Aesthetics and Philosophy of Art



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Day 5: Ontology of Art


Reading:

Jerrold Levinson (1980), ‘What a Musical Work Is’, Journal of Philosophy, 77, 5-28.

Recommended readings:

Peter Kivy (1983), ‘Platonism in Music: A Kind of Defence’, Grazer Philosophische Studien, 19, 109–29.

Gregory Currie (1989), ‘Art Works as Action Types’, in Ontology of Art. London: Macmillan, 46-84.

David Davies (2004), ‘Art as Performance’, in Art as Performance. Oxford: Blackwell, 146-205.

David Davies (2008), ‘Collingwood’s ‘Performance’ Theory of Art’, British Journal of Aesthetics, 48, 162–174.

Week Two

Day 6: Emotions and the Response to Art


Reading:

Jerrold Levinson (1990), ‘Music and Negative Emotion’, in Music, Art, & Metaphysics. Ithaca, NY: Cornell University Press, 306-335.

Recommended readings:

Peter Kivy (1990), ‘The Profundity of Music’, in Music Alone: Philosophical Reflections on the Purely Musical Experience. Ithaca, NY: Cornell University Press, 245-255.

Jenefer M. Robinson (1994), ‘The Expression and Arousal of Emotion in Music’, Journal of Aesthetics and Art Criticism, 52, 13-22.

Aaron Ridley (1997), ‘Not Ideal: Collingwood’s Expression Theory’, Journal of Aesthetics and Art Criticism, 55, 263-72.





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