|Stokely Carmichael and Charles Hamilton, from Black Power (1967)
The advocates of Black Power reject the old slogans and meaningless rhetoric of previous years in the civil rights struggle. The language of yesterday is indeed irrelevant: progress, non-violence, integration, fear of "white backlash," coalition. . . .
One of the tragedies of the struggle against racism is that up to this point there has been no national organization which could speak to the growing militancy of young black people in the urban ghettos and the black-belt South. There has been only a "civil rights" movement, whose tone of voice was adapted to an audience of middle-class whites. It served as a sort of buffer zone between that audience and angry young blacks. It claimed to speak for the needs of a community, but it did not speak in the tone of that community. None of its so-called leaders could go into a rioting community and be listened to. In a sense, the blame must be shared-along with the mass media-by those leaders for what happened in Watts, Harlem, Chicago, Cleveland, and other places. Each time the black people in those cities saw Dr. Martin Luther King get slapped they became angry. When they saw little black girls bombed to death in a church and civil rights workers ambushed and murdered, they were angrier; and when nothing happened, they were steaming mad. We had nothing to offer that they could see, except to go out and be beaten again. We helped to build their frustration.
We had only the old language of love and suffering. And in most places-that is, from the liberals and middle class-we got back the old language of patience and progress. . . .
Such language, along with admonitions to remain non-violent and fear the white backlash, convinced some that that course was the only course to follow. It misled some into believing that a black minority could bow its head and get whipped into a meaningful position of power. The very notion is absurd. . . .
There are many who still sincerely believe in that approach. From our viewpoint, rampaging white mobs and white night-riders must be made to understand that their days of free head-whipping are over. Black people should and must fight back. Nothing more quickly repels someone bent on destroying you than the unequivocal message: "O.K., fool, make your move, and run the same risk I run-of dying."
Next we deal with the term "integration." According to its advocates, social justice will be accomplished by "integrating the Negro into the mainstream institutions of the society from which he has been traditionally excluded." This concept is based on the assumption that there is nothing of value in the black community and that little of value could be created among black people. The thing to do is to siphon off the "acceptable" black people into the surrounding middle-class white community.
The goals of integrationists are middle-class goals, articulated primarily by a small group of Negroes with middle-class aspirations or status. . . .
Secondly, while color blindness may be a sound goal ultimately, we must realize that race is an overwhelming fact of life in this historical period. There is no black man in the country who can live "simply as a man." His blackness is an everpresent fact of this racist society, whether he recognizes it or not. It is unlikely that this or the next generation will witness the time when race will no longer be relevant in the conduct of public affairs and in public policy decision-making. . . .
"Integration" as a goal today speaks to the problem of blackness not only in an unrealistic way but also in a despicable way. It is based on complete acceptance of the fact that in order to have a decent house or education, black people must move into a white neighborhood or send their children to a white school. This reinforces, among both black and white, the idea that "white" is automatically superior and "black" is by definition inferior. For this reason, "integration" is a subterfuge for the maintenance of white supremacy.
From Stokely Carmichael and Charles Hamilton, Black Power (New York: Vintage, 1967).
Who is Carmichael and Hamilton's audience? What buttons do they push to reach it effectively?
What frustrated Carmichael and Hamilton about the mainstream civil-rights movement?
In what ways do Carmichael's tactics match his goals? In what ways might they be appropriate for other goals?
Discuss the change in attitude between the SNCC Statement of Purpose and Black Power. What might account for these changes?