Gender in Western Art, Literature and History: An Interdisciplinary Bibliography, Ja



Download 402.79 Kb.
Page6/7
Date conversion16.05.2016
Size402.79 Kb.
1   2   3   4   5   6   7

20TH* CENTURY
"Contemporary Representations of Women's Bodies", Michigan Quarterly Review, 29, Fall 1990, 602-18

"The Female Body: a Portfolio", Michigan Quarterly Review, 30, Winter 1991, 85-92

Adams, Marion, "Der Expressionismus und die Krise der deutschen Frauenbewegung," Expressionismus und Kulturkrise, ed. Bernd Hüppauf, Heidelberg: Carl Winter Universitätsverlag, 1983,

Adams, Stephen and Anna Robbins, eds., Gendering Landscape Art, Rutgers Univ Press, 2001 [Monet, Cezanne, Smithson, Long]

Anderson, Harriet, Utopian Feminism: Women's Movements in fin-de-siecle Vienna, Yale Univ. Press, 1992

Ankori, Gannit, "Yocheved Weinfeld's Portraits of the Self", Woman's Art Journal, 10, Spring/Summer 1989, 22-27

Ankum, Katharina von, ed., Women in the Metropolis: Gender and Modernity in Weimar Culture, Berkeley, 1997

Armstrong, Carol, "The Reflexive and the Possessive View: Thoughts on Kertesz, Brandt and the Photographic Nude," Representations, 25, winter 1989, 57-70

Avgikos, Jan, "De Kooning/Dubuffet: The Women", Artforum, 29, March 1991, 128

Baddeley, Oriana, "Her Dress Hangs Here: De-frocking the Kahlo Cult," Oxford Art Journal, 14, 1, 1991, 10-17

Banta, Martha, "Artists, Models, Real Things and Recognizable Types," Studies in the Literary Imagination, 16, Fall, 1983, 7-34 [19th c. American fiction]

Barron, James, "Picasso's Women: A Portfolio from the Collection of Marina Picasso", Paris Review, 29, Spring 1987, 115-135

Barzman, Karen-edis, "Beyond the Canon: Feminists, Postmodernism and the History of Art," JAAC, 52, 3, 1994, 327-340

Behr, Shulamith, Women Expressionists, New York: Rizzoli, 1988

Behr, Shulamith, “Veiling Venus : gender and painterly abstraction in early German Modernism,” in: Manifestations of Venus: art and sexuality, Manchester and New York: Manchester University Press, 2000, p. 126-141, 210-214.

Bell, S. G., and Karen Offen, eds., Woman, the Family and Freedom, 1983

Benjamin, Roger, "Matisse in Morocco: A Colonizing Esthetic?," Art in America, Nov. 1990, 156-165

Benjamin, Roger, “Expression, Disfiguration, Matisse, the Female Nude and the Academic Eye,” in Terry Smith, ed, In Visible Touch: Modernism and Masculinity, Chicago: Un of Chicago Press, 1998

Bergman-Carton, Janis, "Ther Politics of Selfhood in the Art of Contemporary Latin American Women," Latin American Artists in New York. 1970 to the Present, University of Texas Press, 1987, 31-36

Betterton, Rosemary, "How Do Women Look: The Female Nude in the Work of Suzanne Valadon," Hilary Robinson, ed., Visibly Female: Feminism and Art Today, New York: Universe Books, 1988

Betterton, Rosemary, ed., Looking on: Images of Femininity in the Visual Arts and Media, London: Pandora, 1987

Betterton, Rosemary, Women, Artists, and the Body, Routledge, 1996

Billeter, Erika, The World of Frida Kahlo, Houston, 1994

Blum, Cinzia Sartini, The Other Modernism: F. T. Marinetti's Futurist Fiction of Power, Berkeley, 1996

Board, Marilynn Lincoln, "Constructing Myths and Ideologies in Matisse's Odalisques," Genders, 5, 1989, 21-49; repr. in Norma Broude and Mary Garrard, eds., The Expanding Discourse: Feminism and Art History, New York: HarperCollins, 1992, 358-379

Bock, Catherine C., "'Woman before an Aquarium' and 'Woman on a Rose Divan': Matisse in the Helen Birch Bartlett Memorial Collection (Of the Art Institute of Chicago)", Museum Studies, 12/2, 1986, 200-221

Bock, Catherine, "Henri Matisse's 'Bathers by a River,'" Museum Studies, 16, 1, 1990, 44-55

Bonnell, Victoria E., "The Representation of Women in Early Soviet Political Art", Russian Review, 50, July 1991, 267-288

Bright, Deborah, "Of Mother Nature and Marlboro Men: An Inquiry into the Cultural Meaning of Landscape Photography", The Contest of Meaning, ed. Richard Bolton, MIT, 1989, 125-144

Brookner, Jackie, "Feminism and Students of the '80s and '90s: The Lady and the Raging Bitch; Or How Feminism Got a Bad Name", Art Journal, 50, Summer 1991, 11ff

Buci-Glucksmann, Christine, "Catastrophic Utopia: The Feminine as Allegory of the Modern", Representations, 14, Spring 1986, 220-229

Buettner, Stewart, "Images of Modern Motherhood in the Art of Morisot, Cassatt, Modersohn-Becker, Kollwitz," Women's Art Journal, Fall 1986-Winter 1987, 14-21

Bulliet, Clarence Joseph, The Courteaan Olympia, an Intimate Survey of Artists and their Mistress- Models, New York: Covici, Friede, 1930

Caws, Mary Ann, "Ladies Shot and Painted: Female Embodiment in Surrealist Art," Susan Suleiman, ed., The Female Body in Western Culture, Cambridge: Harvard Un. Pr., 1985, 262-287; repr. in Norma Broude and Mary Garrard, eds., The Expanding Discourse: Feminism and Art History, New York: HarperCollins, 1992

Caws, Mary Ann, et al, ed., Surrealism and Women, MIT Press, 1991 [16 essays]

Cernuschi, Claude, “Pseudo-Science and Mythic Misogyny: Oskar Kokoschka’s ‘Murderer, Hope of Women,” Art Bulletin, LXXXI, 1, March 1999, 126-148

Chadwick, Whitney, "Negotiating the Feminist Divide," Heresies, 24, 1990?, 23-25

Chadwick, Whitney, "The Muse as Artist: Women in the Surrealist Movement," Art in America, 73, July, 1985, 121-128

Chadwick, Whitney, Women Artists and the Surrealist Movement, Boston: Little, Brown, 1985

Chave, Anna, "O'Keeffe and the Masculine Gaze,", Art in America, Jan. 1990,

Chave, Anne, "Minimalism and the Rhetoric of Power," Arts Magazine, January, 1990, 44-63; repr. in Holliday Day, ed., Power: Its Myths and Mores in American Art, 1961-1991, Indianapolis: Indianapolis Museum of Art, 1991,

Chicago, Judy, "The Dinner Party", video

Chicago, Judy, Through the Flower, 1982

Comini, A., "Gender or Genius? The Women Artists of German Expressionism," Feminism and Art History, 271-291

Constantinides, Kathy, "Carolee Schneemann / Invoking Body Politics", Michigan Quarterly Review, 30, Winter 1991, 127-145

Cooper, Emmanuel, The Sexual Perspective: Homosexuality and Art in the Last 100 Years in the West. London: Routledge Kegan Paul, 1990

Crimp, Douglas, "Issues & Commentary II: the Boys in my Bedroom", Art in America, 78, February 1990, 47ff

Cummings, Katherine, "A Spurious Set(Up): 'Fetching Females' and 'Seductive' Theories in Phaedrus, 'Plato's Pharmacy,' and Spurs", Genders, 8, July 1990, 38-61

Daulte, Francois, "La femme dans l'oeuvre de Rodolphe Theophile Bosshard", L'Oeil, 370, May 1986, 66-69

Denean Sharpley-Whiting, T., Black Venus, Sexualized Savages, Primal Fears, and Primitive Narratives in French, Duke Univ Press, 1999

Deutsch, Davida Tenenbaum, "The Polite Lady: Portraits of American Schoolgirls and their Accomplishments", Magazine Antiques, 135, March 1989, 742-753

Devereaux, Mary, "Oppressive Texts, Resisting Readers and the Gendered Spectator: the New Aesthetics", Journal of Aesthetics and Art Criticism, 48, Fall 1990, 337-347 [cinema]

Dijkstra, Bram, Georgia O'Keeffe and the Eros of Place, Princeton University Press, 1998

Doane, M. A., "Film and the Masquerade: Theorizing the Female Spectator," Screen, Sept/Oct. 1982

Doane, Mary Ann, "Woman's Stake: Filming the Female Body," in Constance Penley, ed., Feminism and Film Theory, New York: Routledge, 1988

Dubreuil-Blondin, Nicole, "Feminism and Modernism: Paradoxes," Modernism and Modernity, eds. Benjamin Buchloh, Serge Guilbaut, and David Solkin, Halifax: Press of Nova Scotia College of Art and Design, 1983, 195-211

Duncan, Carol, "The MOMA's Hot Mamas," Art Journal, 48, 2, 1989, 171-180; repr. in Norma Broude and Mary Garrard, eds., The Expanding Discourse: Feminism and Art History, New York: HarperCollins, 1992

Duncan, Carol, "Virility and Domination in Early Twentieth-Century Vanguard Painting," Artforum, Dec. 1973, pp. 30-39; reprinted in Norma Broude and Mary Garrard, eds., Feminism and Art History, New York, 1982, 292-313

Edgerton, Anne Carnegie, "Symbolism and Transformation in the Art of John Graham", Arts Magazine, 60, March 1986, 60-68

Ehrenreich, Barbara and Deidre English, For Her Own Good: 150 Years of the Expert's Advice to Women, Garden City: Anchor, 1978

Eisler, Benita, O'Keeffe and Stieglitz, 1990?

Elderfield, John, Pleasuring Painting: Mastisses's Feminine Representations, New York: Thames and Hudson, 1996

Engelstein, Laura, "Lesbian Vignettes: A Russian Triptych from the 1890s," Signs, 15, Summer, 1990, 813-831

Evans, R. J. The Feminists: Women's Emancipation Movements in Europe, America, and Australia 1844-1920, 1977

Evans, Richard and W. R. Lee, eds., The German Family: Essays on the Social History of the Family in 19th and 20th-Century Germany, Totowa and NYC: 1981

Export, Valie, "Aspects of Feminist Actionism," New German Critique, 47, 1989, 69-92 [contemporary German women's art, body imagery]

Facos, Michelle M., "Aristide Maillot's Blanqui Monument", Arts Magazine, 60, January 1986, 42-48

Faderman, Lillian, Odd Girls and Twilight Lovers: A History of Lesbian Life in 20th Century America, New York: Columbia University Press, 1992

Faxon, Alicia and Sylvia Moore, eds., Pilgrims and Pioneers: New England Women in the Arts, New York: Midmarch Arts Press, 1987

Fernandes, Joyce, "Exposing a Phallocentric Discourse: Images of Women in the Art of David Salle," New Art Examiner, 14, Nov 1986, 32-34

Fernandes, Joyce, "Sex into Sexuality: a Feminist Agenda for the '90s", Art Journal, 50, Summer, 1991, 35-38

Field, Rachael, "Lesbian Tradition", Feminist Review, 34, Spring 1990, 115-119

Fine, Elsa Honig, American Women Artists: The 20th Century. Knoxville: Knoxville Museum of Art, 1989

Fitzpatrick, Kate, "Rising above Sentiment (the Theme of Mother and Child)", Sculpture Review, 38/3, 1989, 20-7

Foster, Hal, "L'amour faux," Art in America, Jan, 1986, 117-128 [woman in surrealist photography]

Foster, Hal, ed., The Anti-Aesthetic,

Franco, Jean, Plotting Women: Gender and Representation in Mexico. New York: Columbia Univ. Press, 1989

Frueh, Johanna and Arlene Raven, eds., Feminist Art Criticism, issue of Art Journal, 50, 2, 1991 devoted to essays on contemporary art

Garb, Tamar, Bodies of Modernity: Figure and Flesh in Fin-de-Siecle, France, Thames and Hudson, 1998

Garb, Tamar, "Engaging Embroidery: The Subversive Stitch," Art History, 9, Mar. 1986, 131-4 [review]

Garrard Mary, D., "Women, Art and Society", Woman's Art Journal, 12, Fall/Winter 1991-92, 36-38 [review article]

Gever, Martha, "Video; Where We Are Now", Art in America, 75, July 1987, 43ff

Gibson, Ann, "Color and Difference in Abstract Painting: The Ultimate Case of Monochrome", Genders, 13, Spring 1992, 123-52

Goldberg, Vicki, "Mr, Mrs, and Myth: Behind the Veil of Wedding Photography", American Photographer, 19, August 1987, 22ff

Gouma-Peterson, Thalia, "The Theatre of Life and Illusion in Miriam Schapiro's Recent Work," Arts Magazine, 60, Mar. 1986, 38-43

Grazia, Victoria de, How Fascism Ruled Women, Berkeley, 1992?

Grigsby, Darcy Grimaldo, "Dilemmas of Visibility: Contemporary Women Artists' Representations of Female Bodies," Michigan Quarterly Review, 29, 1990, 584-601

Grossman, Atina, "The New Woman and the Rationalization of Female Sexuality in Weimar Germany," in Ann Snitow, Christine Stansell, and Sharon Thompson, eds., Powers of Desire: The Politics of Sexuality, New York: Monthly Review Press, 1983, 153-171

Grover, Jan, "Dykes in Context: Some Problems in Minority Representation", The Contest of Meaning, ed. Richard Bolton, MIT, 1989, 163-206

Gubar, Susan, "Representing Pornography: Feminism, Criticism, and Depictions of Female Violation", Critical Inquiry, 13, 1987, 712-741

Guest, Harriet, "The House of Meaning", Oxford Art Journal, 13/2, 1990, 89-92 [review article]

Halle, David, "The Family Photograph", Art Journal, 46, Fall 1987, 217-25

Hammond, Harmony, "Lesbian Art and Artists", Heresies, 1/3, New York, 1977

Hart, Lynda, "Karen Finley's Dirty Work: Censorship, Homophobia, and the NEA", Genders, 14, Fall 1992, 1-15

Heartney, Eleanor, "David Salle: Impersonal Effects," Art in America, 76, June 1988, 121-9

Heindl, Chris, "The Importance of Being Visionary (Women and Art during the Chinese Cultural Revolution)", Heresies, 6/2, 1987, 26-8

Helland, Janice, "Culture, Politics, and Identity in the Paintings of Frida Kahlo," ; repr. in Norma Broude and Mary Garrard, eds., The Expanding Discourse: Feminism and Art History, New York: HarperCollins, 1992

Heller, Nancy, Women Artists: An Illustrated History. New York: Abbeville Press, 1987

Herbert, James, Fauve Painting: The Making of Cultural Politics, New Haven: Yale Univ. Press, 1992 [gender]

Hermand, Jost, "All Power to the Women: Nazi Concepts of Matriarchy," Journal of Contemporary History, 19, Oct. 1984, 649-667

Herrera, Hayden, "Frida Kahlo: Her Life, Her Art", Artforum, 14, May 1976, 38-44

Herrera, Hayden, "Frida Kahlo: the Palette, the Pain, and the Painter", Artforum, XXI/7, March 1983, 60-67

Herrera, Hayden, Frida Kahlo: The Paintings. New York: Harper Collins, 1991

Herrera, Hayden, Frida: A Biography of Frida Kahlo. New York: Harper and Row, 1983

Hibbard, J. L., "The Spirit of the Flesh: Wedekind's Lulu," Modern Language Review, 79, Apr. 1984, 336-355 [abstraction]

Hobsbawn, Eric, "Man and Woman in Socialist Iconography," History Workshop Journal, 6, 1978, 121-138 [critical replies, HWJ, 8, 1979, 167-182

Hobsbawn, Eric, "The New Woman,", idem, The Age of Empire: 1875-1914, New York: Random House, 1987, 192-218

Hodler, Maryse, "Another Cuntree: At Last, a Mainstream Female Art Movement," Feminist Art Criticism,

Hollander, Elizabeth, "Working Models", Art in America, May 1991, 152-154

Hollier, Denis, "Pablo Picasso: The Painter Without His Model," Raritan, 9, 1989, 1-16

Hopkins, David, "Questioning Dada's Potency: Picabia's 'La Sainte Vierge' and the Dialogue with Duchamp", Art History, 15/3, September 1992, 317-33

Hust, Karen, "'the landscape (chosen by desire)': Laura Gilpin Renegotiates Mother Nature," Genders, 6, Fall, 1989

Inglis, Ken, "Men, Women, and War Memorials: Anzac Australia", Daedalus, 116, Fall 1987, 35-59

Iversen, Margaret, "Fashioning Feminine Identity", Art International, 2, Spring 1980, 52-57 [feminist art]

Izenberg, Gerald, Modernism and Masculinity. Mann, Wedekind, and Kandinsky Through World War I, Chicago: Univ. of Chicago Press, 2000

Jardine, Alice, Gynesis, Configurations of Woman and Modernity. Ithaca: Cornell Univ. Press, 1985, 34-35

Jardine, Lisa, Still Harping on Daughters, Sussex and Totowa: Harvester Press and Barnes and Noble, 1983,

Jones, Amelia, "Dis/Playing the Phallus: Male Artists Perform Their Masculinities," Art History (1994 or 1995)

Jones, Amelia, ed., Sexual Politics: Judy Chicago's 'Dinner Party" in Feminist Art History, Berkeley: Un f Ca Pr, 1996?

Jones, Amelia, Postmodernism and the En-Gendering of Marcel Duchamp, Cambridge Un Pr, 1995

Jones, Bill, "Stunted Brides and Fascinating Hardware", Arts Magazine, 64, Summer 1990, 56-60

Kaneda, Shirley, "Painting and Its Others: In the Realm of the Feminine", Arts Magazine, 65, Summer 1991, 58-64 [feminist art]

Katz, Barry, "The Women of Futurism," Woman's Art Journal, 7, 1986-87, 3-13

Kelly, Mary, "On Sexual Politics and Art," Framing Feminism,

Kendrick, Walter, The Secret Museum: Pornography in Modern Culture, New York: Viking, 1987

Kent, Sarah, "Rego's Girls", Art in America, 77, June 1989, 158-162

Kent, Sarah, Women's Images of Men, London and New York: Writers and Readers Publishing, 1985

Kirstein, Lincoln, Paul Cadmus, San Francisco: Pomegranate Artbooks, 1992

Klinger, Linda, "Where's the Artist? Feminist Practice and Poststructural Theories of Authorship", Art Journal, 50, Summer 1991, 64-

Kluver, Billy and Julie Martin, "A Short History of Modeling", Art in America, May 1991, 156-63

Koritz, Amy, "Women Dancing: the Structure of Gender in Yeats's Early Plays for Dancers," Modern Drama, 32, Sept. 1989, 387-400

Kozloff, Joyce, "Frida Kahlo", Women's Studies, 6, 1978, 43-59

Kuhn, Annette, ed., Women in Film: An International Guide, New York: Fawcett Columbine, 1991

Kuhn, Annette, Women's Pictures: Feminism and Cinema, London: Routledge & K. Paul, 1982

Kuspit, Donald, "From Existence to Essence: Nancy Spero," Art in America, 72, Jan, 1984, 88-96

Langa, Helen, "Egalitarian Vision, Gendered Experience: Women Printmakers and the WPA/FAP Graphic Arts Project," ; repr. in Norma Broude and Mary Garrard, eds., The Expanding Discourse: Feminism and Art History, New York: HarperCollins, 1992

Lefkowitz, Nancy, book on architecture of women's colleges

Lewis, Beth Irwin, "Lustmord: Inside the Windows of the Metropolis," in Charles Haxthausen and Heidrun Suhr, eds., Berlin. Culture and Metropolis, Minneapolis: University of Minnesota Press, 1990, 111-140

Lewison, Jeremy, "De Kooning and Dubuffet: The Women," Burlington Magazine, 133, Feb. 1991, 146-148

Lichtenstein, Teresa, "Hans Bellmer and the Representation of Women," Arts Magazine, 59, June, 1985, 102-3

Lippard, Lucy, "Andres Serrano: The Spirit and the Letter," Art in America, 78, April, 1990, 238-245

Lippard, Lucy, "Both Sides Now. (Essentialists vs. Deconstructivists in Feminist Art and Theory)," Heresies, 6, 4, 1989, 29-34

Lippard, Lucy, "Issues and Commentary: Uninvited Guests: How Washington Lost 'The Dinner Party'," Art in America, 79, Dec. 1991, 39ff

Lippard, Lucy, "Out of the Safety Zone," Art in America, 78, Dec 1990, 131-139 [homosexuality in contemporary art]

Lippard, Lucy, From the Centre: Feminist Essays on Women's Art, New York: Dutton 1976

Lloyd, Jill, German Expressionism: The Image of the Black in Western Art, vol. 1, ed. Hugh Honour, Cambridge: Harvard University Press, 1976

Loeb, Judy, ed., Feminist Collage, 198?, [essays on contemporary art and criticism]

Lord, Catherine, "What Becomes a Legend Most: The Short, Sad Career of Diane Arbus", The Contest of Meaning, ed. Richard Bolton, MIT, 1989, 111-124

Lowe, Sarah, Frida Kahlo, New York: Universe Books, 1992

Lubar, Robert, “Unmasking Pablo’s Gertrude: Queer Desire and the Subject of Portraiture,” Art Bulletin, LXXIX, 1, March 1997, 57-84

Lynes, Barbara Buhler, "Georgia O'Keeffe and Feminism: A Problem of Position," ; repr. in Norma Broude and Mary Garrard, eds., The Expanding Discourse: Feminism and Art History, New York: HarperCollins, 1992

Making Their Mark: Women Artists Move into the Mainstream, 1970-1985, New York: Abbeville, 1989 [ex. cat.]

Marincola, Paula, "Judith Shea's Contemporary Kore," Artforum, 28, 1990, 134-139

Masten, April F., "Model Into Artist: the Changing Face of Art Historical Biography", Women's Studies, 21/1, 1992, 17-41

Matthews, Glenna, Just a Housewife: The Rise and Fall of Domesticity in America, New York: Oxford University Press, 1987

McClary, Susan, "Living to Tell: Madonna's Resurrection of the Fleshy", Genders, 7, March 1990, 1-21

McMillan, J. F., Housewife or Harlot: The Place of Women in French Society 1870-1914, 1981

McNeil, Peter, "Designing Women: Gender, Sexuality and the Interior Decorator c. 1890-1940," Art History 1994 or 1995

Melosh, Barbara, Engendering Culture: Manhood and Womanhood in New Deal Public Art and Theater, Washington: Smithsonian Institution Press, 1991 [rev. Art in America, April, 1992, 41]

Michie, Helen Ross, "The Flesh Made Word: Representations of Women's Bodies from the Victorian Era to the Present," PhD, Un. of Pennsylvania, 1984
Modersohn-Becker, Paula, The Letters and Journals of Paula Modersohn-Becker, Metuchen: Scarecrow Press, 1980

Morrison, Paul, "Coffee Table Sex: Robert Mapplethorpe and the Sadomasochism of Everyday Life", Genders, 11, Fall 1991, 17-36

Mosse, George, The Image of Man, New York and Oxford: Oxford University Press, 1996 [rev. Roy Porter, New Republic, June 10, 1996]

Mulvey, Laura and Peter Wollen, Frida Kahlo and Tina Modotti, London: Whitechapel Art Gallery, 1982

Mulvey, Laura, "Visual Pleasure and Narrative Cinema," Screen, autumn, 1975

Munro, Eleanor, Originals: American Women Artists. New York: Simon and Schuster, 1979

Murray, Hollice Marie, "Literary Revolution as Bordello Romance: The Ideology of Gender and the Gender of Ideology in the Dawn of German Modernism," Ph.D., 198X, DAI. 1986 Sept., 47:3, 920A-921A.

Myers, Kathy, "Towards a Feminist Erotica," in Betterton, Looking On, 189-202

Nenno, Nancy, "Femininity, the Primitive, and Modern Urban Space: Josephine Baker in Berlin," in Katharina von Ankum, ed., Women in the Metropolis, Gender and Modernity in Weimar Culture, Berkeley: Un of California, 1997, 145-161

Neumaier, Diane, "Metropolitan Tits," Journal of Sex Research, 27, 1990, 123-129

Newman, Michael, "The Ribbon Around the Bomb", Art in America, 71/4, 1983, 160-9

Osterman, Gladys, "Women, Mass Media: Issues of Representation and Reception", Women Artists News, 11, Spring 1986, 6

Parker, Rozsika, The Subversive Stitch, London: Women's Press, 1984

Peiss, Karen, "Making Faces: The Cosmetic Industry and the Cultural Construction of Gender, 1890-1930," Genders, 6, Fall, 1989 [or no. 7, March 1990]

Peters, Sally, "From Eroticism to Transcendence: Ballroom Dance and the Female Body," Michigan Quarterly Review, 30, Winter, 1991, 25-37

Peters, Sarah, Becoming Georgia O'Keeffe, Abbeville, 1991

Petro, Patrice, Joyless Streets: Women and Melodramatic Representation in Weimar Germany, Princeton: Pr. Un. Pr., 1989

Plagens, Peter, "Gilbert and George: How English is It?", Art in America, 72, October 1984, 178-83

Pollock, Griselda, "Feminism and Modernism," in Rozsika Parker and G. Pollock, ed., Framing Feminism, 1987, 79-124; repr. as "Modernity and the Spaces of Feminism" in Norma Broude and Mary Garrard, eds., The Expanding Discourse: Feminism and Art History, New York: HarperCollins, 1992

Pollock, Griselda, "Feminism, Feminity and the Hayward Annual Exhibition," Feminist Review, 1979, repr. in Rozsika Parker and G. Pollock, eds., Framing Feminism, New York: Routledge, Kegan, Paul, 1987

Prelinger, Elizabeth, Käthe Kollwitz, New Haven: Yale University Press, 1992

Rand, Erica, "Women and Other Women: One Feminist Focus for Art History", Art Journal, 50, Summer 1991, 29-34

Randall, Richard S., Freedom and Taboo: Pornography and the Politics of a Self Divided, Berkeley: Univ. of California Press, 1989

Rando, Flavia, "The Essential Representation of Woman", Art Journal, 50, Summer 1991, 48-52 [feminist theory and representation]

Raven, Arlene, Cassandra Langer, and Joanna Frueh, eds., Feminist Art Criticism, Harper and Row, 199X

Raven, Arlene. “Womanhouse,” in Norma Broude and Mary D. Garrard, eds., The Power of Feminist Art: The American Movement of the 1970’s, History and Impact, New York: Harry N. Abrahms, Inc., 1994

Raymond, Diane, ed., Sexual Politics and Popular Culture, Bowling Green: Bowling Green State University Popular Press, 1990

Ricard, Rene, "An Art of Regret", Artforum, 23, Summer 1985, 86-90 [homosexuality]

Roberts, Mary Louise, Civilization Without Sexes. Reconstructing Gender in Postwar France, 1917-1927, Chicago: University of Chicago Press, 1994

Roque, Georges, "Magritte's Words and Images," Visible Language, 23, Spring/Summer, 1990, 220-237

Rosenblum, Robert, "The Fatal Women of Picasso and De Kooning", Art News, 84, October 1985, 98-103

Roth, Moira, Connecting Conversations. Interviews with 28 Bay Area Women Artists,

Roth, Moira, The Amazing Decade: Women and Performance Art in America, 1970-1980,

Schapiro, M. and F. Wilding, "Cunts/Quilts/Consciousness: The Short History of Feminist Art and Its Imagery," Heresies, 6, 4, 1989, 6-10

Schapiro, Miriam. “The Education of Woman as Artists: Project Womanhouse,” article now in JStorr,

Schjeldahl, Peter, "Welcome to Helgaland," Art in America, 74, Oct. 1986, 11- [media hype over Wyeth's Helga paintings]

Schor, Mira, "A Plague of Polemics", Art Journal, 50, Winter 1991, 36-

Schor, Mira, "Medusa redux: Ida Appleborg and the Spaces of Post-modernity," Artforum, 28, Mar 1990, 116-122

Schor, Mira, "Patrilineage", Art Journal, Summer 1991, 58-

Schor, N., "Duane Hanson: Truth in Sculpture," idem, Reading in Detail: Aesthetics and the Feminine, New York: Methuen, 1987

Segal, Eric, “Norman Rockwell and the Fashioning of American Masculinity,” Art Bulletin, LXXVIII, 4, 1996, 633-646

Shattuc, Jane M., "Postmodern Misogyny in 'Blue Velvet'", Genders, 13, Spring 1992, 73-89

Sheppard, Alice, "There were Ladies Present: American Women Cartoonists and Comic Artists in the Early Twentieth Century", Journal of American Culture, 7, Fall 1984, 38-48

Silver, Kenneth E., "Matisse's retour à l'ordre (The early Years in Nice, 1916-1930)", Art in America, 75, June 1987, 110-123

Silver, Kenneth E., "Report from London: the Body Politic", Art in America, 79, March 1991, 45-49Sims, Lowery Stokes, "Bob Colescott ain't just Misbehavin'", Artforum, 22, March 1984, 56-59

Silvers, Anita, "Has Her(oine's) Time Now Come?", Journal of Aesthetics and Art Criticism, 48, Fall 1990, 365-379 [modern]

Sims, Lowery, "Race Riots, Cocktail Parties, Black Panthers, Moon Shots, and Feminists: Faith Ringgold's Observations on the 1960s in America," ; repr. in Norma Broude and Mary Garrard, eds., The Expanding Discourse: Feminism and Art History, New York: HarperCollins, 1992

Simmons, Sherwin, “Ernst Kirchner’s Streetwalkers: Art, Luxury, and Immorality in Berlin, 1913-1916,”


Art Bulletin, LXXXII, 1, March 2000, 117-148

Smith, Allison, The Victorian Nude, Manchester Univ Press, 1996

Smith, Bernard, “Modernity and the Formalesque,” in Terry Smith, ed, In Visible Touch: Modernism and Masculinity, Chicago: Un of Chicago Press, 1998

Smith, Graham, "Robert Rauschenberg's 'Odalisque'", Wallraf-Richartz-Jahrbuch, 44, 1983, 375-382

Smith, Terry, "From the Margins: Modernity and the Case of Frida Kahlo," Block 8, 1983, 11-23

Smith, Terry, In Visible Touch: Modernism and Masculinity, Chicago: Un of Chicago Press, 1998

Sontag, Susan, "The Pornographic Imagination," in Georges Bataille, Story of the Eye, New York: Penguin Books, 1982

Spate, Virginia. “Mother and Son: Boccioni’s Paintings and Sculpture 1906-1915,” in Terry Smith, ed, In Visible Touch: Modernism and Masculinity, Chicago: Un of Chicago Press, 1998

Squiers, Carol, "Domestic Blitz: the Modern Cleans House" (Pleasures and Terrors of Domestic Comfort: Museum of Modern Art, New York travelling exhibit), Artforum, 30, October 1991, 88-91

Steinberg, Leo, "La Fin de partie de Picasso", Cahiers du musée national d'art moderne, 27, Spring 1989, 10-38

Stern, Sally, "The Graphic Ordering of Desire: Modernization of a Middle-Class Women's Magazine, 1914-39", The Contest of Meaning, ed. Richard Bolton, MIT, 1989, 145-162

Suleiman, Susan, Subversive Intent: Gender, Politics and the Avant-garde, Cambridge: Harvard University Press, 1990

Sykora, Katharina, "Jeanne Mammen", Woman's Art Journal, 9, Fall/Winter 1988-89, 28-31 [20th c.]

Tamblyn, Christine, "No more nice Girls: Recent Transgressive Feminist Art", Art Journal, 50, Summer 1991, 53-57

Tesfagiorgis, Freida High, "Afrocentrism and Its Fruition in the Art of Elizabeth Catlett and Faith Ringgold," ; repr. in Norma Broude and Mary Garrard, eds., The Expanding Discourse: Feminism and Art History, New York: HarperCollins, 1992

Theweleit, Klaus, Male Fantasies, Minneapolis: University of Minnesota Press, 1987 (early 20th c. Germany)

Tickner, Lisa, "Pankhurst, Modersohn-Becker, and the Obstacle Race," Block, Spring 1980

Tickner, Lisa, "Sexuality and/in Representation: Five British Artists," Differences: On Representation and Sexuality, 19-30

Tickner, Lisa, "The Body Politic: Female Sexuality and Women Artists Since 1970," Art History, 12, 1978, repr. in Rozsika Parker and G. Pollock, ed., Framing Feminism, 1987

Todd, Ellen Wiley, "Will (S)he Stoop to Conquer? Preliminaries Towards a Reading of Edward Hopper's 'Office at Night,'" in Norman Bryson, Michael Ann Holly, and Keith Moxey, eds., Visual Theory: Painting and Interpretation, Polity Press, 1990, 47-53

Todd, Ellen Wiley, The "New Woman" Revised: Painting and Gender Politics on Fourteenth Street, Berkeley: Univ. of Calif Press, 1993 [American art 1919-38]

1   2   3   4   5   6   7


The database is protected by copyright ©essaydocs.org 2016
send message

    Main page