Perspective in Renaissance Art in Italy What is perspective



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Dr. Anthony Costantini

Italian Section Head

Italian Language and Culture
Perspective in Renaissance Art in Italy
What is perspective?

Perspective is defined as “parallel lines converging to a single point: this point is called the vanishing point.”


Giotto di Bondone (1277-1337) is considered the father of perspective. He was a born in the village of Colle di Vespignano, north of Florence. Along with other artists of his time, he painted the frescos of the Arena Chapel in Padua (around 1306), the “Enthroned Madonna” (1310), and the frescoes of the Bardi Chapel in the Church of Santa Croce in Florence (1320).


Giotto – Madonna and Child Enthroned
After Giotto di Bondone, a series of great artists (who either were born in Florence or practiced their art in Florence) worked with the concept of perspective and its applications:
Filippo Brunelleschi (1337-1446) - was the architect who supervised the building of the Cupola of Florence Cathedral


Brunelleschi – Cupola del Duomo di Firenze
Leon Battista Alberti (1404-1472) - wrote the treatise on painting: Della Pittura (On Picture). He designed the façade of Santa Maria Novella in Florence and the Church of Sant’Andrea in Mantua.

Alberti - Santa Maria Novella - Florence
Masaccio (1400-1428) - at age 27, he painted the fresco in Santa Maria Novella in Florence called the ‘Trinity’.

http://www.wga.hu/detail/m/masaccio/trinity/trinity.jpg

Piero della Francesca (1410?-1492) - was a brilliant mathematician, applied mathematical rules to perspective. He was also a great painter, ‘The Flagellation of Christ’ (1444), ‘The Baptism of Christ’ (1445), and the ‘Resurrection” (1450).

Piero della Francesca - The Flagellation of Christ



Paolo Uccello (1397-1475) - he preferred drawing at night than going to sleep- He drew the famous “Perspective Study of a Chalice” and painted “Battle of San Romano’ (1445).

Uccello - Perspective Study of a Chalice

Andrea Mantegna (1431-1506) - painted the “Dead Christ” (1466) and the famous fresco of the ceiling of the “Camera degli Sposi” in the Palazzo Ducale of Mantua (1465-1474).

Mantegna - Dead Christ
Leonardo da Vinci (1452-1519) - elaborated the “perspective of dissolvence.” He noticed that the sky tends to become bluer in the distance pending the thickness of the interposed clouds. Among his many masterpieces are the “Madonna of the Rocks” (1483), “The Last Supper” (1495-97), and “Mona Lisa” (1503).

Da Vinci – Madonna of the Rocks



Raphael (1483-1520) - Developed what can be called a perspective with theatrical effects. He painted the “Transfiguration of Christ” ( 1517), “The liberation of Saint Peter from Prison” (1513), and the famous “School of Athens” (1510-1511).

Raphael – Transfiguration of Christ
Michelangelo (1475-1564) - architect, sculptor, and painter. He is most famous for painting the ceiling of the Sistine Chapel. Click on link below to view full image of the Sistine Chapel ceiling
http://history.hanover.edu/courses/art/micsis3.jpg


Document created by Dr. Anthony Costantini & Prof. Patrizia Miller

Fall 2007





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