Objective Criteria for Establishing Chronology and Authenticity: What Help can the Computer Give?’, ibid., 297–308

J. Noble: ‘New Light on Josquin’s Benefices’, ibid., 76–102

J. Noble: ‘A New Motet by Josquin?’, MT, cxii (1971), 749–53, suppl.

S. Novack: ‘Tonal Tendencies in Josquin’s Use of Harmony’, Josquin des Prez: New York 1971, 317–33

M. Picker: ‘Josquiniana in some Manuscripts at Piacenza’, ibid., 247–60

W.H. Rubsamen: ‘Unifying Techniques in Selected Masses of Josquin and La Rue’, ibid., 369–400

J. Snížková: ‘Josquin in Czech Sources of the Second Half of the Sixteenth Century’, ibid., 279–84

E. Stam: ‘Die vierundzwanzigstimmige kanonische Psalmmotette Qui habitat in adiutorio altissimi von Josquin des Prez’, TVNM, xxii/1 (1971), 1–17

R. Stevenson: ‘Josquin in the Music of Spain and Portugal’, Josquin des Prez: New York 1971, 217–46

G. Thibault: ‘Instrumental Transcriptions of Josquin’s French Chansons’, ibid., 455–74

W. Wiora: ‘The Structure of Wide-Spanned Melodic Lines in Earlier and Later Works of Josquin’, ibid., 309–16

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