Institut für England- und Amerikastudien Grüneburgplatz 1, 60323 Frankfurt am Main



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Institut für England- und Amerikastudien

Grüneburgplatz 1, 60323 Frankfurt am Main

Fachbereich Neuere Philologien

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Leseliste Literaturwissenschaft

Die folgende Leseliste ist eine Anleitung zum Erstellen Ihres individuellen Lesepensums im Modul BAL Selbständige Lektüre im Schwerpunkt Literaturwissenschaft. Informieren Sie sich zunächst über die aufgeführten Titel und treffen Sie auf dieser Grundlage Ihre Auswahl. Um auf die geforderten CP zu kommen, sollten Sie vier Bücher lesen und Ihr Lesepensum in der Regel im vierten Semester abgeschlossen haben.


Ein Buch entspricht : 1 Roman oder

2 Dramen oder

12 Kurzgeschichten oder

30 Gedichten


Hierbei müssen Sie Bücher aus mehr als zwei Textarten und mehr als zwei Epochen (vgl. Einteilung der Liste) lesen. Zu jedem gelesenen Buch ist ein etwa
zwei- bis dreiseitiges Abstract zu verfassen. Aufgrund der großen Unterschiede in Länge und Schwierigkeitsgrad der hier aufgeführten Texte ist eine genaue Absprache des Pensums nötig. Bitte besprechen Sie daher frühzeitig Ihre Textauswahl mit einer/einem Lehrenden im Schwerpunkt Literaturwissenschaft oder dem/der Modulbeauftragten.
Wenn Sie Ihr Studium vor dem Wintersemester 2011/12 begonnen haben, müssen Sie im Hauptfach in drei, im Nebenfach in zwei Schwerpunkten jeweils drei Bücher lesen.

Wenn Sie im oder nach dem Wintersemester 2011/12 begonnen haben, sind es im Hauptfach zwei und im Nebenfach ein Schwerpunkt mit je vier Büchern.

I. MIDDLE AGES

Narrative

  • Geoffrey Chaucer, Troilus and Criseyde (1382-6)

Geoffrey Chaucer, The Canterbury Tales (1387-1400)
Drama

  • Anon., Everyman (c1515)


II. EARLY MODERN

Narrative

  • Sir Philip Sidney, The Old Arcadia (1581)

  • Edmund Spenser, The Faerie Queene (1590/96) [selection]

  • Thomas Nashe, The Unfortunate Traveller (1594)

  • John Milton, Paradise Lost (1667)

  • John Bunyan, The Pilgrim’s Progress (1678/84)


Drama

  • Christopher Marlowe, The Jew of Malta (c1592)

Christopher Marlowe, Doctor Faustus (1594/1604)

  • William Shakespeare, Romances (e.g. The Winter’s Tale/ The Tempest)

Comedies (e.g. Twelfth Night/ A Midsummer Night’s Dream/ As You Like It)

Tragedies (e.g. Othello/ Julius Cesar/ Macbeth/ King Lear/ Hamlet)

Histories (e.g. Richard II/ Richard II/ Henry IV/ Henry V)


  • Ben Jonson, Volpone, or The Fox (1605)

Ben Jonson, The Alchemist (1610)

  • John Webster, The Tragedy of the Dutchesse of Malfi (1612-13/23)

  • Thomas Middleton & William Rowley, The Changeling (1622/53)

  • John Ford, ‘Tis Pitty She’s a Whore (1633)


Poetry

Thomas Campion/ Thomas Carew/ Abraham Cowley/ Richard Crashaw/ Michael Drayton/ William Drummond of Hawthornden/ Sir John Davies/ John Donne/ William Dunbar/ George Herbert/ Robert Herrick/ Henry Howard, Earl of Surrey/ Ben Jonson/ Christopher Marlowe/ Andrew Marvell/ John Milton/ Alexander Montgomerie/ Sir Walter Ralegh/ Alexander Scott/ William Shakespeare/ Sir Philip Sidney/ Edmund Spenser/ Henry Vaughan/ Sir Thomas Wyatt


Poetics


III. RESTORATION & AUGUSTAN AGE

Narrative

  • Samuel Pepys, Diary (1660-69)

  • Margaret Cavendish, Duchess of Newcastle, The Blazing World (1666)

  • Aphra Behn, Oroonoko, or the History of the Royal Slave (1688)

  • John Aubrey, Lives (1680s/1813)

  • Daniel Defoe, Robinson Crusoe (1719)

Daniel Defoe, Moll Flanders (1722)

  • Jonathan Swift, Gulliver’s Travels (1726)

  • Samuel Richardson, Pamela, or Virtue Rewarded (1740-1)

  • Henry Fielding, The Adventures of Joseph Andrews (1742)

Henry Fielding, The History of Tom Jones (1749)

  • John Cleland, Fanny Hill. Memoirs of a Woman of Pleasure (1748/9)

  • Oliver Goldsmith, The Vicar of Wakefield (1766)

  • Laurence Sterne, The Life and Opinions of Tristram Shandy (1759-67)

  • James Boswell, Diaries (1762-76)

  • Tobias Smollett, The Expedition of Humphrey Clinker (1771)

  • Olaudah Equiano, The interesting Narrative of the Life of Olaudah Equiano

or Gustavus Vassa, the African (1789)
Drama

  • Sir George Etherege, The Man of Mode (1676)

  • Aphra Behn, The Rover (1677/81)

  • William Congreve, The Way of the World (1700)

  • John Gay, The Beggar’s Opera (1728)

  • Oliver Goldsmith, She Stoops to Conquer, or the Mistakes of a Night (1773)

  • Richard Brinsley Sheridan, The School for Scandal (1777)


Poetry

Aphra Behn/ William Collins/ William Cowper/ John Dryden/ Robert Ferguson/ Oliver Goldsmith/ Thomas Gray/ Samuel Johnson/ Katherine Philips/ Alexander Pope/ Allan Ramsay/ Christopher Smart/ Jonathan Swift/ James Thomson/ Edmund Waller/ Isaac Watts/ John Wilmot, Earl of Rochester/ Edward Young


Criticism

  • Alexander Pope, An Essay on Criticism (1711)

  • Joseph Addison, The Spectator No. 411-21 (1712)

  • Dr Samuel Johnson, The Lives of the English Poets (1779-81) [selection]


IV. ROMANTICISM

Narrative

  • James MacPherson (Ossian), Fingal, an Ancient Epic Poem (1762)

  • Horace Walpole, The Castle of Otranto (1764)

  • William Beckford, Vathek (1786)

  • William Godwin, Caleb Williams (1794)

  • Ann Radcliffe, The Mysteries of Udolpho (1794)

  • Matthew Gregory Lewis, The Monk (1796)

  • Maria Edgeworth, Castle Rackrent (1800)

  • William Wordsworth, The Prelude, or Growth of a Poet’s Mind (1805/50)

  • George Gordon, Lord Byron, Childe Harold’s Pilgrimage (1812/16/18)

George Gordon, Lord Byron, Don Juan (1819-24)

  • Jane Austen, Pride and Prejudice (1813)

Jane Austen, Emma (1816)

Sir Walter Scott, Ivanhoe (1819)

  • Samuel Taylor Coleridge, Biographia Literaria (1817)

  • Mary Shelley, Frankenstein, or The Modern Prometheus (1818)

  • Charles Robert Maturin, Melmoth the Wanderer (1820)

  • Thomas De Quincey, Confessions of an English Opium Eater (1822/56)

  • James Hogg, Private Memoirs and Confessions of a Justified Sinner (1824)


Drama

  • Joanna Baillie, De Monfort (1798)

  • George Gordon, Lord Byron, Manfred (1817)

  • Percy Bysshe Shelley, Prometheus Unbound (1820)

Poetry

William Blake/ Robert Burns/ George Gordon, Lord Byron/ John Clare/ Samuel Taylor Coleridge/ George Crabbe/ Leigh Hunt/ John Keats/ Thomas Moore/ Percy Bysshe Shelley/ Robert Southey/ William Wordsworth


Criticism

  • William Wordsworth, Preface to the 2nd Edition of the Lyrical Ballads (1801)

  • William Hazlitt, Lectures on the English Comic Writers (1819)

  • Charles Lamb, The Essays of Elia (1820-3)

  • Percy Bysshe Shelley, Defence of Poetry (1821)



V. VICTORIANS

Novels

  • William Makepeace Thackeray, Vanity Fair (1848)

  • Emily Brontë, Wuthering Heights (1847)

  • Charlotte Brontë, Jane Eyre (1847)

  • Elizabeth Gaskell, Mary Barton (1848)

  • Charles Dickens, David Copperfield (1850)

Charles Dickens, Bleak House (1853)

Charles Dickens, Great Expectations (1861)



  • Wilkie Collins, The Woman in White (1860)

Wilkie Collins, The Moonstone (1868)

  • George Eliot, The Mill on the Floss (1860)

George Eliot, Middlemarch (1872)

George Eliot, Daniel Deronda (1876)



  • Mary Elizabeth Braddon, Lady Audley’s Secret (1862)

  • Lewis Carroll, Alice’s Adventures in Wonderland (1865)

  • Edward Bulwer Lytton, The Coming Race (1871)

  • Samuel Butler, Erewhon (1872)

  • Anthony Trollope, The Way We Live Now (1875)

  • George Meredith, The Egoist (1879)

  • Robert Louis Stevenson, Kidnapped (1886)

Robert Louis Stevenson, Strange Case of Dr Jekyll and Mr Hyde (1886)

  • H. Rider Haggard, King Solomon's Mines (1885)

H. Rider Haggard, She (1887)

  • George Gissing,The Nether World (1886)

  • Thomas Hardy, The Mayor of Casterbridge (1886)

Thomas Hardy, Tess of the D’Urbervilles (1891)

Thomas Hardy, Jude the Obscure (1895)



  • William Morris, News from Nowhere (1891)

  • Oscar Wilde, The Picture of Dorian Gray (1891)

  • Israel Zangwill, Children of the Ghetto (1892)

  • George Moore, Esther Waters (1894)

  • H.G. Wells, The Time Machine (1895)

H.G. Wells, The Island of Doctor Moreau (1896)

H.G. Wells, The War of the Worlds (1898)



  • Bram Stoker, Dracula (1897)

  • Rudyard Kipling, Kim (1901)

  • Arthur Conan Doyle, The Hound of the Baskervilles (1902)

Arthur Conan Doyle, The Lost World (1912)
Short Stories

Algernon Blackwood/ M.R. James/ Rudyard Kipling/ Vernon Lee/ Sheridan Le Fanu/ Arthur Machen/ Margaret Oliphant/ Saki/ Robert Louis Stevenson/ Bram Stoker/ Anthony Trollope/ Oscar Wilde


Drama

  • Oscar Wilde, The Importance of Being Ernest (1895)

Oscar Wilde, An Ideal Husband (1898)

Oscar Wilde, Lady Windermere’s Fan (1892)

Oscar Wilde, Salomé (1895)
Poetry

Matthew Arnold/ Elizabeth Barrett-Browning/ Robert Browning/ John Davidson/ Thomas Davis/ Ernest Christopher Dowson/ Thomas Hardy/ Gerard Manley Hopkins/ Rudyard Kipling/ James Clarence Mangan/ George Meredith/ Christina Rossetti/ Dante Gabriel Rosetti/ Algernon Charles Swinburne/ Alfred Lord Tennyson/ Oscar Wilde


Criticism

  • Matthew Arnold, Essays in Criticism (1865/88)

  • Walter Pater, The Renaissance (1873)

  • Robert Louis Stevenson, Familiar Studies of Men and Books (1882)

  • Oscar Wilde, The Decay of Lying (1891)

Oscar Wilde, The Critic as Artist (1891)

  • Arthur Symons, The Symbolist Movement in Literature (1899)


VI. MODERNISM

Novels & Autobiographies

  • Joseph Conrad, Heart of Darkness (1899/1902)

Joseph Conrad, Lord Jim (1900)

Joseph Conrad, Under Western Eyes (1911)



  • John Galsworthy, The Forsyte Saga (Trilogy, 1906-21)

  • E.M. Forster, Howards End (1910)

E.M. Forster, A Passage to India (1924)

E.M. Forster, Maurice (1971)



  • D. H. Lawrence, Sons and Lovers (1913)

D. H. Lawrence, Women in Love (1916)

D. H. Lawrence, Lady Chatterley’s Lover (1928)



  • Ford Madox Ford, The Good Soldier (1915)

Ford Madox Ford, Parade’s End (Tetralogy, 1924-28)

  • W. Somerset Maugham, The Moon and the Sixpence (1919)

W. Somerset Maugham, The Magician (1926)

W. Somerset Maugham, The Razor’s Edge (1944)



  • Dorothy Richardson, The Pilgrimage (1915-38)

  • James Joyce, A Portrait of the Artist as a Young Man (1914)

James Joyce, Ulysses (1918-20/22)

  • Virginia Woolf, Jacob’s Room (1922)

Virginia Woolf, Mrs. Dalloway (1925)

Virginia Woolf, Orlando (1928)

Virginia Woolf, The Waves (1931)


  • Edmund Blunden, Undertones of War (1928)

  • Robert Graves, Goodbye to All That (1929)

  • Vita Sackville-West, The Edwardians (1930)

  • Jean Rhys, After Leaving Mr Mackenzie (1930)

  • Aldous Huxley, Brave New World (1932)

  • Lewis Grassic Gibbon, A Scots Quair (Trilogy, 1932-4)

  • Vera Brittain, Testament of Youth (1933)

  • Christopher Isherwood, Mr Norris Changes Trains (1935)

Christopher Isherwood, Goodbye to Berlin (1939)

  • Liam O’Flaherty, Famine (1937)

  • George Orwell, The Road to Wigan Pier (1937)

George Orwell, Homage to Catalonia (1938)

George Orwell, Nineteen Eighty-Four (1949)



  • Patrick Kavanagh, The Green Fool (1938)

  • Elizabeth Bowen, The Death of the Heart (1938)

  • Daphne Du Maurier, Rebecca (1938)

  • Graham Greene, Brighton Rock (1938)

Graham Greene, The Power and the Glory (1940)

Graham Greene, The Heart of the Matter (1948)



  • Flann O’Brien, At Swim-Two-Birds (1939)

  • Richard Llewlyn, How Green was my Valley (1939)


Short Stories

Elizabeth Bowen/ Walter De La Mare/ James Joyce/ Katherine Mansfield/ W. Somerset Maugham/ Frank O’Connor/ Sean O’Faolain/ Liam O’Flaherty/ Graham Greene/ D.H. Lawrence/ May Sinclair/ W.B. Yeats


Drama

  • William Butler Yeats, Cathleen ni Houlihan (1903)

  • George Bernard Shaw, John Bull’s Other Island (1904)

George Bernard Shaw, Pygmalion (1913)

George Bernard Shaw, Saint Joan (1923/4)



  • John Milington Synge, Riders to the Sea (1904)

John Milington Synge, The Playboy of the Western World (1907)

  • John Galsworthy, Justice (1910)

  • John Drinkwater, Abraham Lincoln (1918)

  • Sean O’Casey, Juno and the Paycock (1924)

Sean O’Casey, The Plough and the Stars (1926)

Sean O’Casey, The Silver Tassie (1928)



  • R.C. Sherriff, Journey’s End (1929)

  • Noël Coward, Design for Living (1933)

  • T.S. Eliot, Murder in the Cathedral (1935)

  • W.H. Auden & Christopher Isherwood, The Ascent of F6 (1936)

  • J.B. Priestley, Time and the Conways (1937)


Poetry

W.H. Auden/ Basil Bunting/ Helen Cruickshank/ Cecil Day Lewis/ Walter De La Mare/ T.S. Eliot/ Robert Graves/ Ivor Gurney/ A.E. Housman/ D.H. Lawrence/ Hugh MacDiarmid/ Louis MacNeice/ Edwin Muir/ Wilfred Owen/ Ezra Pound/ Herbert Read/ Vita Sackville-West/ Siegfried Sassoon/ Edith Sitwell/ Stephen Spender/ Edward Thomas/ Sylvia Townsend Warner/ William Butler Yeats


Criticism

  • Clive Bell, Art (1914)

  • Virginia Woolf, The Common Reader (1925/32)

  • Herbert Read, Form in Modern Poetry (1932)

  • R.G. Collingwood, The Principles of Art (1938)


VII. POST WAR

Novels

  • Evelyn Waugh, Brideshead Revisited (1945)

  • Malcolm Lowry, Under the Volcano (1947)

  • Doris Lessing, The Grass is Singing (1950)

Doris Lessing, The Golden Notebook (1962)

Doris Lessing, The Fifth Child (1988)



  • Samuel Beckett, Molloy (1951/55)

Samuel Beckett, Malone Dies (1951/56)

Samuel Beckett, The Unnamable (1953/58)



  • Iris Murdoch, Under the Net (1954)

Iris Murdoch, The Sea, The Sea (1978)

  • Kingsley Amis, Lucky Jim (1954)

Kingsley Amis, The Green Man (1969)

  • Samuel Selvon, The Lonely Londoners (1956)

  • Angus Wilson, Anglo-Saxon Attitudes (1956)

  • Lawrence George Durrell, The Alexandria Quartet (Tetralogy, 1957-60)

  • John Braine, Room at the Top (1957)

  • Brendan Behan, Borstal Boy (1958)

  • Alan Silitoe, Saturday Night and Sunday Morning (1958)

  • Muriel Spark, The Prime of Miss Jean Brodie (1961)

Muriel Spark, The Abbess of Crewe (1974)

  • V.S. Naipaul, A House for Mr Biswas (1961)

V.S. Naipaul, A Bend in the River (1979)

  • Anthony Burgess, A Clockwork Orange (1962)

  • Jean Rhys, Wide Sargasso Sea (1966)

  • Angela Carter, The Magic Toyshop (1967)

  • Iain Crichton Smith, Consider the Lilies (1968)

  • John Fowles, The French Lieutenant’s Woman (1969)

  • J.G. Ballard, The Atrocity Exhibition (1970)

  • Jennifer Johnston, How many Miles to Babylon? (1974)

  • David Lodge, Changing Places (1975)

David Lodge, Small World (1984)

  • Beryl Bainbridge, Injury Time (1977)

  • Ian McEwan, The Cement Garden (1978)

Ian McEwan, Black Dogs (1992)

Ian McEwan, Atonement (2001)



  • William Golding, Rites of Passage (1980)

  • Salman Rushdie, Midnight’s Children (1981)

Salman Rushdie, The Satanic Verses (1988)

  • Bernard MacLaverty, Cal (1983)

  • William Trevor, Fools of Fortune (1983)

  • Graham Swift, Waterland (1983)

Graham Swift, Last Orders (1996)

  • Julian Barns, Flaubert’s Parrot (1984)

Julian Barnes, Staring at the Sun (1986)

  • Peter Ackroyd, Hawksmoor (1985)

  • Jeanette Winterson, Oranges are Not the Only Fruit (1985)

  • Malcolm Bradbury, Cuts (1987)

  • Martin Amis, London Fields (1989)

Marin Amis, Yellow Dog (2003)

  • Caryl Phillips, Higher Ground (1989)

  • Kazuo Ishiguro, The Remains of the Day (1989)

Kazuo Ishiguro, Never Let Me Go (2005)

  • Hanif Kureishi, The Buddha of Suburbia (1990)

  • John Banville, The Book of Evidence (1989)

John Banville, The Sea (2005)

  • Dermot Bolger, The Journey Home (1990)

  • A.S. Byatt, Possession (1990)

  • Pat Barker, Regeneration (Trilogy, 1991-95)

  • Patrick McCabe, The Butcher Boy (1992)

  • Irvine Welsh, Trainspotting (1993)

  • Fred D’Aguiar, The Longest Memory (1994)

  • Seamus Deane, Reading in the Dark (1996)

  • Patricia Duncker, Hallucinating Foucault (1996)

  • Will Self, Great Apes (1997)

  • Colm Toibín, The Blackwater Lightship (1999)

  • Ali Smith, Hotel World (2001)

  • Sarah Waters, Fingersmith (2002)

  • Joseph O’Connor, Star of the Sea (2004)

  • David Mitchell, Cloud Atlas (2004)


Drama

  • Samuel Beckett, Waiting for Godot (1952/5)

Samuel Beckett, Endgame (1957)

  • John Osborne, Look Back in Anger (1956)

  • Brendan Behan, The Hostage (1958)

  • Harold Pinter, The Birthday Party (1958)

Harold Pinter, The Caretaker (1960)

Harold Pinter, The Homecoming (1965)



  • Joe Orton, Entertaining Mr Sloane (1964)

  • Brian Friel, Philadelphia, Here I come! (1964)

Brian Friel, Translations (1980)

Brian Friel, Dancing at Lughnasa (1990)



  • Edward Bond, Saved (1965)

Edward Bond, Lear (1972)

  • Tom Stoppard, Rosencrantz and Guildenstern are Dead (1966)

Tom Stoppard, Travesties (1974)

Tom Stoppard, Arcadia (1993)



  • Peter Shaffer, Equus (1973)

  • Alan Ayckbourn, The Norman Conquests (1973)

Alan Ayckbourn, Woman in Mind (1986)

  • Peter Barnes, Laughter! (1978)

  • David Edgar, Maydays (1983)

  • Peter Nichols, Passion Play (1980)

  • Howard Brenton, The Romans in Britain (1980)

  • Hanif Kureishi, Outskirts (1981)

  • Michael Frayn, Noises Off (1982)

  • Caryl Churchill, Top Girls (1982)

Caryl Churchill, Serious Money (1987)

Caryl Churchill, A Number (2002)



  • Sarah Daniels, Masterpieces (1983)

  • Frank McGuinness, Observe Sons of Ulster Marching towards the Somme

(1985)

  • Liz Lochhead, Mary Queen of Scots got Her Head Chopped Off (1987)

  • David Hare, Racing Demon (1990)

  • Fred D’Aguiar, A Jamaican Airman foresees his Death (1991)

  • Martin Crimp, The Treatment (1993)

Martin Crimp, Attempts on Her Life (1997)

  • Sarah Kane, Blasted (1995)

Sarah Kane, 4.48 Psychosis (1999)

  • David Greig, Europe (1995)

  • Mark Ravenhill, Shopping and Fucking (1996)

  • Pam Gems, Marlene (1997)

  • Khan-Din, Ayub, East is East (1996)

  • Marina Carr, By the Bog of Cats… (1998)

  • Enda Walsh, Disco Pigs (1998)

Enda Walsh, The Walworth Farce (2006)

  • Anthony Neilson, Stitching (2002)

Anthony Neilson, Realism (2005)

  • Simon Stephens, Pornography (2008)


Short Stories

Martin Amis/ Julian Barns/ Angela Carter/ Roald Dahl/ Michel Faber/ Doris Lessing/ Ian McEwan/ Bernard MacLaverty/ Edna O’Brien/ V.S. Pritchett/ Jean Rhys/ Alan Sillitoe/ Muriel Spark/ William Trevor/ Angus Wilson


Poetry

Eavan Boland/ George Mackay Brown/ John Burnside/ Ciaran Carson/ Fred D’Aguiar/ Seamus Deane/ Carol Anne Duffy/ Douglas Dunn/ Paul Durcan/ Geoffrey Grigson/ Thom Gunn/ Tony Harrison/ Michael Hartnett/ Seamus Heaney/ John Hewitt/ Ted Hughes/ Patrick Kavanagh/ Brendan Kennelly/ Thomas Kinsella/ Philip Larkin/ Liz Lochhead/ Michael Longley/ Norman MacCaig/ Roger McGough/ Medbh McGuckian/ Derek Mahon/ Adrian Mitchell/ John Montague/ Andrew Motion/ Edwin Morgan/ Paul Muldoon/ Tom Paulin/ Peter Porter/ James Simmons/ Iain Crichton Smith/ Dylan Thomas/ R.S. Thomas/ Alfred Charles Tomlinson


Literary Theory

  • Cleanth Brooks, The Well Wrought Urn (1947)

  • Northrop Frye, Anatomy of Criticism (1957)

  • Wayne C. Booth, The Rhetoric of Fiction (1961)

  • Michail Bakhtin, Rabelais and his World (1965)

  • Roland Barthes, “The Death of the Author” (1967)

Roland Barthes, S/Z (1970)

  • Frank Kermode, The Sense of an Ending (1967/2000)

  • Jacques Derrida, “Die Struktur, das Zeichen und das Spiel im Diskurs der

Wissenschaften vom Menschen” (1972)

  • Paul de Man, Allegories of Reading (1979)

  • Malcolm Bradbury, From Puritanism to Postmodernism (1991)

  • Umberto Eco, A Theory of Semiotics (1975)

  • Jonathan Culler, Structuralist Poetics (1975)

  • Terry Eagleton, Criticism and Ideology (1976)

  • Elaine Showalter, A Literature of their Own (1977/82)

  • Julia Kristeva, Die Revolution der poetischen Sprache (1980)

  • Gérard Genette, Palimpseste (1982)

  • Toril Moi, Sexual/Textual Politics, Feminist Literary Theory (1985)

  • Seamus Heaney, The Redress of Poetry (1995)

  • David Lodge, The Language of Fiction (2002)


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