For immediate release

Download 25.92 Kb.
Date conversion20.04.2016
Size25.92 Kb.


Beat Memories: The Photographs of Allen Ginsberg
The first major San Francisco exhibition of Ginsberg’s photographs
May 23–September 8, 2013
San Francisco, CA, April 1, 2013— One of the most visionary writers of his generation and author of the celebrated poem “Howl,” Allen Ginsberg (1926–1997) was also a photographer. From 1953 until 1963 he made numerous, often exuberant portraits of himself and his friends, including the Beat writers William S. Burroughs, Neal Cassady, Gregory Corso, and Jack Kerouac. Eager to record “certain moments in eternity” as he wrote, he kept his camera by his side when he was at home or traveling around the world. For years Ginsberg’s photographs languished among his papers. When he finally rediscovered them in the 1980s, he reprinted them, adding handwritten inscriptions. Inspired by his earlier work, he also began to photograph again, recording longtime friends and new acquaintances.
Organized by the National Gallery of Art, Washington, D.C., Beat Memories: The Photographs of Allen Ginsberg includes over eighty photographs by the renowned poet that tenderly capture the young writers and rebels who would define the Beat Generation.
“The Museum is thrilled to host this exhibition of Ginsberg’s photographs many of which were taken in San Francisco,” says Colleen Stockmann, Assistant Curator. “The Beat Generation is such a vibrant part of our city’s history, and we are really pleased to be partnering with City Lights and the Queer Cultural Center on various events throughout the run of the exhibition to breathe new life into its legacy.”
The same approaches that inform Ginsberg’s poetry—intense observation of the world, deep appreciation for the beauty of the vernacular, faith in intuitive expression—also permeate his photographs. When Ginsberg first began to take photographs in the 1950s, he, like countless other amateurs, had his film developed and printed at local drugstores. A selection of these “drugstore prints” is presented at the beginning of the show.
A number of early photographs—such as Jack Kerouac wandering along East 7th Street… (1953) and Bob Donlon (Rob Donnelly, Kerouac’s ‘Desolation Angels’), Neal Cassady, myself in black corduroy jacket… (1956)—capture the tender, playful quality of Ginsberg’s close-knit group of friends. He later observed that his photographs were like “looking back to a fleeting moment in a floating world.” Ginsberg viewed his snapshots as casual and unselfconscious “keepsakes,” which he made without the intention of showing them to anyone outside his circle of friends. Other works, such as The first shopping cart street prophet I’d directly noticed… (1953) and Rebecca Ginsberg… (1953), reveal his self-taught visual skills.
The second section of the exhibition presents Ginsberg’s later photographs, taken from the early 1980s until his death. These images were immediately embraced by the art world, and works such as Publisher-hero Barney Rosset… (1991) and Lita Hornick in her dining room… (1995) were exhibited in galleries and museums around the world. Prestigious institutions acquired Ginsberg’s photographs for their permanent collections, and two books were published. Ginsberg was not simply a casual bystander; he actively promoted his photography.
Revisiting his early works in the 1980s, Ginsberg added extensive inscriptions beneath each image, describing both his relationship with the subject and his memories of their times together. Ginsberg’s scrawling, handwritten captions establish a direct link between the artist and his audience, immersing us in the writer’s process and setting a deeply personal tone. The descriptions often reflect on the passage of time and the collision between past and present, making the photographs both records and recollections of an era.
“Ginsberg had the remarkable ability to focus on the present,” notes Sarah Greenough, Senior Curator and head of the Department of Photographs at the National Gallery of Art. “Although his later prints are less exuberant than his earlier photographs, they speak of the acceptance and insight of a quiet yet continual celebration of life.”
Most of the later works were recently donated to the National Gallery by Gary S. Davis; others are lent from Mr. Davis’ personal collection and by the Howard Greenberg Gallery.
Allen Ginsberg (1926–1997)

Born and raised in New Jersey, Allen Ginsberg moved to New York City in 1943 to begin undergraduate study at Columbia University. There he met Jack Kerouac, William S. Burroughs, and Neal Cassady, who would become leading Beat figures. In 1953, Ginsberg purchased a small, secondhand Kodak camera and began photographing himself and his friends in New York, San Francisco, and on his travels around the world. At the same time, he was developing his poetic voice. In 1955 he read his provocative and now-famous poem “Howl” to a cheering audience at the Six Gallery in San Francisco. Both Kerouac’s On the Road (1957) and Ginsberg’s “Howl” were immediately hailed as captivating if challenging expressions of new voices and new visions for American literature. Celebrating personal freedom, sexual openness, and spontaneity, the two writers came to be seen as the embodiment of a younger generation—the Beats—who rejected middle-class American values and aspirations, and decried materialism and conformity.

Ginsberg abandoned photography in 1963, concentrating instead on his literary career. He wrote and published deeply moving and highly influential poetry for the rest of his life, including Kaddish and Other Poems, 1958–1960 (1961) and The Fall of America: Poems of These States, 1965–1971 (1972), which was awarded a National Book Award in 1974. Using his fame to advance social causes, he also continued to capture public attention as an outspoken opponent to the Vietnam War and American militarism, and as a champion of free speech, gay rights, and oppressed people around the world.

In 1983 Ginsberg became increasingly interested in ensuring and perpetuating his legacy. Inspired by the discovery of his old negatives and encouraged by photographers Berenice Abbott and Robert Frank, he reprinted many early photographs and took new portraits of friends and acquaintances, such as the musician Bob Dylan (Bob Dylan, Tompkins Square Park… [1990]) and the painter Francesco Clemente (Francesco Clemente looking over hand-script album… [1984]).

With their casual style, immediacy, emphatic autobiographical focus, and peculiar combination of past visions and present voice, Ginsberg’s photographs resonate with audiences. Although these photographs form one of the most revealing records of the counterculture Beat generation from the 1950s through the 1990s—tracing its journey from youth to old age—Ginsberg’s pictures are far more than historical documents. Drawing on the most common form of photograph, the snapshot, he created spontaneous, uninhibited pictures of ordinary events to celebrate and preserve what he called “the sacredness of the moment.”

The exhibition includes a listening area that provides visitors an opportunity to hear Ginsberg in his own voice. Audio excerpts include 1950s recordings of “Howl” and “Kaddish”, a poem written for his mother and drawing on notions of traditional Jewish mourning. 

Beat Memories: The Photographs of Allen Ginsberg is organized by the National Gallery of Art, Washington, D.C. Presenting partnership for this exhibition is provided by an anonymous donor. Supporting sponsorship has been provided by The Jim Joseph Foundation, BNY Mellon, and Sheila Sosnow and Richard Nagler.
Exhibition Catalog
Beat Memories: The Photographs of Allen Ginsberg is accompanied by a fully illustrated catalog with an essay by Sarah Greenough that explores the connection between Ginsberg’s poetry and photography, and a 1991 interview between Ginsberg and Thomas Gladysz. Co-published by the National Gallery of Art and DelMonico Books, an imprint of Prestel Publishing, the catalog also includes a selected bibliography and chronology of Ginsberg’s photographic activity.
Gathering of Angels”—Opening night program and party

Thursday, May 23 | 6:30–8:30pm

$20 General

In this highly anticipated opening salvo of the exhibition Beat Memories: The Photographs of Allen Ginsberg, join the National Gallery of Art’s Curator of Photography, Sarah Greenough, in a talk about making of this exhibition. Following the talk will be an original musical arrangement of Ginsberg’s 1956 poem “America” by Conspiracy of Beards’ musical director Daryl Henline. The evening will also include a pop-up poetry salon, drop-in zine making with Rad Dad creators, a typewriter petting zoo, and a cash bar.


Tuesday, Jun 4 | 2–3:30pm

Free in conjunction with Free First Tuesdays
In celebration of Allen Ginsberg’s birthday (on June 3 he would have been 87) the Contemporary Jewish Museum screens the modern classic film Howl which explores the sensationalism surrounding the publication of one of the most important poems of the twentieth century. The film is a great primer to Ginsberg’s poem “Howl” and the accompanying obscenity trials that changed the future of modern literature. Film directed by Rob Epstein and starring Jon Hamm and Mary Louise Parker; animation by Eric Drooker (84 min, 2010).
Quiet Lightning: Neighborhood Heroes Edition

Thursday, Jun 6 | 6:30–8pm

Free with Museum admission
Experience the ecstatic high-energy happening-style of the Beats during Quiet Lightning’s Ginsberg-inspired show. The Neighborhood Heroes edition honors exceptional members of the Bay Area literary world. Authors include Kevin Killian, Sarah Ladipo Manyika, Joseph Lease, and more.
Snapshot Poetics Now: Queer Encounters with Allen Ginsberg

Sunday, Jun 23 | 2–5pm

Free with Museum admission

Inspired by Ginsberg’s collection of inscribed snapshots, Bay Area artists and scholars will create a unique performance-based tour of the gallery. Performances will be drawn from encounters with Allen Ginsberg and his legendary cohort of Beat writers, artists, and lovers. Performers and scholars include Jewelle Gomez, Richard Meyer, Tirza Latimer, Justin Chin, Jaime Cortez, and DL Alvarez. Created by the Queer Cultural Center.

Ginsberg Festival

Thursday, July 11–Sunday, July 14

Four days of talks and readings including an opening night talk; “Beat Café” at the Mechanics Library; Poetry Shabbat at Sha’ar Zaav; and a panel discussion of obscenity trials, contemporary censorship, and Internet freedom. There will be special tours of North Beach and the Beat Museum held throughout. More information about specific events at

UnderCover Presents: Bob Dylan’s Highway 61 Revisited

Sunday, September 8 | 2–5pm

Over 50 San Francisco musicians, artists, film makers, and writers participate in this afternoon of creative covers exploring Bob Dylan’s album, Highway 61 Revisited. The concert highlights the Jewish father-son relationship between Dylan and Ginsberg. Musical director Karina Denike.
About the Contemporary Jewish Museum
With the opening of its new building on June 8, 2008, the Contemporary Jewish Museum ushered in a new chapter in its twenty-plus year history of engaging audiences and artists in exploring contemporary perspectives on Jewish culture, history, art, and ideas. The facility, designed by internationally renowned architect Daniel Libeskind, is a lively center where people of all ages and backgrounds can gather to experience art, share diverse perspectives, and engage in hands-on activities. Inspired by the Hebrew phrase “L’Chaim” (To Life), the building is a physical embodiment of the CJM’s mission to bring together tradition and innovation in an exploration of the Jewish experience in the twenty-first century.
Major support for the Contemporary Jewish Museum comes from the Koret and Taube Foundations, who are the Lead Supporters of the 2012/13 exhibition season. The Museum also thanks The Jim Joseph Foundation for its major support of innovative strategies for educating and engaging audiences in Jewish learning. Additional major support is provided by an Anonymous Donor, The Skirball Foundation; the Bernard Osher Jewish Philanthropies Foundation of the Jewish Community Federation and Endowment Fund; Walter and Elise Haas Fund; Grants for the Arts/San Francisco Hotel Tax Fund; The Covenant Foundation; Institute of Museum and Library Services; Bank of America; Gaia Fund; The Horace W. Goldsmith Foundation; Osterweis Capital Management; Target; the Jewish Community Federation of San Francisco, the Peninsula, Marin and Sonoma Counties; The John & Marcia Goldman Foundation; the Alexander M. and June L. Maisin Foundation of the Jewish Community Federation and Endowment Fund; and Columbia Foundation.
For more information about the Contemporary Jewish Museum, visit the Museum’s website at

For media information or visuals visit our online press gallery or please contact:

Contemporary Jewish Museum

Nina Sazevich

Public Relations
Melanie Samay
Marketing & Communications Associate
General Information

The Museum is open daily (except Wednesday) 11am–5pm and Thursday, 1–8pm. Museum admission is $12 for adults, $10 for students and senior citizens with a valid ID, and $5 on Thursdays after 5pm. Youth 18 and under always get in free. For general information on the Contemporary Jewish Museum, the public may visit the Museum’s web site at or call 415.655.7800. The Contemporary Jewish Museum is located at 736 Mission Street (between Third & Fourth Streets), San Francisco.

# # #

The database is protected by copyright © 2016
send message

    Main page