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How to specify focus without using acoustic features Monique E. van Donzel AbstractHow to specify focus without using acoustic features Monique E. van Donzel Abstract
We further present a method that should be able to indicate the internal focal structure of a text, both in a read aloud version and in a freely retold version. This method is illustrated by an example text analysis
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Gilmer isd scope & Sequence Grade 8 English Language ArtsGilmer isd scope & Sequence Grade 8 English Language Arts
The recommended number of lessons is less than the number of days in the grading cycle to accommodate differentiated instruction, extended learning time
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Vietnam diary by mark wilsonVietnam diary by mark wilson
Wwi. He and his older brother Leigh became inseparable as boys, until Jason was conscripted to fight in the Vietnam War which led to differences between them
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Court of appealCourt of appeal
Official English version of the judgment rendered by the Court of Appeal of Quebec on October 24, 2013
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Types of Traditional LiteratureTypes of Traditional Literature
Traditional literature is still alive, being retold and updated. Modern folklorists wish to classify the stories, but it is difficult to fit some tales into a class by themselves
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Islamic fundamentalism: a brief surveyIslamic fundamentalism: a brief survey
Religious fundamentalism fits uncomfortably into this world,” declares one scholar. 1 To fundamentalists, notes another scholar, “religious enemies are important.”2
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The United Nations as a BridgeThe United Nations as a Bridge
But to also identify whose responsibility it is to make sure that un actually functions
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About Life: The Photographs of Dorothea Lange Lesson Plan Lange & Steinbeck: Pictures and WordsAbout Life: The Photographs of Dorothea Lange Lesson Plan Lange & Steinbeck: Pictures and Words
Author: Steven Gee, English Teacher, Fairfax Senior High School Magnet Center for the Visual Arts, Los Angeles, with J. Paul Getty Museum Education Staff
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Flaubert\Flaubert's Parrot Julian Barnes
I am grateful to James Fenton and the Salamander Press for permission to reprint the lines from 'a german Requiem' on page 115. The translations in this book are by Geoffrey Braithwaite
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Chapter 5 Forms of Historic Imagination: Visual Culture, Historiography, and the Tropes of War in Nineteenth-Century VenezuelaChapter 5 Forms of Historic Imagination: Visual Culture, Historiography, and the Tropes of War in Nineteenth-Century Venezuela
Forms of Historic Imagination: Visual Culture, Historiography, and the Tropes of War in Nineteenth-Century Venezuela1
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