Une Histoire du disque en occident (xixe-xxe siècle) : Bibliographie générale



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Usages divers


GEROME-N. "Chronique Sonore De L'occupation Musicale D'un Territoire : Deux Mois De Greve Aux Usines Dassault De La Region Bordelaise (Decembre 1966-Fevrier 1967): Musiciens Des Rues, Musiques Dans La Rue." Ethnologie-francaise, no. 29 (1) (1999): 49-56.

Gill, Merton Max, Richard Newman, and Frederick Carl Redlich. The Initial Interview in Psychiatric Practice with Phonograph Records Available to Professional Persons and Institutions. N.Y.,: International Universities Press, 1954. [UM].

La Feychine, Auguste. Le Phonographe, Guide Pratique De La Phonographie Ou Sténographie Phonétique, D'après Le Système Pitman. Paris: l'auteur, 1874. [BNF].

Shaw, William A., and Marian S. Carson Collection (Library of Congress). The Stenographer ; and, the Phonograph. Philadelphia: s.n., 1889. [LOC].

Tulloss, Rees Edgar. Phonograph Transciption, Being Lecture No. 3 Accompanying the New Way in Typewriting; a Course of Instruction in Typewriting Efficiency for the Development of Accuracy, High Speed, and Ease of Operation. Springfield, Ohio,: The Tulloss school of typewriting, 1916. [LOC].

Villon, Mathieu. Le Phonographe Et Ses Applications. Paris: B. Tignol, 1894. [BNF].


Industrie du disque

Aspects juridiques


American Bar Association. Forum Committee on the Entertainment and Sports Industries. Legal and Business Aspects of the Music Industry : Music, Videocassettes, and Records. New York, N.Y.: Practising Law Institute, 1980. [LOC].

American Bar Association. Forum Committee on the Entertainment and Sports Industries. Legal and Business Aspects of the Music Industry, 1986 : Papers : Friday, September 19, 1986, Marquette Hotel, Minneapolis, Minnesota : Saturday, October 18, 1986, Alexis Hotel, Portland, Oregon. Chicago, Ill.: The Committee, 1986. [LOC].

———. Legal and Business Aspects of the Music Industry, 1987 : Papers : September 19, 1987, Lemeridien Hotel, New Orleans, Louisiana, September 26, 1987, Four Seasons Hotel, Boston, Massachusetts. Chicago: The Committee, 1987. [LOC].

———. Legal Aspects of the Music Industry. Chicago: The Association, 1983. [LOC].

American Bar Association. Forum Committee on the Entertainment and Sports Industries. Music and Personal Appearances Division. Music Law Symposium, 1985 : An Update of Legal Aspects of the Music Industry, Mandalay Four Seasons, Irving Texas, October 5, 1985. Chicago: American Bar Association, 1985. [LOC].

American Bar Association. Forum on the Entertainment and Sports Industries. Meeting. Music Industry Program. Chicago: American Bar Association, 1994. [LOC].

Caen, Etienne. Le Phonographe Dans Ses Rapports Avec Les Droits D'auteur. Thèse Pour Le Doctorat, Université De Paris. Faculté De Droit. Paris, L. Larose et L. Tenin, 1910. [BNF].

Chater, Brian. A Study on Home Taping. Toronto: Canadian Independent Record Production Association, 1987. [NLC].

Escholier, Marc. Le Phonographe Et Le Droit D'auteur. Préface De M. Achille Mestre. Bordeaux, impr. J. Bière Paris, Libr. du Recueil Sirey, 1930. [BNF].

Farchy Joëlle, Internet et le droit d’auteur, La culture Napster, Paris, CNRS Editions, 2003.

Frith, Simon. Music and Copyright, Edinburgh Law and Society Series. Edinburgh: Edinburgh University Press, 1993. [LOC].

Les Lois Sur Le Droit D'auteur Sont-Elles Dépassées? Montréal: Forum Vidéo de Montréal, 1984. Enregistrement vidéo. [UM].

Lindey, Alexander. Entertainment, Publishing, and the Arts; Agreements and the Law: Books, Magazines, Newspapers, Plays, Motion Pictures, Radio and Television, Music, Phonograph Records, Art Work, Photographs, Advertising and Publicity, and Commercial Exploitation. New York,: C. Boardman Co., 1963. [LOC].

Livingston, Robert Allen. Livingston's Complete Music Industry Business and Law Reference Book. Cardiff by the Sea, Ca.: La Costa, 1981. [LOC].

Music and Copyright. Edinburgh Law and Society Series. Edinburgh: Edinburgh University Press, 1993. [NLC].

Schulenberg, Richard. Legal Aspects of the Music Industry : An Insider's View. New York: Billboard Books, 1999. [LOC].

Pares Philippe, Histoire du droit de reproduction mécanique, Paris, La compagnie du livre, 1953.

Spiegel, Irwin O. Record and Music Publishing Forms of Agreement in Current Use. New York: Law-Arts Publishers, 1971. [NLC].

United States. Congress. House. Committee on the Judiciary. Counterfeit Phonograph Records. Hearing before Subcommittee No. 3 of the Committee on the Judiciary, House of Representatives, Eighty-Seventh Congress, Second Session, on H. R. 6354, a Bill to Provide (1) Criminal Penalties for the Counterfeiting of Phonograph Records and (2) Civil Remedies for Infringement of Mechanical Rights in Copyrighted Music. May 10, 1962. Washington,: U.S. Govt. Print. Off., 1962. [LOC].

United States. Congress. Senate. Committee on the Judiciary. [from old catalog]. Criminal Penalties for Trafficking in Phonograph Records Bearing Counterfeit Labels. Washington,: U. S. Govt. Print. Off., 1962. [LOC].


Compagnies discographiques


Andrews Frank, The Edison phonograph, the british connection, Rugby, England, City of London phonograph and gramophone society, 1986, 140p. [LOC, NYPL]

Azoulay J., Les stratégies des maisons de disques, thèse, Université d’Aix-Marseille-III, 1991.

Baumbach, Robert W. Columbia Phonograph Companion. 1st ed. Woodland Hills, Calif.: Stationery X-Press, 1996. [NLC, BNF].

Bayly, Ernie. The Emi Collection. S.l.: S.n., 1974. [BNF].

Bowman Rob, Soulsville U.S.A., The Story of Stax Records, Londres, Books with Attitude, 1997, xiv + 402 p. [NYPL]

Cimino Al. Great record labels. London, Apple Press, 1992, 112p. [NYPL]

Clarke R.W Edison, l’artisan de l’avenir. Paris : Belin, 1986.

Clément P. Histoire de Kodak-Pathé. Vincennes : Kodak-Pathé, 1987.

Collis John. The story of Chess records. New York : Bloomsbury Pub, 1998, 192p. [NYPL]

Columbia Phonograph Company, New York Schubert Week, November 18-25, 1928. New York,, 1928. [LOC].

Davis, Sharon. Motown : The History. Enfield, Middlesex: Guiness Pub., 1988. [NYPL, NLC].

Ertegun Ahmet. What I’d say, The Atlantic story. A publishing company Ltd, 2001.

Frow George. The Edison cylinders phonographs, 1877-1929. London, Tunbridge Welles, 1978, 207p. [NYPL, BNF]

———. The Edison Cylinder Phonographs : A Detailed Account of the Entertainment Models until 1929. Sevenoaks: G. L. Frow, 1978. [NLC].

Frow, George L. Edison Cylinder Phonograph Companion. New 150th anniversary ed. Woodland Hills, CA: Stationary X-Press, 1997. [NLC].



General Phonograph Corporation. Deutsche Okeh Und Odeon Rekords. Gesamt-Verzeichnis. [LOC].

Gordy Berry, To be Loved, The Music, The Magic, The Memories of Motown, New York, Warner Books, 1994, xxiv + 446 p. [paperback edition] [NYPL]

Hazelcorn, Howard, and Robert W. Baumbach. Columbia Phonograph Companion. 1st ed. Los Angeles: Mulholland Press, 1996. [LOC].

Hazelcorn, Howard. Columbia Phonograph Companion with Value Guide. 1st ed. Los Angeles: Mulholland Press, 1999. [NLC].

Hickerson, Joseph Charles. A List of North American Record Companies Specializing in Folk Music and Folklore. Washington, D.C.: Library of Congress Archive of Folk Song, 1978. [NLC].

Holzman Jac. Follow the music, the life and high times of Elektra Records in the great years of American pop culture. Santa Monica, Calif : FirstMedia Books, 1998, 441p. [NYPL]

Jennings, Nicholas. Fifty Years of Music : The Story of Emi Music Canada. Toronto: Macmillan Canada, 2000. [NLC].

Kay, George W. Those Fabulous Gennetts! : The Life Story of a Remarkable Label. New Orleans?: New Orleans Jazz Museum, 1953. [NLC].

Kelly, Alan, and Electric musical industries music archive. His Master's Voice. New York Westport (Conn.) London: Greenwood press, 1988. [BNF].

———. His Master's Voice. New York (N.Y.) Westport (Conn.) London: Greenwood press, 1990. [BNF].

Kelly, Alan, and Electric musical industries. His Master's Voice. Westport (Conn.): Greenwood press, 1994. [BNF]

Kelly, Alan, and Jacques Kloeters. His Master's Voice. Westport (Conn.) London: Greenwood press, 1997. [BNF].

Kennedy, Rick. Jelly Roll, Bix, and Hoagy : Gennett Studios and the Birth of Recorded Jazz. Bloomington: Indiana University Press, 1994. [NLC].

Kennedy, Rick, Little labels-big sound, small record companies and the rise of american music, Bloomington, Indiana University Press, 1999, 198p. [NYPL]

Lanthier Pierre, Les constructions électriques en France : financement et stratégies de six groupes industriels internationaux de 1880 à 1940, thèse de doctorat d’Etat d’histoire (directeur : Maurice Lévy-Leboyer), Université Paris X-Nanterre, 1988. [BDIC].

Le Forestier, L’industrialisation du mode de production des films Pathé entre 1905 et 1908, thèse de doctorat en études cinématographiques (directeur : Michel Marie), Université Paris III, 2000 [Université Paris III-Censier].

Light, Michael S. Recording Companies in North America Specializing in Folk Music, Folklore and Ethnomusicology, Lc Folk Archive Reference Aid, No. 3. Washington, D.C.: Archive of Folk Culture American Folklife Center Library of Congress, 1985. [NLC].

Liliedahl, Karleric, and Gramophone company. The Gramophone Co. Helsinki: Finnish institute of recorded sound, 1977. [BNF].

Martland Peter, Since record began, EMI, the first hundred years, London, B.T. Batsford, 1997, 359p. [NYPL].

Meunier, Alexandre: Du rififi chez les indépendants: un état des lieux du mouvement indépendant français, mémoire de Licence, IUP Ingénierie documentaire, Dept Archives et Médiathèque, Université de Toulouse II Le Mirail, 1998. [Online: http://membres.lycos.fr/rockfrançais]

New Amberola Phonograph Company. The New Amberola Graphic. St. Johnsbury, Vt. etc.: New Amberola Phonograph Co. [LOC].

Pathé Charles, De Pathé Frères à Pathé cinéma, réédité par la Revue mensuelle du cinéma, collection Premier plan, 1970.

Petts, Leonard, and Frank Andrews. The Story of Nipper and the His Master's Voice Picture Painted by Francis Barraud. 2nd rev. ed ed. Bournemouth: Talking machine review, 1983. [BNF].

Rust, Brian Arthur Lowell. The American Record Label Book. Unabridged with corr. reprint ed. New York: Da Capo, 1984. [BNF].

Scholes, Percy Alfred. The Columbia History of Music through Ear and Eye. London: Oxford University Press ; Humphrey Milford, 1930. [NLC].

Smith, Michael, Frank Andrews, and Leonard Petts. The Gramophone Company Ltd. Lingfield: the Oakwood press, 1974. [BNF].

Smith Susan E., Dancing in the Street, Motown and the Cultural Politics of Detroit, Cambridge, MA, Harvard University Press, 2000, xii + 320 p. [NYPL]

The Wurlitzer Phonograph Company's Brown Book. Des Moines, Iowa (2545 SE 60th Ct., Des Moines 50317-5099): Jukebox Collector Newsletter, 1984. [LOC].

Salmon Stéphanie, Les politiques d’expansion chez Pathé, mémoire de maîtrise, Paris VIII, UFR esthétique, technologies et créations artistiques, Departement d’études cinématographiques et audiovisuelles, octobre 1999.

Smith, Michael. Columbia Gramophone Company Ltd, Voices of the Past ; V. 8, 1968. [NLC].

Sutton, Allan, and Kurt Nauck, R. American Record Labels and Companies. Denver (Colo.): Mainspring press, 2000. [BNF].

Tournès Ludovic, “ Jalons pour une histoire internationale de l’industrie du disque : expansion, déclin et absorption de la branche phonographique de Pathé (1898-1936) ”, in Jacques Marseille et Patrick Eveno (dir.), Histoire des industries culturelles, Actes du colloque (université de Paris-I Panthéon-Sorbonne, 5-6 décembre 2001), 2002.

Waller Don, The Motown story, New York, C. Scribner, 1985, 256p. [NYPL]

Weber, James N. The Talking Machine : The Advertising History of the Berliner Gramophone and Victor Talking Machine. 1st ed. Midland, Ont.: Adio Inc., 1997. [NLC].

Wedgbury David, As years go by, the 60s revolution at British Decca, London, Pavilion, 1993, 112p. [NYPL]

Whitall Susan, Women of Motown, An Oral History, New York, Avon Books, 1998, xx + 156 p. [NYPL].

Wile, Raymond R. Edison Disc Artists & Records, 1910-1929. 1st ed. Brooklyn, NY: APM Press, 1985. [NLC].

Wilkins Mira, French multinationals in the United States. An historical perspective, Entreprises et histoires, mai 1993, pp. 14-29.

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