The Representation of Minorities in American film P. Starfield Select Bibliography



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48U2CA42 The Representation of Minorities in American film P. Starfield
Select Bibliography
(BLSH: Biliothèque lettres et sciènces humaines; CH V: Institut Charles V)
American Civilization

Norton, Mary B. (ed), A People and a Nation: a History of the United States, Boston: Houghton Mifflin. (Ch V)


Aids

  • Dictionnaire bilingue français-anglais, Cinéma, Audiovisuel, Multimédia, Réseau, Georges Pessis et Guitta Pessis Pasternak, Dixit, "CST".

  • Grellet, Françoise, The Mirrored Image: Initiation au thème anglais, Paris: Hachette.

  • An English language dictionary

  • Roget's Thesaurus

  • Larraya et Rivière, Grammaire explicative de l'anglais, Longmans.

  • Collection gram-voc chez Ophrys : faux amis, prépositions, etc.

  • Rivière, Claude, Simple English, grammaire, Ophrys. (mise à niveau)


Collective representations.

  • * Barthes, Roland, Mythologies, Paris: Seuil, Points, 1957.

  • Durkheim, Emile, Les Règles de la méthode sociologique, 1895, Flammarion, Champs.

  • Goffman, Erwing, The Presentation of Self in Everyday Life, Anchor Books, U.S.A., 1959. “Pelican Books”, Allen Lane, The Penguin Press, Great Britain, 1982.

  • * Lippmann, Walter, Public Opinion, “The Free Press”, Macmillan Publishing Company, New York, 1922, Part 3, Stereotypes.


Ethnic and minority groups in novels, films, art, etc.

  • ** Dyer, Richard, White, London: Routledge, 1997. (BLSH)

  • Dundes, Alan, Cracking Jokes: Studies of Sick Humor Cycles and Stereotypes, Ten Speed Press, Berkeley, 1987.

  • Gilman, Sander L., Difference and Pathology Stereotypes of Sexuality, Race and Madness, New York: Cornell University Press, Ithaca, 1985, 3rd edition, 1990. (hist. sociale)

  • Kracauer, Siegfried, "National Types as Hollywood Presents Them", Public Opinion Quarterly, Vol. 13, 1949, p53-72, in Mass Culture; The Popular Arts in America, sous la direction de Bernard Rosenberg and David M. White, The Free Press, New York, 1957, p257-277.

  • Moritz, Margaret, "La télévision américaine en noir et blanc", Exclure au nom de la race, sous la direction de M. Prum, Syllepse, Paris, 2000.


American film: general studies

  • Bidaud, Anne-Marie, Hollywood et le rêve américain : cinéma et idéologie aux Etats-Unis, Masson, Paris, 1994. . (BLSH)

  • Bordwell, David, Janet Staiger and Kristin Thompson, The Classical Hollywood Cinema: Film Style and Mode of Production to 1960, New York: Columbia University Press, 1985.

  • Bourget, Jean-Loup, Hollywood, la norme et la marge, Paris: Nathan, 1998.

  • Cieutat, Michel, Les grands thèmes du cinéma américain. Tome I Le rêve et le cauchemar, coll. “Septième Art”, Editions du Cerf, Paris, 1988. Tome 2, 1991.

  • Maltby, Richard, Hollywood Cinema, Blackwell, Second Edition, 2003.

  • Monaco, James, American Film Now: the People, the Power, The Money, The Movies, New American Library, New York, 1979, revised edition, 1984.

  • Sklar, Robert, Movie–Made America: A Cultural History of American Movies, New York: [Random House, 1975], Vintage Books, 1994.


Studies on Minorities.

General

"Cinéma américain : aux marchés du paradis", Revue française d'études américaines n° 57, juillet 1993, Nancy, Presses Universitaires de Nancy: Native Americans, Hispanics. (Ch V, BLSH)

  • ** Dyer, Richard, The Matter of Images, Essays on Representations, London : Routeldge, 1993, essays on stereotypes, homosexuality, masculinity and whiteness.

  • ** Géré, François, "L'imaginaire raciste : la mesure de l'homme, Cahiers du cinéma, n° 315, septembre 1980, p37-42.

  • Kaplan, E. Ann, Looking for the Other: Feminism, Film, and the Imperial Gaze, London : Routledge, 1997.

  • ** Starfield, Penny, "Minorities in U. S. Films: The New Wave 1960s-1970s", in European Readings of American Popular Culture, ed. John R. Dean and Jean-Paul Gabilliet, Greenwood Press, 1995. (BLSH)

  • Starfield, Penny, “ L'effet libérateur ou inhibiteur de Romeo and Juliet : réflexions sur Shakespeare au cinéma ”, Cahiers Charles V n° 28, Université Paris 7 - Denis Diderot, 1998. (CH V)

  • Starfield, P., “ The Odd Couple : the Dual Male Protagonist Configuration in American Films of the Sixties and Seventies ”, La Licorne n° 36, Université de Poitiers, 1996.

  • Starfield, Penny, "Le racisme dans le cinéma américain : entre exclusion et expression", in Exclure au nom de la race, sous la direction de M. Prum, Syllepse, 2000. (BLSH)


African Americans

  • ** Bogle, Donald, Toms, Coons, Mulattos, Mammies, and Bucks: An Interpretative History of Blacks in American Films, The Viking Press, New York, 1973.

  • **CinémAction 46, "Le cinéma noir américain", sous la direction de M. Reid, J.Euvrard, F. Bordat et R. Bassan, 1988. (Périodique)

  • **Crémieux, Anne, Les Cinéastes noirs américains et le rêve hollywoodien, Harmattan, Paris, 2004. (BLSH)

  • ** Diawara, Manthia (ed), Black American Cinema, New York: Routledge, 1993. . (BLSH)

  • Dubois, Régis, Dictionnaire du cinéma afro-américain, acteurs, réalisateurs, techniciens, Paris: Séguier, coll. Ciné, 2001.

  • Dubois, Régis, Le Cinéma des noirs américains entre intégration et contestation, Condé-sur- Noireau, Corlet éditions, « coll » 7e Art, 2005.

  • Kloven, Mikel J., Blaxploitation Films, The Pocket Essential, 2001.

  • Reddick, Laurence D., "Educational Programs for the Improvement of Race Relations: Motion Pictures, Radio, the Press and Libraries," Journal of Negro Education n° 13, Summer 1944, p369.


Asian Americans

  • Marchetti, Gina, Romance and the "Yellow Peril": Race, Sex, and Discursive Strategies in Hollywood Fiction, Berkeley: University of California Press, 1993.

  • Tesson, Charles et al (dir.), L’Asie à Hollywood, Cahiers du cinéma, Paris, 2001.


Homosexuals

  • Dyer, Richard, The Matter of Images, Essays on Representations, op. cit.

  • Staiger, Janet, Interpreting Films: Studies in the Historical Reception of American Cinema, Princeton University Press, Princeton, New Jersey, 1992: ch 8 alternative reading of Judy Garland by homosexuals.

  • Jump Cut : Hollywood, Politics and Counter Cinema, sous la direction de Peter Steven, Between The Lines, Toronto,1985: Part 4 Gay and Lesbian Cinema


Jews

  • Cinéma et judéité, CinémAction, février 1986, Paris, éditions du Cerf, especially the essay by Patricia Erens.

  • Erens, Patricia, "Gangsters, Vampires, and J.A.P.s : The Jew Surfaces in American Movies", Journal of Popular Film n° 4, 1975, p208-222.


Masculinity

  • Cohan, Steven and Hark Ina Rae (ed), Screening the Male, London: Routledge, 1993.

  • Mellon, Joan, Big Bad Wolves: Masculinity in the American Film, London: Elm Tree Books, 1978.


Native Americans

Rollins, Peter C. and O'Conner, John E. eds., Hollywood's Indian: The Portrayal of the Native American in Film, The University Pressof Kentucky Press, 1998. (BLSH)


Women

  • Erens, Patricia, (ed.), Issues in Feminist Film Criticism, Indiana University Press, Bloomington and Indianapolis, 1990. Contains Mulvey "Visual Pleasure", Doane, "Masquerade" and Gaines, "Black women".

  • French, Brandon, On The Verge 0f RevoIt: Women in American Films of the Fifties, Frederick Ungar Publishing Co., New York, 1978.

  • Haskell, Molly, From Reverence to Rape, Holt, Rinehart, and Winston, New York, 1973; revised edition, The University of Chicago Press, 1987.

  • Alexander, Karen, “Fatal Beauties: Black women in Hollywood”; Perkins, Tessa, "The Politics of “Jane Fonda”" in Gledhill, Christine, ed. Stardom, Industry of Desire, London: Routledge, 1991.


Science Fiction

  • Brosnan, John, The Primal Scream, a History of Science Fiction Film, London: Orbit, 1991.

  • Kawin, Bruce, “Children of the Light”; Tarratt, Margaret, “Monsters from the Id”, in Grant, Barry K., (ed.), Film Genre Reader, University of Texas press, Austin, [1986] 1990.


See also:

  • Exclure au nom de la race, sous la direction de M. Prum, Syllepse, 2000, essays on Italian Americans, urban Native Americans.

  • La Peau de l'autre, sous la direction de M. Prum, Syllepse, 2001, essays on Asians and homosexuality.


Novels, autobiographies, essays.

Roth, Philip, Portnoy's Complaint

Tan, Amy, The Joy Luck Club

Walker, Alice The Color Purple



Wolfe, Tom, The Bonfire of the Vanities

Suggested Filmography

Crossfire, Edward Dmytryk, 1947.

Gentleman’s Agreement, Elia Kazan

Intruder in the Dust, Clarence Brown, 1949

Broken Arrow, Delmer Daves, 1950

The Blackboard Jungle, Richard Brooks, 1955

The King and I, Walter Lang, 1956

Something of Value, Richard Brooks, 1957

Edge of the City, Martin Ritt, 1957

The Defiant Ones, Stanley Kramer, 1958

Imitations of Life, Douglas Sirk, 1959.

West Side Story, Robert Wise, 1961

The Pawnbroker, Sidney Lumet, 1964

Guess Who’s Coming For Dinner, Stanley Kramer, 1967

In the Heat of the Night, Norman Jewison, 1968.

Funny Girl, William Wyler, 1968.

Deliverance, John Boorman, 1969.

Goodbye Columbus, Larry Peerce, 1969.

Little Big Man, A. Penn, 1969.

Midnight Cowboy, John Schlesinger, 1969.

Tell Them Willie Boy is Here, Abraham Polonsky, 1969.

Puzzle of a Downfall Child, Jerry Schatzberg, 1970.

There was a Crooked Man, Joseph Mankiewicz, 1970.

Five Easy Pieces, Bob Rafelson,

Sweet Sweetback's Badasssss Song, Melvin van Peebles, 1971

Klute, Alan Pakula, 1971.

The Godfather, Francis Ford Coppola, 1971

Shaft, G. Parks, 1971

Jerimiah Johnson, Sydney Pollack, 1972.

The Way We Were, Sydney Pollack, 1973.

Alice Doesn't Live Here Anymore, Martin Scorsese, 1974.

Hester Street, Joan Micklen Silver , 1974

One Flew Over the Cuckoo's Nest, Milos Forman, 1975.

All the President's Men, A. Pakula, 1976.

Julia, Fred Zinneman, 1977

The Deer Hunter, Michael Cimino, 1978.

Do The Right Thing, Spike Lee, 1989.

Dances with Wolves, 1991

Homicide, David Mamet, 1991.

Thelma and Louise, Ridley Scott, 1991

Alamo Bay, Louis Malle

The Year of the Dragon, Michael Cimino

Malcolm X, Spike Lee

Menace II Society

Philadelphia, Jonathan Demme, 1993.

Bamboozled, Spike Lee, 2000.

Gangs of New York, Martin Scorcese, 2002


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