A magnolia pictures release mutant chronicles



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ALISON LEWIS - Editor

After attending West Surrey College of Art film school in 1987, Alison joined the BBC as a editing trainee. For many years she edited and assistant edited various drama and documentary programs including the Emmy award winning Peoples Century in 1995. Later she became a senior BBC technology manager specializing in new technologies for program making and post-production.


In 2005 she cut the teaser film of MUTANT CHRONICLES that her partner Simon Hunter was to direct. In 1996 when MUTANT CHRONICLES was in post-production she joined as editor and oversaw the postproduction of the picture until the film was completed in late 2007.


RICHARD WELLS - Music

Richard began his professional music career as a programmer, keyboard player and engineer. His credits included work on tracks by Dominic King/Bugatti (My Simple Heart), John Moss (Culture Club), Andy Reynolds (World’s Apart), Talk Talk and Clan of Xymox. He joined Xymox as Keyboard player/ programmer on their 1991 tour of the U.S.A. and later engineered and mixed their 1992 album Metamorphosis.


Richard then met games composer Dave Punshon in 1994 and their collaboration as Bling resulted in original soundtracks for over 30 computer games.
Richard’s break into films came in 1998 when he scored Jake West’s cult debut feature Razor Blade Smile. His collaboration with Jake continued with the horror film Evil Aliens, which won the Raindance award at the British Independent Film Awards in October 1995.
In 2001 Richard commenced working with Brian White then of Hong Kong Legends. They worked successfully together on a succession of trailers for well-known Asian films, including The Grudge, Brotherhood and The Warrior. Richard’s collaboration with Brian continued when Brian joined The Weinstein Company as label manager for Dragon Dynasty.
Richard has written several albums of production music for KPM/EMI and is currently working on a new horror release.
In 2005, Contender Entertainment Group commissioned Richard to completely re-score the Thai martial arts feature film Ong Bak. After a successful theatrical release, the UK version of Ong Bak has sold more than 500,000 units on DVD.
Also in 2005, Richard scored the teaser for Simon Hunter’s MUTANT CHRONICLES. This led to him scoring the feature film.
JANICE GINSBERG - Music Consultant

Ginsberg’s 20+ year career includes working with musical artists of all genres as a talent acquisition executive, music supervisor, music publisher and documentary/performance producer. Ginsberg’s experience encompasses many credits in radio/TV, feature films, and soundtrack albums. Consultancies include Italy's CAM Original Soundtracks, Carlin America, The UK's Recorded Picture Company and GreeneStreet Films.


Producer credits include: Standing in the Shadows of Motown-The Story of the Funk Brothers , Strange Brew: The Story of Cream ,Deep Purple: Heavy Metal Pioneers ,The Yardbirds, Black Sabbath Parts 1 & 2 , Let the Good Times Roll: The Roots of American Music...New Orleans Jazz and Heritage Festival, Les Paul: He Changed The Music, King Biscuit Flower Hour .
Music Supervisor and consultant credits include: MUTANT CHRONICLES, Sisters, The Hip Hop Project, All The Real Girls, Snow Angels, Borderland, Carlito’s Way-Rise To Power, The Dreamers, Young Adam, Back to Gaya, Sexy Beast, Brother, Coastlines, The Blackout.
SIMON CARR - Visual Effects Supervisor

Simon Carr brought more than fifteen years' experience working in VFX to the MUTANT CHRONICLES production. Starting as a runner in a Motion Control studio in London, 1991, Simon has worked as a Digital Compositor and VFX Supervisor in the UK, Australia, Italy, Romania, Slovakia and Lithuania.


Having earned his stripes in the tough world of London's commercials industry with Cell Animation (providing support for their Henry suites and teaching himself how to composite) Simon moved to Animal Logic in Sydney, taking on the role of TD (Film) and helping to develop their film department. Whilst there, he worked on a number of Australian pictures including Not Fourteen, Again, Heaven's Burning and Black Rock; before completing the titles and opening seven minutes of John Woo's Face/Off. This included work on the 'flashback' look of the pre-title and grappling with producing seven continuous minutes of digital output on a system only capable of holding two minutes at a time.
Returning to the UK in the summer of 1997, Simon completed shots on Seven Years in Tibet for The Magic Camera Company before signing up for Lost in Space with Framestore, completing more than 40 shots on the Quantel Domino system and helping to put the UK VFX industry on Hollywood's map. Since then Simon has completed compositing work on a number of films includingThe Legend of 1900, The Beach, The 51st State, In America, Hitchhiker's Guide to the Galaxy and United 93.
Since 2000, he has also worked extensively as a VFX Supervisor on major TV shows Auf Wiedersehen, Pet (moving Middlesborough's transporter bridge to Arizona), and Dr Zhivago (starring Keira Knightly) before moving on to movies with Young Adam, Tooth, Spirit Trap and An American Haunting. He likes to work with productions to help bed the VFX into the drama of a story and avoid effects for effects-sake, often working as an effects designer on world/environment design, as well as finding cost-effective solutions to VFX problems, making VFX more accessible to lower budget film-makers.
MICHELE BAYLIS - Hair and Make-Up Designer

Michele Baylis has worked for 20 years in the fields of movies, music and commercials; her major break was designing the movie Sexy Beast for director Jonathan Glazer which went on to be a huge success and a cult hit. While working on Sexy Beast, Baylis forged a strong relationship with Sir Ben Kingsley and went on to become his personal hair and make up artist for a few films, namely Oliver Twist directed by Roman Polanski for which she designed the wigs and make up for Kingsley’s character Fagin (which took 2 hours to apply). Baylis also worked with Kingsley on Mrs. Harris in Los Angeles for which she garnered an Emmy nomination.


In the meantime, Baylis met Thomas Jane and worked with him on both Stander and The Punisher, gaining her union card for the U.S., as well as a social security number.
Her second Emmy nomination came for her design of hair and make up on The Ten Commandments for ABC with Omar Sharif and Dougray Scott.
Shortly after this Baylis joined MUTANT CHRONICLES after being highly recommended by Thomas Jane.
Since Mutant Chronicles, she has toured exclusively with George Michael as his personal hair and make-up artist around the U.K. and Europe, including Russia. This year they hope to come to the States.
PAUL HYETT - Special Make-Up and Mutant Effects Designer

Paul Hyett has been steadily working in the special make up effects field for fifteen years in the areas of film, television, commercials and music promos. Hyett had worked as a technician on the make-up effects departments on many films including Gladiator, The Hours and The Visitors but turned to heading up his own projects soon after.


His past film projects as Head of Department include The Descent, WAZ, Straightheads, The Wilderness, Spirit Trap, Sickhouse, Lighthouse aka Dead of Night and One Point Zero. Singling Hyett out as one of the most in demand Make-Up Effects Designers in the UK are his upcoming releases including Neil Marshall’s Doomsday, The Wesley Snipes undead western Gallowwalker, Pathe‘s The Cottage, Celador Films Eden Lake, Warp X‘s Donkey Punch and the upcoming MUTANT CHRONICLES..
Hyett has been nominated for two awards for The Descent--Best Make-Up Award at the 33rd Annual Saturn Awards and Best Creature/ Make-Up Effects Award at the LA Fangoria Awards.

YVES BARR - Costume Designer

Yves was born in Macon a town situated on the edge of Burgundy in France. His colorful childhood to the late teens covered Paris, the Auvergne and the mountainous Pyrenees region on the Spanish border.


It is at that time he discovered the theatre, his first love, and made the decision to emigrate to England. Yves has, from adolescence, always felt a very strong attraction towards Anglo Saxon culture. Inevitably, London with its unique place in visual arts and theatre design became his home and still is to this day.
Art school completed, Yves entered the Arts Council Bursary of that year, when he met the renowned and influential theatre designer Nicholas Georgiadis with whom a productive partnership began.
The next six years proved to be a crucial and formative time spent as Georgiadis’

assistant. It was a true apprenticeship, participating on new major ballet productions such as The Tempest, The Nutcracker and Raymonda--all choreographed by Rudolf Nureyev. Also Orpheus and a remount of Romeo and Juliet both choreographed by Sir Kenneth Macmillan. This was part of a period spent employed in opera houses across Europe, Japan and the U.S.


The next step involved joining the BBC which offered great opportunities to develop and adapt his craft for the screen. Yves experienced a high caliber of work associated with this centre of excellence. He was involved in costume dramas, comedy, fly-on-the-wall gritty productions and progressed from an assistant to full-fledged designer. He collaborated on Shakespeare’s Henry IV directed by John Caird, Jane Austen’s Pride and Prejudice directed by Simon Langton, to Hanif Kureishi’s The Buddha of Suburbia directed by Roger Michell.
Early in his freelance career Yves teamed up with Jeremy Dyson, Mark Gatiss, Steve Pemberton and Reece Shearsmith, The League of Gentlemen. Their dark and surreal comedy set in society’s underbelly won every major award for its writers/performers. It gave Yves full reign to his ability and artistic skills to create a unique in-depth range of characters. The three principal artists covering some one hundred and twenty roles over three series--one TV film, two stage tours and a feature film, Apocalypse, were all directed by Steve Bendelack. This body of work with its high production values and cinematic qualities set new bench marks in the genre. It brought Yves three nominations with two awards, a BAFTA and an RTS.
Throughout his career Yves’s portfolio has shown versatility and breadth of design from the feature film The Lazarus Child (director Graham Theakston), an intensely moving, poignant psychological thriller, to Kombat Opera the TV series, a succession of five musicals (Terry Jones among the directors).
Other nominations were two RTS for Ted and Alice and Victoria Wood with All the Trimmings, both directed by Steve Bendelack.
MUTANT CHRONICLES, a sci-fi action picture, offered a wonderful challenge. The director Simon Hunter was very specific in his brief as to the visual concept to focus on regarding the characters inhabiting this world set two thousand years in the future. Barr used retro inspirations to create a sense of timelessness with his design.
Yves is an associate lecturer in costume design at Central Saint Martin’s, The London College of Fashion and the University of the Arts London.
JEREMY ZIMMERMAN - Casting
Jeremy Zimmerman is one of the UK’s leading casting directors and has worked on international productions for the past twenty years with such notable directors as Peter Yates, Ron Howard, Guillermo del Toro, and Richard Attenborough. He was also nominated for an Emmy in 1995 for Outstanding Individual Achievement for the casting of Joseph, a TV movie.
Following an early career in international marketing, Zimmerman changed direction to become an actor, studying at the Drama Centre. After graduating, he spent ten

years working in repertory theatre, television and film, and also took an opportunity to work behind the cameras with a commercial film company. He eventually turned down an offer to join the National Theatre Company to pursue this alternative career in films. Zimmermanwent on to join forces with Noel Davis (also an ex-actor) to start their own casting agency, Davis & Zimmerman. After ten years in partnership, Zimmerman opened his own company, Jeremy Zimmerman Casting.


To date Zimmerman has worked on such features as Legend, Willow, Robin Hood Prince of Thieves, Blade 2, Keeping Mumand more recently MUTANT CHRONICLES, Hellboy 2 and My Life in Ruins.

CREDITS

DIRECTED BY

SIMON HUNTER
WRITTEN BY

PHILIP EISNER


ISLE OF MAN FILM PRESENTS
AN EDWARD R. PRESSMAN PRODUCTION
IN ASSOCIATION WITH

GROSVENOR PARK


IN ASSOCIATION WITH REMAG GUERRILLA FILMS
PRODUCED BY

EDWARD R. PRESSMAN


PRODUCED BY

TIM DENNISON


PRODUCED BY

PETER LA TERRIERE


PRODUCED BY

STEPHEN BELAFONTE

PRAS MICHEL
EXECUTIVE PRODUCERS

STEVE CHRISTIAN

ALESSANDRO CAMON

FREDRIK MALMBERG


EXECUTIVE PRODUCERS

LEE SOLOMON

CHRISTIAN HALSEY SOLOMON
EXECUTIVE PRODUCERS

CHARLES FINCH

STEPHEN BIBEAU

JON KATZ
DIRECTOR OF PHOTOGRAPHY

GEOFF BOYLE
PRODUCTION DESIGNER

CAROLINE GREVILLE-MORRIS


FILM EDITED BY

SEAN BARTON

AND

ALISON LEWIS


CO-PRODUCER

SURAJ GOHILL


MUSIC BY

RICHARD WELLS


MUSIC CONSULTANT

JANICE GINSBERG


VISUAL EFFECTS SUPERVISOR

SIMON CARR


SUPERVISING SOUND EDITOR AND SOUND DESIGNER

JOVAN ADJER


HAIR AND MAKE-UP DESIGNER

MICHELE BAYLIS


SPECIAL MAKE-UP AND MUTANT EFFECTS DESIGNER

PAUL HYETT


MR. MALKOVICH SPECIAL MAKE-UP DESIGN

JACQUELINE FOWLER


COSTUME DESIGNER

YVES BARRE


1ST ASSISTANT DIRECTOR

MAX KEENE


CONCEPT DESIGNER

DAVID ALLCOCK


MINIATURE EFFECTS AND DESIGN SUPERVISOR

LEIGH TOOK


CASTING BY

JEREMY ZIMMERMAN

ANDREA CLARK

CAST


(IN ALPHABETICAL ORDER)
HODGE CHRISTOPHER ADAMSON

DUVAL DEVON AOKI

SCIENCE MONK ROGER ASHTON-GRIFFITHS

PLUTOCRAT NICHOLAS BALL

GRACE GEORGINA BERRIMAN

DOROTHY GEORGINA BRYCE

SOLDIER RICHARD BUDDLE

MISHIMA AMBASSADOR JACQUI CHAN

LEAD MUTANT TIM DANIEL CLARK

BARTENDER VYELLE CROOM

PADRE DEZ DRUMMOND

MEDIC CHRISTOPHER DUNNE

EL JESUS LUIS ECHEGARAY

PETER JACK FINNEY

STEINER BENNO FÜRMANN

BAUHAUS AMBASSADOR NICHOLAS GECKS

PRINCIPAL MUTANT DAVID HEWITT

TRANSPORT PILOT SIMON HUNTER

PRINCIPAL MUTANT/SKINNY MARK HOLLOWAY

CAPITOL AMBASSADOR BARRY McCORMICK

MAJOR MITCH HUNTER THOMAS JANE

CORPORATE GUARD SCOTT JOSEPH

PRINCIPAL MUTANT FARHAN KHAN

ADELAIDE SHAUNA MACDONALD

SCIENCE MONK’S ASSISTANT ANDREW MACKAY

CONSTANTINE JOHN MALKOVICH

MESSENGER BOY ALFRED MATHER

MICHAELS PRAS MICHEL

IMPERIAL AMBASSADOR NEJI NEJAH

PRINCIPAL MUTANT ANDREW NIXON

SAMUEL RON PERLMAN

NATHAN ROOKER SEAN PERTWEE

PRINCIPAL MUTANT THOMAS POWER

PRINCIPAL MUTANT SANJAY PRABHAKAR

GREY FACED SENTRY DON RAE

PRINCIPAL MUTANT RAFIQ RICHARD

McGUIRE STEVE TOUSSAINT

BIG BOY CURTIS WALKER

SEVERIAN ANNA WALTON

JUBA TOM WU


ASSOCIATE PRODUCER SARAH RAMEY
DIGITAL COLOURIST STUART FYVIE
PRODUCTION MANAGER SIOBHAN LYONS

1ST ASSISTANT EDITOR/VISUAL EFFECTS EDITOR ANDY STEVENS


SOUND MIXER JOHAN MAERTENS
ISLE OF MAN LOCATION MANAGER PHIL GATES
PRODUCTION CO-ORDINATOR VICTORIA MORGAN

ASSISTANT PRODUCTION CO-ORDINATOR MATTHEW LEE

ASSISTANTS TO MR. PRESSMAN DANIEL BISBING

KYLE AOKI

ASSISTANT TO MR. DENNISON AND MR. LA TERRIERE LOU HOOPER

ASSISTANT TO MR. HUNTER RACHEL DARGAVEL

PRODUCTION RUNNERS JAMES EGGLETON

MATTHEW GRANT


2nd ASSISTANT DIRECTOR MATT BAKER

2nd 2nd ASSISTANT DIRECTOR PAUL BENNETT

3rd ASSISTANT DIRECTOR KATHRYN GREGORY

CROWD ASSISTANT DIRECTOR HELEN SLAYMAKER

TRAINEE FLOOR RUNNER ALEX BERNAYS

FLOOR RUNNER (IOM) CHRISTOPHER CHAMBERS

LOCATION ASSISTANTS (IOM) SARAH PUZZAR

GLEN WHORRALL


PRODUCTION ACCOUNTANT DEBBIE MOORE

ASSISTANT ACCOUNTANT NATALIE MOORE

POST-PRODUCTION ACCOUNTANT PATRICIA CANEY

PGGB ASSISTANT PRODUCTION NATHAN WEST


SCRIPT SUPERVISOR JANICE SCHUMM
ART DIRECTOR JAMIE CAMPBELL

STANDBY ART DIRECTOR KAMLAN MAN

ASSISTANT ART DIRECTOR KEVIN HUNTER

SET DECORATOR GERAINT POWELL

ASSISTANT SET DECORATOR/BUYER JONNIE ELF

ART DEPARTMENT ASSISTANTS LUKE STEVENS

ANDREW PALMER
PROP MASTER MUFFIN GREEN

PROP HANDS ADAM McCREIGHT

JAMES McCALLUM

STANDBY PROP HAND CHRISTOPHER CHANDLER

PROP HAND (IOM) KRISTIAN EDWARDS

ART DEPARTMENT TRAINEE SHELTON LINDSAY

PROP MAKERS COLIN CAMPBELL

CRAIG LEONG

ADAM KEENAN

PROP MAKER/MECHANICAL EFFECTS JARED MANLEY

HEAD MOULD MAKER/ARMOURY PROPS DAN MARTIN
STORYBOARD ARTISTS DAVID ALLCOCK

LIAM GAVIN

ANDY CARROLL

CONCEPT ARTIST SAV AKYUZ

CONCEPTUAL RESEARCHER KATE HORLOR

CAMERA OPERATOR SIMON HUNTER

1ST ASSISTANT CAMERA DANIEL LIGHTENING

2ND ASSISTANT CAMERA DANIEL TUBBY

DIGITAL IMAGING TECHNICIANS PHIL RHODES

ROSS FALL

KEY GRIP MARK JONES

GAFFER OSSIE JUNG

GAFFER (IOM) AND RIGGING GAFFER DANIEL LOWE

BEST BOY MICHAEL COOPER

ELECTRICIANS SHAUN MONE

ANTHONY CUPPLES

LIGHTING DESK OPERATOR FRANK SHIELDS

BOOM OPERATOR PETER EUSEBE

FT2 SOUND TRAINEE JEREMY BROWN

SOUND TRAINEE (IOM) JOHN BRYNE

ASSISTANT COSTUME DESIGNER JOANNA CAMPBELL

COSTUME SUPERVISOR SUE WAIN

COSTUME ASSISTANTS KEVIN PRATTEN

ANN CARTWRIGHT

VICTORIA TAYLOR

TALYA COAN


MAKE-UP AND HAIR ARTISTS ANNETTE FIELD

JENNIFER HARTY

CHARLIE HOUNSLOW

LAUREN DUNN

MAKE-UP DAILIES ABBIE PRYCE

SHARMA SCHZAYASIN

JOCELINE ANDREWS
PROSTHETIC WORKSHOP SUPERVISOR STUART BRAY

SENIOR PROSTHETIC MAKE-UP ARTIST STUART CONRAN

PROSTHETIC MAKE-UP ARTISTS CONAL PALMER

ROBIN PRITCHARD

KRISTYAN MALLET

ROD HAMLIN

KEY PROSTHETIC SCULPTOR RICK NORTHCROFT

FABRICATION SUPERVISOR LOUISE DAY

MECHANICAL EFFECTS SUPERVISOR JARED MANLEY

MECHANICAL EFFECTS TECHNICIANS CRAIG LEONG

SAM HUE-VASHON

PROSTHETIC MAKE-UP TECHNICIANS LEAH MERCIECA

DAWN STEWART

CLARE RAMSEY

PROSTHETIC MAKE-UP TRAINEES SANDRA AXELL

VESNA GIORDANO

SPECIAL EFFECTS CONTACT LENSES CLIVE R. KAY

CONSTRUCTION MANAGER DAVE ALLEN

HEAD OF DEPARTMENT CARPENTER STEVE WILSON

CHARGEHAND CARPENTERS ROB ANDERSON

ROGER KIFF

CARPENTERS RAY BELL-CHAMBERS

GARY BIRD

DAVID CALITZ

STEPHEN DAWSON

SHARON FERGUS

JOHN FISHER

GUY HUNT


RICHARD MASON

KEITH MOWATT

GERT RADEMEYER

PETE TAYLOR

GRAHAM WARDELL

JONATHAN WELLS

CARPENTERS (IOM) GRAHAM THOMAS

STEVE DAWSON

HEAD OF DEPARTMENT PAINTER DAVID FITZJOHN

PAINTERS PETER AGBABA

JAMIE DAVIES-EVANS

JIM FENNISSEY

CHRIS RUTTER

GUY RUTTER

LANCE SMITH

HEAD OF DEPARTMENT PLASTERER RAY CHURCHOUSE

PLASTERERS GARY BURNS

KEITH CHARLES

PAUL CHITTY

JAMIE CHURCHOUSE

BILL GRESIK

ROGER HUTT


HEAD OF DEPARTMENT RIGGER PAT KILLEEN

HEAD OF DEPARTMENT RIGGER (IOM) CHARLIE DILLON

RIGGERS GEOFF DANCE

SHEA GALLAGHER

RIGGERS (IOM) JON QUILLON

DAVE SMYTH

STAGEHANDS GARY DAVIES

MARTIN O’CONNOR

STANDBY CARPENTER JIM BURLACK

STANDBY PAINTER JASON LINE

STANDBY RIGGER JEFFREY KHAN

CONSTRUCTION DRIVER (IOM) PETER SMITH


SPECIAL EFFECTS SUPERVISOR GRAHAM LONGHURST
SPECIAL EFFECTS TECHNICIANS CHRIS LONGHURST

BEN LONGHURST

IAN THOMPSON
STUNT CO-ORDINATOR AND FIGHT DIRECTOR ROD WOODRUFF

STUNT PERFORMERS LEE BAGLEY

LEVIN DORAN

DAVID HOLMES

PAUL KULIK

MARK MAYLEY

TREVOR STEEDMAN

JOHN STREET

BLAKE WOODRUFF

AIRBAG OPERATOR MALCOLM WEAVER

WIRE EFFECTS SUPERVISOR BOB WIESINGER

WIRE EFFECTS ASSISTANT GRANT WIESINGER


DIALECT COACH PATRICK LENNON
UNIT STILLS PHOTOGRAPHER LIAM DANIEL

UNIT PUBLICIST JULIA JONES

ELECTRONIC PRESS KIT MONIKA AGORELIUS

“MAKING OF” DOCUMENTARY DIRECTOR ANDREW MACKAY

2nd UNIT AND MODEL UNIT
DIRECTOR SIMON HUNTER

PRODUCTION MANAGER DEBBIE MOORE

PRODUCTION CO-ORDINATOR CLAUDIA CIMMINO

1ST ASSISTANT DIRECTOR MATT BAKER

2ND ASSISTANT DIRECTOR HELEN SLAYMAKER

3RD ASSISTANT DIRECTOR RACHEL DARGAVEL

ADDITIONAL 3RD ASSISTANT DIRECTORS LOU HOOPER

KATHRYN GREGORY

ADDITIONAL DIRECTOR OF PHOTOGRAPHY DANIEL LIGHTENING

1ST ASSISTANT CAMERA DANIEL TUBBY

ASSISTANT CAMERA JO GIBBS

DIGITAL IMAGING TECHNICIAN JAMES EGGLETON

KEY GRIP MARK JONES

DIGITAL HI-SPEED CAMERA OPERATORS JOHN HADFIELD

TONY ALLEN

JOHN HANNAFORD

ART DIRECTOR MARCUS WOOKEY

STANDBY ART DIRECTOR NICK DENT

SET DECORTAOR GERAINT POWELL

PROPS MASTER ADAM McCREIGHT

STANDBY PROPS CHRISTIAN MOVAHED

CONSTRUCTION MANAGER DAVE ALLEN

STANDBY CARPENTERS GERT RADEMEYER

DAVE CALITZ

GAFFER DANIEL LOWE

PHIL HURST

COSTUME DESIGNER NADIA DUNN-HILL

COSTUME ASSISTANT GEMMA FRIPP

WARDROBE DAILES MARK FOSTER

TRUDY MITCHISON

SHARON ROBINSON

MAKE-UP AND HAIR DESIGNER SHARON MARTIN

MAKE-UP AND HAIR ASSISTANT JO BUDDEN

SPECIAL MAKE-UP EFFECTS SUPERVISOR STUART CONRAN

SENIOR PROSTHETIC MAKE-UP ARTIST KRISTYAN MALLETT

PROSTHETIC MAKE-UP TECHNICIAN LEAH MERCIECA

PROSTHETIC MAKE-UP TRAINEE VESNA GIORDANO
MINIATURES BY MATTES & MINIATURES LTD

LEAD MODEL MAKER NEIL DAMMAN

SENIOR MODEL MAKERS BOB BALLAN

MARK TOPPING

GUS RAMSDEN

STEVEN SCOTT

RICHARD THOMAS

SIMON FORD

PETER SIMONS

MODEL UNIT CONSTRUCTION MANAGER GARY MORTON

MODEL MAKERS JAMES BALLAN

DAVID HEWITT

THOMAS POWER

JOE TOOK


LAUREN TOOK

MELANIE THORPE

SARAH CLAMPE

AMANDA WARD

SCULPTORS KIT LINE

REBECCA TIMMONS

ROB STANNAGE

TRAINEE MODEL MAKERS CHRISTOPHER WALKER

KATHERINE PEARL

SAM COLE


MATERIALS SUPPLIED BY ONE STOP FILM SHOP

KARAMYA


ADDITIONAL PHOTOGRAPHY
STANDBY ART DIRECTOR NEIL JENKINS

COSTUME SUPERVISOR LINDA ALDERSON

GRIP EMMET CAHILL

SOUND RECORDIST BEN GREAVES

BOOM OPERATOR CHARLIE WEISFELD

POST-PRODUCTION SUPERVISOR LINDA DEACY

ASSISTANT POST-PRODUCTION CO-ORDINATOR AMEENAH AYUB

POST-PRODUCTION SECRETARY ANTONIA WISE


ADDITIONAL “GUEST” EDITOR JAKE WEST

1st ASSISTANT EDITOR TASIM PERSUAD

TRAINEE ASSISTANT EDITOR OLIVER STOTHERT

VISUAL EFFECTS AND DIGITAL ANIMATION PRODUCED BY MEN FROM MARS, LONDON

VISUAL EFFECTS SUPERVISOR PHIL ATTFIELD
VISUAL EFFECTS PRODUCER SIMON FRAME
HEAD OF PRODUCTION PAUL BEARD

VISUAL EFFECTS LINE PRODUCER RICHARD GRAHAM

VISUAL EFFECTS CO-ORDINATOR PETER GUBBINS

VISUAL EFFECTS ASSOCIATE PRODUCER TOM HORTON

PRODUCTION ASSISTANT KIM HARVEY

CGI LEAD ARTIST AMAAN AKRAM

CGI LEAD ANIMATOR NICK SYMONS

CGI ARTISTS ANDY NICHOLAS

DAN CANFORA

IMRAN SAJID

JULIAN JOHNSON

RASIK DAMJI

CHRIS MARSHALL

SHERIN MAHBOOB

DIGITAL MATTE ARTISTS ANTHONY WONSOFF

AUDRIUS URBONAVICIUS

DOUG WINDER

LEIGH TOOK

DIGITAL COMPOSITING LEADS SANDRA ROACH

ALASDAIR McNEILL

JACKIE ROWSON

KRIS ANDERSON

LIONEL HEATH

STEVEN BRAY

DIGITAL COMPOSITORS ABIGAIL SCOLLEY

BASILE MAFFONE

DAN PEARCE

EMILIOS AVRAAM

EMMA CLIFTON

GARETH REPTON

GREG HOWE-DAVIES

HENRY JEFFERSON

ISSAC LAYISH

JEAN-FRANÇOIS THEAULT

JOHN HARDWICK

KELLY BRUCE

MARC HUTCHINGS

REBECCA MANNING

RICK LEACH

ROBIN BEARD

SANDRO HENRIQUES

SÉBASTIEN FAUCHÈRE

TOM HOCKING

TOM PEGG


2D PREP/ROTO ARTISTS JOBY HOLLIS

BEN TURNER

STEPHANIE KELLY

ADDITIONAL SPECIAL EFFECTS EDITOR CARLOS DOMEQUE

SYSTEMS ENGINEER RHODRI JAMES
DIGITAL OPERATIONS MANAGER KATHERINE WISE

SENIOR DIGITAL OPERATOR KEVIN BAGULEY

JUNIOR DIGITAL OPERATOR DALES BULLIED

DIGITAL VISUAL EFFECTS BY DINAMO PRODUCTIONS


VISUAL EFFECTS SUPERVISOR LLYR WILLIAMS
3D ARTIST ROMANO MARENGHI

DIGITAL COMPOSITOR JON RENNIE

MANAGING DIRECTORS OWEN STICKLER

ARON EVANS

DIGITAL VISUAL EFFECTS BY BASEBLACK
VISUAL EFFECTS PRODUCER STEPHEN ELSON

VISUAL EFFECTS CO-ORDINATOR EDWARD RANDOLPH

DIGITAL COMPOSITORS ELYSIA GREENING

TRISTAN PORTER

RICHARD LITTLE

JOSS FLORES

VAIBHAV MARATHE

PETRA SCHWANE

ADAM GEFEN

TECHNICAL DIRECTORS PIERSON LIPPARD

PAUL STONE

PAUL BRIERLY

JONATHAN BROOKER

STUDIO MANAGER LYNDY BROWN

R & D SUPPORT JOHN KOZACK

FX ELEMENT SHOOT DAFYDD MORRIS

JACQUI PURKESS

MARTIN AUFINGER

STEVEN HUBBARD

ELISSAVET PANETA

DIGITAL VISUAL EFFECTS BY LIPSYNC POST
VISUAL EFFECTS SUPERVISOR GLEN PRATT

HEAD OF FILM EFFECTS STEFAN DRURY

VISUAL EFFECTS CO-ORDINATOR SAMANTHA TRACEY

DIGITAL COMPOSITORS NEIL CULLEY

DAVID MARGOLIS

ANGELA ROSE

CG ARTIST JAMES NICHOLL

DIGITAL INTERMEDIATE BY LIPSYNC POST


HEAD OF POST KEVIN PHELAN (MBKS)

SENIOR PRODUCER ALASDAIR MacCUISH

ONLINE EDITOR SCOTT GOULDING

DIGITAL LAB PRODUCER KATJA LAZARE

DIGITAL LAB SUPERVISOR JAMES CLARKE

DIGITAL LAB OPERATORS DANIEL TOMLINSON

AILEEN McINTOSH

CHRIS BENTLEY

DIGITAL END ROLLER SCOTT GOULDING

TECHNICAL SUPPORT RICK WHITE

SENIOR VT OPERATOR PETER MCVEY

VT OPERATORS COLIN WADDINGTON

RACHEL CARBERRY

SALIM RAHMAN


SOUND RE-RECORDING MIXERS SAMIR FOCO

JOVAN AJDER

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AND SONY CINEALTA F23

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AND ANY RESEMBLANCE OR SIMILARITY TO ANY PERSON, LIVING OR DEAD,

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THE UNITED STATES OF AMERICA, AND OTHER COUNTRIES. ANY UNAUTHORISED

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OR ANY PART THEREOF (INCLUDING THE SOUNDTRACK) MAY RESULT IN SEVERE

CIVIL AND CRIMINAL PENALTIES.
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