Publications for Robert Dixon 2016



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Publications for Robert Dixon

Publications for Robert Dixon

2016

Dixon, R. (2016). Ghosts in the Machine: Modernity and the Unmodern in Gail Jones's Dreams of Speaking [reprint]. In Lawrence J. Trudeau (Eds.), Contemporary Literary Criticism: Excerpts from Criticism of the Works of Today's Novelists, Poets, Playwrights, Short Story Writers, Scriptwriters, and Other Creative Writers, (pp. 43-50). Farmington Hills, MI: Cengage Learning.

Dixon, R. (2016). Invitation to the Voyage: Reading Gail Jones's 'Five Bells' [reprint]. In Lawrence J. Trudeau (Eds.), Contemporary Literary Criticism: Excerpts from Criticism of the Works of Today's Novelists, Poets, Playwrights, Short Story Writers, Scriptwriters, and Other Creative Writers, (pp. 71-80). Farmington Hills, MI: Cengage Learning.

2015

Dixon, R. (2015). Frank Hurley, 'Mirror Room in the Golestan, Tehran, 16 April 1944'. In Anne Maxwell, Josephine Croci (Eds.), Shifting Focus: Colonial Australian Photography 1850-1920, (pp. 265-289). North Melbourne: Australian Scholarly Publishing.

Dixon, R. (2015). National Literatures, Scale and the Problem of the World. JASAL - Journal of the Association for the Study of Australian Literature, 15(3), 1-10. [More Information]

2014

Dixon, R. (2014). "A Nation for a Continent": Australian Literature and the Cartographic Imaginary of the Federation Era. Antipodes: a North American journal of Australian literature, 28(1), 141-154.

Dixon, R. (2014). 'The Great Australian Emptiness' Revisited: Murray Bail's 'Holden's Performance' [Reprint]. In Lawrence J Trudeau (Eds.), Contemporary Literary Criticism, Volume353, (pp. 3-9). Farmington Hills, MI: Cengage Learning.

Dixon, R. (2014). Alex Miller: The Ruin of Time. Sydney: Sydney University Press. [More Information]

Dixon, R. (2014). Returning to the Scene of the Crime: On Re-reading The Transit of Venus. In Brigitta Olubas (Eds.), Shirley Hazzard: New Critical Essays, (pp. 79-93). Sydney: Sydney University Press.

Dixon, R. (2014). Review of 'Photography and Exploration' by James R. Ryan and 'Photography and Travel' by Graham Smith. History of Photography, 38(3), 319-321.

Dixon, R. (2014). Shooting in Occupied Space: Frank Hurley in the Middle East, 1940-46. History of Photography, 38(1), 40-55. [More Information]

2013

Dixon, R., Hoorn, J. (2013). Art and literature: a cosmopolitan culture. In Alison Bashford, Stuart Macintyre (Eds.), The Cambridge History of Australia: Volume 1: Indigenous and Colonial Australia, (pp. 487-510). New York: Cambridge University Press.

Dixon, R. (2013). Australian Literature and the World Republic of Letters. Metaphor, 1 (2013), 3-11.

Dixon, R., Rooney, B. (2013). Introduction: Australian Literature, Globalisation and the Literary Province. In Robert Dixon, Brigid Rooney (Eds.), Scenes of Reading: Is Australian Literature a World Literature, (pp. ix-xxxvi). North Melbourne: Australian Scholarly Publishing.

Dixon, R. (2013). Photography, Early Cinema and Colonial Modernity: Frank Hurleys Synchronized Lecture Entertainments (Paperback). London: Anthem Press.

Dixon, R. (2013). Reading Patrick White's "The Aunt's Story". Metaphor, 2 (2013), 5-13.

Dixon, R. (2013). Review of Brigitta Olubas, Shirley Hazzard: Literary Expatriate and Cosmopolitan Humanist. Australian Literary Studies, 27(3-4), 146-148.

Dixon, R., Rooney, B. (2013). Scenes of Reading: Is Australian Literature a World Literature?. North Melbourne: Australian Scholarly Publishing.



2012

Dixon, R. (2012). 'English' in the Australian Curriculum: English. English in Australia, 47(1), 19-25.

Dixon, R. (2012). Alternative conceptual geographies. In Ian Donaldson and Mark Finnane (Eds.), Taking Stock: The Humanities in Australian Life Since 1968, (pp. 166-172). Crawley, WA, Australia: UWA Publishing.

Dixon, R. (2012). Disestablished Worlds: An Introduction to the Novels of Alex Miller. In Robert Dixon (Eds.), The Novels of Alex Miller: An Introduction, (pp. 1-28). Sydney, Australia: Allen and Unwin.

Kirkpatrick, P., Dixon, R. (2012). Introduction: Republics of Letters and Literary Communities. In Peter Kirkpatrick and Robert Dixon (Eds.), Republics of Letters: Literary Communities in Australia, (pp. v-xix). Sydney: Sydney University Press.

Dixon, R. (2012). Invitation to the Voyage: Reading Gail Jones's Five Bells. JASAL - Journal of the Association for the Study of Australian Literature, 12(3), 1-17.

Dixon, R. (2012). Photography, Early Cinema and Colonial Modernity: Frank Hurleys Synchronized Lecture Entertainments. London: Anthem Press.

Kirkpatrick, P., Dixon, R. (2012). Republics of Letters: Literary Communities in Australia. Sydney: Sydney University Press.

Dixon, R. (2012). Review of David Hempleman-Adams, Sophie Gordon and Emma Stuart, The Heart of the Great Alone: Scott, Shackleton and Antarctic Photography (London: Royal Collection Publications, 2009). History of Photography, 36(1), 128-130.

Dixon, R. (2012). Scenes of Reading: Is Australian Literature a World Literature? In Peter Kirkpatrick and Robert Dixon (Eds.), Republics of Letters: Literary Communities in Australia, (pp. 71-83). Sydney: Sydney University Press.

Dixon, R. (2012). The Novels of Alex Miller: An Introduction. Sydney, Australia: Allen and Unwin.

2011

Dixon, R. (2011). Ground zero: Nicholas Rothwell's natural history of destruction. Studies in Travel Writing, 15(2), 177-188. [More Information]

Dixon, R., Lee, C. (2011). Introduction. In Robert Dixon and Christopher Lee (Eds.), The Diaries of Frank Hurley 1912-1941, (pp. xi-xxxviii). London: Anthem Press.

Dixon, R., Lee, C. (2011). The Diaries of Frank Hurley 1912-1941. London: Anthem Press.



2010

Dixon, R. (2010). 'Turning a Place into a Field': Shirley Hazzard's 'The Great Fire' and Cold War Area Studies. In Robert Dixon and Nicholas Birns (Eds.), Reading Across the Pacific: Australia-United States Intellectual Histories, (pp. 265-279). Sydney: Sydney University Press.

Dixon, R. (2010). Australian Literature and the Cultural Dimensions of Globalisation. In David Carter and Wang Guanglin (Eds.), Modern Australian Criticism and Theory, (pp. 115-126). Qingdao: China Ocean University Press.

Dixon, R., Birns, N. (2010). Introduction. In Robert Dixon and Nicholas Birns (Eds.), Reading Across the Pacific: Australia-United States Intellectual Histories, (pp. XIII-XXI). Sydney: Sydney University Press.

Dixon, R. (2010). Introduction. In SUP (Eds.), The Mystery of a Hansom Cab, (pp. v-xi). Sydney: Sydney University Press.

Dixon, R. (2010). Peter Carey's and Ray Lawrence's Bliss (1985): fiction, film and power. Studies in Australasian Cinema, 3(3), 279-294. [More Information]

Dixon, R., Birns, N. (2010). Reading Across the Pacific: Australia-United States Intellectual Histories. Sydney: Sydney University Press.

2009

Dixon, R. (2009). Australian Fiction and the world republic of letters, 1890-1950. In Peter Pierce (Eds.), The Cambridge History of Australian Literature, (pp. 223-254). Australia: Cambridge University Press.

Dixon, R. (2009). Australian literature in the translation zone: Robert Dessaix and David Malouf. In Bode, Katherine; Dixon, Robert (Eds.), Resourceful Reading: A New Empiricism in the Digital Age, (pp. 87-104). Sydney: Sydney University Press.

Dixon, R. (2009). Home or away? The trope of place in Australian literary criticism and literary history. Westerly, 54(1), 12-17.

Dixon, R. (2009). Pictures at an exhibition: the exhibitionary context of early Aboriginal cinema and photographic culture. In Sarwal, Amit; Sarwal, Reema (Eds.), Creative Nation: Australian cinema and cultural studies reader, (pp. 385-404). Sports & Spirtual Science Publications.

Bode, K., Dixon, R. (2009). Resourceful Reading: A New Empiricism in the Digital Age. Sydney: Sydney University Press.

Bode, K., Dixon, R. (2009). Resourceful Reading: A New Empiricism in the Digital Age. In Bode, Katherine; Dixon, Robert (Eds.), Resourceful Reading: A New Empiricism in the Digital Age, (pp. 1-27). Sydney: Sydney University Press.

Dixon, R. (2009). Travelling mass-media circus: Frank Hurley and colonial modernity. Arts: the Proceedings of the Sydney University Arts Association, 31, 9-29.



2008

Dixon, R. (2008). Australian literature and the new empiricism: a response to Paul Eggert, "Australian classics and the price of books". JASAL - Journal of the Association for the Study of Australian Literature, 2008 (Special Issue: The Colonial Present), 158-162.

Dixon, R., Kelly, V. (2008). Australian vernacular modernities: people, sites and practices. In Robert Dixon and Veronica Kelly (Eds.), Impact of the modern: vernacular modernities in Australia 1870s to 1960s, (pp. xiii-xxiv). Sydney: Sydney University Press.

Dixon, R. (2008). Ghosts in the Machine: Modernity and the Unmodern in Gail Jones's Dreams of Speaking. JASAL - Journal of the Association for the Study of Australian Literature, 8, 121-137.

Dixon, R., Kelly, V. (2008). Impact of the modern: vernacular modernities in Australia 1870s to 1960s. Sydney: Sydney University Press.

2007

Dixon, R. (2007). Australian Literature-International Contexts. Southerly, 67(1-2), 15-27.

Dixon, R. (2007). Cosmopolitanism and Australian Studies. Australian Studies, 19(2), 66-77.

Dixon, R. (2007). Spotting the fake: C. E. W. Bean, Frank Hurley and the making of the 1923 photographic record of the war. History of Photography, 31(2), 165-179.

Dixon, R. (2007). The Sandline Mercenaries Affair: Postcoloniality, Globalization and the Nation-State. In Helen Tiffin (Eds.), Five Emus to the King of Siam: Environment and Empire, (pp. 131-148). Amsterdam and New York: Rodopi.

Dixon, R. (2007). What Was Travel Writing? Frank Hurley and the Media Contexts of Early Twentieth-Century Australian Travel Writing. Studies in Travel Writing, 11(1), 59-81.



2006

Dixon, R. (2006). Review of Legacies of White Australia: Race, Culture and Nation. Studies in Western Australian History, 24, 133-135.

Dixon, R. (2006). Travelling Mass-Media Circus: Frank Hurley’s Synchronized Lecture Entertainments. Nineteenth Century Theatre and Film, 33(1), 60-87.

2005

Dixon, R. (2005). Internationalizing Australian Studies: The Year's Work in Non-Fiction 2004-2005. Westerly, 50, 128-143.

Dixon, R. (2005). Tim Winton, Cloudstreet and the field of Australian literature. Westerly, 50, 245-260.

2004

Dixon, R. (2004). 'Where are the dead?' Spiritualism, photography and the Great War. History of Photography, 28(3), 247-260.

Dixon, R. (2004). Boundary Work: Australian Literary Studies in the Field of Knowledge Production. JASAL - Journal of the Association for the Study of Australian Literature, 3, 27-43.

Dixon, R. (2004). Cosmopolitan Australians and Colonial Modernity: Alex Miller’s Conditions of Faith, Gail Jones's Black Mirror and A. L. McCann's The White Body of Evening. Westerly, 49, 122-137.

Dixon, R. (2004). Neoclassicism and Early Colonial Australia. Lectures La Fontaine. St Petersburg: University of St Petersburg.

Dixon, R. (2004). Two Versions of Australian Pastoral: Les Murray and William Robinson. In Judith Ryan, Chris Wallace-Crabbe (Eds.), Imagining Australia: Literature and Culture in the New New World, (pp. 285-304). London, England: Harvard University Press.



2003

Dixon, R. (2003). Australian Literary Studies and Post-Colonialism. AUMLA, 100, 108-121.

Dixon, R. (2003). Making Oz Lit (LITERARY CRITICISM - Richard Nile: The Making of the Australian Literary Imagination). Australian Book Review, 248(February 2003), 45-46.

Dixon, R. (2003). Pictures at an Exhibition: Frank Hurley’s In the Grip of the Polar Pack Ice (1919). Journal of Australian Studies, 78, 123-137-217-218.

Dixon, R. (2003). Review of A History of the Book in Australia, 1891-1945: A National Culture in a Colonised Market. Papers of the Bibliographical Society of America, 97(3), 400-401.

Dixon, R. (2003). Review of Rudolf Mrazek, Engineers of Happy Land: Technology and Nationalism in a Colony. Social History, 28(3), 401-403.



2002

Dixon, R. (2002). citizens and asylum seekers: Emotional Literacy, Rhetorical Leadership and Human Rights. Cultural Studies Review, 8(2), 11-26.

Dixon, R. (2002). Frank Hurley's Pearls and Savages: Travel, representation and colonial governance. In Helen Gilbert and Anna Johnston (Eds.), In Transit: Travel, Text, Empire, (pp. 191-216). New York: Peter Lang Publishing.

Dixon, R. (2002). Review of Andrew Hassam, Through Australian Eyes: Colonial Perceptions of Imperial Britain. Journal of Australian Colonial History, 4(1), 110-113.



2001

Dixon, R., Bird, D., Lee, K. (2001). Authority and Influence: Australian Literary Criticism 1950-2000. Australia: University of Queensland Press.

Dixon, R. (2001). Cannibalising indigenous texts: headhunting and fantasy. In Barbara Creed and Jeanette Hoorn (Eds.), Body Trade: Captivity, Cannibalism and Colonialism in the Pacific, (pp. 112-125). United Kingdom: Taylor and Francis.

Dixon, R. (2001). Introduction. In Delys Bird (Eds.), Authority and Influence: Australian Literary Criticism 1950-2000. Australia: University of Queensland Press.

Dixon, R. (2001). Prosthetic Gods: Travel, Representation and Colonial Governance. Australia: University of Queensland Press.

Dixon, R. (2001). Review of Alfred J Gabay, Messages from Beyond: Spiritualism and Spiritualists in Melbourne’s Golden Age 1870-1890. Journal of Australian Studies, (2), online.



2000

Dixon, R. (2000). Review of Paul de Serville, Rolf Boldrewood: A Life. Historical Studies, 32(116), 176-178.



1999

Dixon, R. (1999). Review of Patricia Clarke, Rosa! Rosa!: A Life of Rosa Praed, novelist and spiritualist. Coppertales: a journal of rural arts, 7, 111-114.



1996

Dixon, R. (1996). Travelling in the West: The Writing of Amitav Ghosh. Journal of Commonwealth Literature, 31(1), 3-24.



1980

Dixon, R. (1980). Kingsley's Geoffry Hamlyn and the Art of Landscape. , 239-250


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