formal qualities

Harc e-200: art in the contact zoneHarc e-200: art in the contact zone
From there, we will consider the ways in which later 20th and then 21st century artists have deliberately and self-consciously addressed issues related to transnationalism, colonialism and globalization in their work
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Weber ht ndt 7 vs uco vy 1ACWeber ht ndt 7 vs uco vy 1AC
Spanos 2k (William V, Professor of English at Binghamton University, America’s Shadow, p. 10-13)
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Philosophies of art/Aesthetic StancesPhilosophies of art/Aesthetic Stances
How do you judge a work of art? That may depend on the context and the philosophy(ies) of aesthetics that are applied. Aesthetics may vary in different cultures and different time periods
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Eng 2300: Film Analysis Summer Class: m-f 3 (11am-12: 15pm) flg 285 Screenings: m & w 6-7 (3: 30pm-6: 15pm) tur 2334 course descriptionEng 2300: Film Analysis Summer Class: m-f 3 (11am-12: 15pm) flg 285 Screenings: m & w 6-7 (3: 30pm-6: 15pm) tur 2334 course description
Classical Hollywood, challenging you to think about how films reflect on the practice of filmmaking and the cinematic apparatus. The fourth section pulls the critical knowledge and analytical skills you have learned together in an examination of monsters
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The Classical Period In Greek Art & PhilosophyThe Classical Period In Greek Art & Philosophy
Adapted from Charles Van Doren’s a history of Knowledge and Marilyn Stokstad’s Art History
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Kant’s “Formalism”? – Distinguishing between Aesthetic Judgment and an Overall Response to Art in the Critique of JudgmentKant’s “Formalism”? – Distinguishing between Aesthetic Judgment and an Overall Response to Art in the Critique of Judgment
Kant’s “Formalism”? – Distinguishing between Aesthetic Judgment and an Overall Response to Art
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