M.L. Gatti Perer: ‘Art and Architecture in Lombardy at the Time of Josquin des Prez’, Josquin des Prez: New York 1971, 138–47
D. Harrán: ‘Burney and Ambros as Editors of Josquin’s Music’, ibid., 148–77
L. Hoffmann-Erbrecht: ‘Problems in the Interdependence of Josquin Sources’, ibid., 285–93
B. Jeffery: ‘The Literary Texts of Josquin’s Chansons’, ibid., 401–20
H. Kellman: ‘Josquin and the Courts of the Netherlands and France: the Evidence of the Sources’, ibid., 181–216
W. Kirsch: ‘Josquin’s Motets in the German Tradition’, ibid., 261–78
Kwee Him Yong: ‘Sixteenth-Century Printed Instrumental Arrangements of Works by Josquin des Prez: an Inventory’, TVNM, xxii/1 (1971), 43–66
R.B. Lenaerts: ‘Musical Structure and Performance Practice in Masses and Motets of Josquin and Obrecht’, Josquin des Prez: New York 1971, 619–26
L. Lockwood: ‘Josquin at Ferrara: New Documents and Letters’, ibid., 103–37
E.E. Lowinsky: ‘Ascanio Sforza’s Life: a Key to Josquin’s Biography and an Aid to the Chronology of his Works’, ibid., 31–75
J.A. Mattfeld: ‘An Unsolved Riddle: the Apparent Absence of Ambrosian Melodies in the Works of Josquin des Prez’, ibid., 360–66
A. Mendel: ‘Towards Objective Criteria for Establishing Chronology and Authenticity: What Help can the Computer Give?’, ibid., 297–308
J. Noble: ‘New Light on Josquin’s Benefices’, ibid., 76–102
J. Noble: ‘A New Motet by Josquin?’, MT, cxii (1971), 749–53, suppl.
S. Novack: ‘Tonal Tendencies in Josquin’s Use of Harmony’, Josquin des Prez: New York 1971, 317–33
M. Picker: ‘Josquiniana in some Manuscripts at Piacenza’, ibid., 247–60
W.H. Rubsamen: ‘Unifying Techniques in Selected Masses of Josquin and La Rue’, ibid., 369–400
J. Snížková: ‘Josquin in Czech Sources of the Second Half of the Sixteenth Century’, ibid., 279–84
E. Stam: ‘Die vierundzwanzigstimmige kanonische Psalmmotette Qui habitat in adiutorio altissimi von Josquin des Prez’, TVNM, xxii/1 (1971), 1–17
R. Stevenson: ‘Josquin in the Music of Spain and Portugal’, Josquin des Prez: New York 1971, 217–46
G. Thibault: ‘Instrumental Transcriptions of Josquin’s French Chansons’, ibid., 455–74
W. Wiora: ‘The Structure of Wide-Spanned Melodic Lines in Earlier and Later Works of Josquin’, ibid., 309–16
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