Bernard Malamud Revisited Portrait of the Post-Holocaust Jewish Heroin the Fixer Sajjad Mahboobi* Faculty of Literature and Foreign Languages, Islamic Azad University, Karaj, Iran Corresponding Author: Sajjad Mahboobi, Phone +98 917 1002693, Email email@example.com ABSTRACT The primary focus of this article is concept of Jewish heroism in Bernard Malamud’s most celebrated novel, The Fixer (1966). In light of a truth-oriented historicist approach, my underlying argument is that Malamud’s protagonists are Jewish heroes who befit the post-Holocaust era. They are not schlemiels, unlike what many critics believe, and have three main missions first, to remind the world of the suffering the Jews have endured throughout history, especially during the alleged Holocaust second, to revive the qualities of Jewishness and Jewish tradition that no longer existed among the younger Jewish generation of the postwar America and third, to help the Jews free themselves from their victim mentality, intensified after the Holocaust, through heroic acts of resistance and acceptance of responsibility toward their people. These protagonists neither share America’s postwar upheavals, nor resemble the least to the affluent Wall Street Jew financers. They are typical post-Holocaust Jewish heroes.